Person Results

Switch back to the old search page.Advanced Search

Showing 11 - 20 of 26Results Per Page: 10 20 50

Susan H. Peterson

1950 - 2004 Meter: 10.10.10 D Author of "Since Through God's Mercy" in The Cyber Hymnal Born: October 17, 1950, Port Angeles, Washington. Died: July 23, 2004, Peralta, New Mexico. Susan was the second of two girls in the family. Her father worked for the National Park Service, so Susan enjoyed growing up in National Parks and Historic Sites across America. She did her undergraduate work at Stanford University and earned a BS in mathematics in 1972. The next year she took a one-year graduate program at Multnomah School of the Bible in Portland, Oregon, and received a Certificate of Bible upon completion. She decided not to pursue a career in computer science, as she had originally intended, instead embarking on a series of jobs in which she honed her office skills and gained some missions experience. She spent 1976 in Tanzania under the Africa Inland Mission. Upon her return, she settled in Portland, Oregon, where she learned word processing and did editing and proofreading. In 1990, Susan decided to go back to school to learn how to work with visually impaired and blind adults. She received her MA in rehabilitation teaching of the blind from the University of Arkansas at Little Rock in 1991. She then moved to Fort Collins, Colorado, where she worked as an editor and desktop publishing technician for 10 years and did volunteer rehabilitation teaching in her spare time. Much of Susan’s editing and desktop publishing work was on books produced by the Missions Commission of World Evangelical Alliance, including Working Your Way to the Nations, Too Valuable to Lose, Send Me!, Global Missiology for the 21st Century, and Doing Member Care Well. She also worked part time for Emergency World, a company that produced training materials for emergency response personnel. Susan moved back to Oregon in 2002, where she continued the same work she did in Colorado. For several years, Susan worked with Wycliffe Associates as part of a team that helped keyboard Bibles and New Testaments that were printed before the age of computers and that needed to be put into electronic format, so that they could be updated or adapted for other languages. Susan’s career as a hymn writer began in 1997, when she set a goal of writing 100 hymns. Her method was to select a passage of Scripture for each song and then find a hymn tune that seemed to fit the passage. She thus combined the enduring Word of God with melodies that have stood the test of time. Her songs were a blessing to her, and she was pleased to be able to share them with others. Lyrics: Alpha, Omega Ascribe to the Lord Our God Be Now Imitators of Your Lord Be Strong in God Behold, These Words Are Trustworthy and True Blest Are the Poor Blest Is the Man Christ a Blind Man Saw One Day Clothe Yourself with Humility Come and Hear the Words of Jesus Come unto Me Count It Joy Cursed Is the One Who Trusts in Man Do Not Be Surprised Do Not Worry Earth Belongs to the Lord, The Everyone Should Be Quick to Listen Faith Means We’re Sure Faith of Our Brothers For unto Us a Child Is Born Give Thanks to God the Lord God, Keep Me Safe God Most High, We Praise You God, the Blessed and Only Ruler God the Lord Does Ask Hallelujah, Praise the Lord! He Has Given Us His Promises Hear Now My Praise, O Lord Holy, Holy, Lord God Almighty How Can I, Lord, Keep My Way Pure? How Good It Is, Lord How Great the Love How Many Are Your Works, Lord I Am the Lord, Your God I Am the Vine I Extol You, O Lord I Kneel Before You, Lord I Praise You, Lord If Any Person Is in Christ If You Love Me If You Would Come After Me In You, O Lord, I Put My Trust It Is Good to Praise th’Almighty Jesus, the Good Shepherd Jonah Just Trust in Me Kingdom of Your Heavenly Father, The Let Not Your Hearts Be Troubled Let Your Mindset Be the Same Live with Each Other in Love Lord, I Extol Your Name Lord, We Come and Offer Praise Lord, You Have Been Our Dwelling Lord, You Have Searched Me Lord, You’ve Called Us as Your Servants Love Must Be Sincere and Honest Lovely, O Lord, Is Your Dwelling Place Majestic Is Your Name Man Named Nicodemus, A My God, in Whom I Trust My Light and My Salvation My Soul Finds Rest in God Alone Now Let Us Love Each Other Now That You’ve Tasted O Come, Let Us Sing O God, You Are My God O Lord, Life Is Sacred O Lord, You Reign o’er Earth and Sea O Lord, You’re My Shepherd O May All the Peoples Praise You O Shout for Joy Oh, How Majestic and Glorious Oh, the Depth of God’s Wisdom One Day There’ll Be New Earth and Heaven One Named Lazarus Praise Be unto Our God Ephesians Praise Him, Praise Him, Praise Him Praise, O Servants of the Lord Praise the Lord, My Soul Put Off Your Old Self Wholly Rejoice in God Savior, Like a Shepherd Since Through God’s Mercy Since We Are Now Surrounded Since We Have Confidence Sing to the Lord Sing with Joy This God’s Our God Though I Speak To Whom Will You Compare God? Trust in the Lord with All Your Heart Unto You I Lift My Soul Up Up to the Hills I Look We Now Have Peace with God We Thank You, Lord Wedding Took Place, A Well Done, Good and Faithful Servant What Good Can Come? What Shall We Say? Where Can One Look for --www.hymntime.com/tc

Justian I

483 - 565 Person Name: Emperor Justinian, 483-565 Meter: 10.10.10 D Author of "O Word Immortal of Eternal God" in The Cyber Hymnal Saint Justinian, a major figure in the history of the Byzantine state, was also a great champion of Orthodoxy, a builder of churches and a Church writer. He is said to be of Slavic descent, perhaps born in Bulgaria. During his reign (527-565) Byzantium won glory with military victories in Persia, Africa, Italy, as a result of which paganism was decisively routed among the Germanic Vandals and Visigoth tribes. By command of the emperor Justinian the pagan schools in Athens were closed. Justinian sent John, the Bishop of Ephesus, throughout the regions of Asia Minor with the aim of spreading Christianity. John baptized more than 70 thousand pagans. The emperor gave orders to build ninety churches for the newly-converted, and he generously supported church construction within the Empire. His finest structures of the time are considered to be the monastery at Sinai, and the church of Hagia Sophia at Constantinople. Under St Justinian many churches were built dedicated to our Most Holy Lady Theotokos. Since he had received a broad education, St Justinian assiduously concerned himself with the education of clergy and monks, ordering them to be instructed in rhetoric, philosophy and theology. The right-believing sovereign devoted much attention and effort to the struggle with the Origenists of his time, who then were reviving the Nestorian heresy. To counter their heretical speculations, the Church hymn “Only-Begotten Son and Immortal Word of God, Who for our salvation...” was composed, and Justinian commanded that it be sung in the churches. From that time to the present day, this hymn is sung at the Divine Liturgy before the Small Entrance after the second Antiphon. At the command of the sovereign, the Fifth Ecumenical Council was convened in the year 553, censuring the teachings of Origen and affirming the definitions of the Fourth Ecumenical Council at Chalcedon. He also attempted to secure religious unity within the Empire through his (unsuccessful) dialogues with the non-Chalcedonians. The holy Emperor Justinian wished to have orderly rule and law within the realm. Under his guidance and supervision a complete compendium of Roman law was compiled. It has come down to us as a law codex known as “the Justinian Codex.” The “Church laws” of Justinian are included in all the variants of the Russian collections of Canon Law. In his personal life, St Justinian was strictly pious, and he fasted often. During Great Lent he would not eat bread nor drink wine. He is also remembered for promoting the idea of “symphony” between church and state. The holy Emperor Justinian died in the year 565. The Empress Theodora, who died in the year 548, was also numbered among the saints with her husband. She was at first a notorious harlot and actress, and an adherent of the Monophysite heresy, but then she repented. After becoming empress, she led a virtuous life, maintaining purity of both soul and body. She provided wise counsel for her husband during his reign, and she also saved his throne during the Nika riots of 532 by her political intelligence and expertise. --oca.org/saints/lives

Henry Leslie

1822 - 1896 Person Name: H. Leslie Meter: 10.10.10 D Composer of "BRYN TANAT" Henry David Leslie, English composer and conductor, born in London; studied music in London; In 1855 formed the celebrated Henry Leslie's choir, which he conducted until 1880, and again, 1885-87. He conducted the Herefordshire Philharmonic Society, 1863, and, 1874, was director and conductor of the Guild of Amateur Musicians. His compositions are numerous, including a Te Deum and Jubilate in B; "Immanuel," oratorio; "Bold Dick Turpin,: operetta; "Judith," oratorio; "Ida," opera; much instrumental music, many songs, part songs, anthems, and other church music. From Appleton's New Practical Cyclopedia (Vol IV), New York: D. Appleton and Company, 1920

H. N. Lincoln

1859 - 1948 Person Name: Horace N. Lincoln Meter: 10.10.10 D Arranger of "GREAT SALT LAKE" in The Cyber Hymnal Horace Neely Lincoln, 1859-1948. Horace was the son of James Lincoln and Emaline King, and husband of Etta Lee Thurmand (married 1887). He moved with his family to Texas when he was seven years old. At age 10, he began attending a singing school conducted by James M. Jolley of Mississippi. In 1880, he taught his first singing class in his old neighborhood school house. Later that year, he attended his first normal music school, taught at Mountain Home (now Holland), Texas. Lincoln had other musical training under L. B. Shook (a former student of Philip Bliss) and John McPherson of Illinois. In 1898, he graduated from the Chicago National College of Music, and in 1906 took a post-graduate course under Horatio Palmer. Lincoln eventually became president of the Songland Music Company, and the World’s Normal Musical College. © The Cyber Hymnal™ (hymntime/tch)

Orlando Gibbons

1583 - 1625 Meter: 10.10.10 D Composer of "SONG 24 (Gibbons)" in The Cyber Hymnal Orlando Gibbons (baptised 25 December 1583 – 5 June 1625) was an English composer, virginalist and organist of the late Tudor and early Jacobean periods. He was a leading composer in the England of his day. Gibbons was born in Cambridge and christened at Oxford the same year – thus appearing in Oxford church records. Between 1596 and 1598 he sang in the Choir of King's College, Cambridge, where his brother Edward Gibbons (1568–1650), eldest of the four sons of William Gibbons, was master of the choristers. The second brother Ellis Gibbons (1573–1603) was also a promising composer, but died young. Orlando entered the university in 1598 and achieved the degree of Bachelor of Music in 1606. James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1623 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist. He also held positions as keyboard player in the privy chamber of the court of Prince Charles (later King Charles I), and organist at Westminster Abbey. He died at age 41 in Canterbury of apoplexy, and a monument to him was built in Canterbury Cathedral. A suspicion immediately arose that Gibbons had died of the plague, which was rife in England that year. Two physicians who had been present at his death were ordered to make a report, and performed an autopsy, the account of which survives in The National Archives: We whose names are here underwritten: having been called to give our counsels to Mr. Orlando Gibbons; in the time of his late and sudden sickness, which we found in the beginning lethargical, or a profound sleep; out of which, we could never recover him, neither by inward nor outward medicines, & then instantly he fell in most strong, & sharp convulsions; which did wring his mouth up to his ears, & his eyes were distorted, as though they would have been thrust out of his head & then suddenly he lost both speech, sight and hearing, & so grew apoplectical & lost the whole motion of every part of his body, & so died. Then here upon (his death being so sudden) rumours were cast out that he did die of the plague, whereupon we . . . caused his body to be searched by certain women that were sworn to deliver the truth, who did affirm that they never saw a fairer corpse. Yet notwithstanding we to give full satisfaction to all did cause the skull to be opened in our presence & we carefully viewed the body, which we found also to be very clean without any show or spot of any contagious matter. In the brain we found the whole & sole cause of his sickness namely a great admirable blackness & syderation in the outside of the brain. Within the brain (being opened) there did issue out abundance of water intermixed with blood & this we affirm to be the only cause of his sudden death. His death was a shock to peers and the suddenness of his passing drew comment more for the haste of his burial – and of its location at Canterbury rather than the body being returned to London. His wife, Elizabeth, died a little over a year later, aged in her mid-30s, leaving Orlando's eldest brother, Edward, to care for the children left orphans by this event. Of these children only the eldest son, Christopher Gibbons, went on to become a musician. One of the most versatile English composers of his time, Gibbons wrote a quantity of keyboard works, around thirty fantasias for viols, a number of madrigals (the best-known being "The Silver Swan"), and many popular verse anthems. His choral music is distinguished by his complete mastery of counterpoint, combined with his wonderful gift for melody. Perhaps his most well known verse anthem is This is the record of John, which sets an Advent text for solo countertenor or tenor, alternating with full chorus. The soloist is required to demonstrate considerable technical facility at points, and the work at once expresses the rhetorical force of the text, whilst never being demonstrative or bombastic. He also produced two major settings of Evensong, the Short Service and the Second Service. The former includes a beautifully expressive Nunc dimittis, while the latter is an extended composition, combining verse and full sections. Gibbons's full anthems include the expressive O Lord, in thy wrath, and the Ascension Day anthem O clap your hands together for eight voices. He contributed six pieces to the first printed collection of keyboard music in England, Parthenia (to which he was by far the youngest of the three contributors), published in about 1611. Gibbons's surviving keyboard output comprises some 45 pieces. The polyphonic fantasia and dance forms are the best represented genres. Gibbons's writing exhibits full mastery of three- and four-part counterpoint. Most of the fantasias are complex, multisectional pieces, treating multiple subjects imitatively. Gibbons's approach to melody in both fantasias and dances features a capability for almost limitless development of simple musical ideas, on display in works such as Pavane in D minor and Lord Salisbury's Pavan and Galliard. In the 20th century, the Canadian pianist Glenn Gould championed Gibbons's music, and named him as his favorite composer. Gould wrote of Gibbons's hymns and anthems: "ever since my teen-age years this music ... has moved me more deeply than any other sound experience I can think of." In one interview, Gould compared Gibbons to Beethoven and Webern: ...despite the requisite quota of scales and shakes in such half-hearted virtuoso vehicles as the Salisbury Galliard, one is never quite able to counter the impression of music of supreme beauty that lacks its ideal means of reproduction. Like Beethoven in his last quartets, or Webern at almost any time, Gibbons is an artist of such intractable commitment that, in the keyboard field, at least, his works work better in one's memory, or on paper, than they ever can through the intercession of a sounding-board. To this day, Gibbons's obit service is commemorated every year in King's College Chapel, Cambridge. --wikipedia.org

W. B. Bradford

1589 - 1657 Person Name: William Bradford Meter: 10.10.10 D Author of "And Truly It Is a Most Glorious Thing" in The Cyber Hymnal Born in 1590, William Bradford was one of the founders of Plymouth colony in 1620 and a signer of the Mayflower Compact. He served as the colony's governor for more than thirty years, and wrote "Of Plymouth Plantation," one of the first histories of European settlement in the New World, before his death in 1657. Born of substantial yeomen in Yorkshire, England, Bradford expressed his nonconformist religious sensibilities in his early teens and joined the famed Separatist church in Scrooby at the age of seventeen. In 1609 he immigrated with the congregation, led by John Robinson, to the Netherlands. For the next eleven years he and his fellow religious dissenters lived in Leyden until their fear of assimilation into Dutch culture prompted them to embark on the Mayflower for the voyage to North America. The Pilgrims arrived in what became Plymouth, Massachusetts, in 1621 with a large number of non-Separatist settlers. Before disembarking, the congregation drew up the first New World social contract, the Mayflower Compact, which all the male settlers signed. Bradford served thirty one-year terms as governor of the fledgling colony between 1622 and 1656. He enjoyed remarkable discretionary powers as chief magistrate, acting as high judge and treasurer as well as presiding over the deliberations of the General Court, the legislature of the community. In 1636 he helped draft the colony's legal code. Under his guidance Plymouth never became a Bible commonwealth like its larger and more influential neighbor, the Massachusetts Bay Colony. Relatively tolerant of dissent, the Plymouth settlers did not restrict the franchise or other civic privileges to church members. The Plymouth churches were overwhelmingly Congregationalist and Separatist in form, but Presbyterians like William Vassal and renegades like Roger Williams resided in the colony without being pressured to conform to the majority's religious convictions. After a brief experiment with the "common course," a sort of primitive agrarian communism, the colony quickly centered around private subsistence agriculture. This was facilitated by Bradford's decision to distribute land among all the settlers, not just members of the company. In 1627 he and four others assumed the colony's debt to the merchant adventurers who had helped finance their immigration in return for a monopoly of the fur trading and fishing industries. Owing to some malfeasance on the part of their English mercantile factors and the decline of the fur trade, Bradford and his colleagues were unable to retire this debt until 1648, and then only at great personal expense. Around 1630 Bradford began to compile his two-volume Of Plymouth Plantation, 1620-1647, one of the most important early chronicles of the settlement of New England. Bradford's history was singular in its tendency to separate religious from secular concerns. Unlike similar tracts from orthodox Massachusetts Bay, Bradford did not interpret temporal affairs as the inevitable unfolding of God's providential plan. Lacking the dogmatic temper and religious enthusiasm of the Puritans of the Great Migration, Bradford steered a middle course for Plymouth Colony between the Holy Commonwealth of Massachusetts and the tolerant secular community of Rhode Island. --www.history.com/topics/william-bradford

Robert P. Kerr

1850 - 1923 Meter: 10.10.10 D Author of "Hosanna To Jesus" in The Cyber Hymnal Born: 1850, Greensboro, Alabama. Buried: Mount Olivet Cemetery , Nashville, Tennessee. Kerr, Robert P., D.D., b. at Greensborough, Alabama, graduated at Union Theological Seminary, Va., 1873, and was ordained by the Presbytery of Lafayette, 1874. His Hymns of the Ages, a collection on conservative Evangelical lines which hardly justified its title, was published in N.Y., 1891. In it appeared his hymn,"Blessed country, home of Jesus," 1891, A later hymn, "Galilean King and Prophet," is dated 1901. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Alfred J. Caldicott

1842 - 1897 Meter: 10.10.10 D Composer of "ATHERSTONE" The eldest son of a hop merchant and amateur musician at Worcester, the Alfred James Caldicott was born there on November 26, 1842. Like his six brothers, he was a chorister in the Cathedral choir, and at the age of fourteen was articled to the late Mr. Done, the Cathedral organist. He subsequently entered the Conservatorium at Leipzig, where he studied under Moscheles, Hauptmann, and Plaidy. On his return to Worcester he became organist of St. Stephen's Church and to the Corporation, and also conductor of the Worcester Musical Society. In 1878 he took the degree of Bachelor in Music at the University of Cambridge, under the Professorate of Sir G.A.Macfarren. Three years later his sacred cantata "The Widow of Nain" was performed at the Worcester Musical Festival. After a short residence at Torquay in 1882, Mr. Caldicott settled in London in the following year, and was appointed a professor of harmony at the Royal College of Music. In 1885 he became musical director of the now defunct Albert Palace at Battersea. He toured with an opera company in America, 1890–91 and was conductor at the Comedy and other theatres. Mr Caldicott is, however, best known as a composer of vocal music cast in a light vein, in which he was highly successful. For the German Reed entertainments he composed "Treasure Trove" (1883) and other operettas, thirteen in all. "John Smith" and "The Girton Girl and the Milkmaid", composed for London theatres, were of a similar nature. Two cantatas for female voices – "A Rhine Legend" and "Queen of May" – must also be mentioned. Mr. Caldicott's humorous part-songs, of which "Humpty Dumpty" (special prize, Manchester Gentlemen's Glee Society, 1878) is a highly characteristic specimen, gave the lamented composer widespread popularity. --www.cph.rcm.ac.uk/

D. E. Dortch

1851 - 1928 Person Name: David Elijah Dortch Meter: 10.10.10 D Composer of "MEGHALAYA" in The Cyber Hymnal Born: March 5, 1851, Theta, Tennessee. Died: November 9/11, 1928, Tennessee. Buried: Rose Hill Cemetery, Columbia, Tennessee. Dortch was teaching music in Maury, Tennessee, in 1880, and was working as an evangelist by 1886. His works include: Tidings of Joy (Columbia, Tennessee: 1878) National Tidings of Joy (Nashville, Tennessee: National Baptist Convention of America, 1878) Gospel Melodies, with William Dale & Charles Pollock (Nashville, Tennessee: Cumberland Presbyterian Publishing House, 1890) Spirit and Life, with Edmund Lorenz (Dayton, Ohio: Christian Publishing Association, 1893) Choice Songs (Nashville, Tennessee: National Baptist Convention of America, 1894) Gospel Voices (Nashville, Tennessee: South-Western Publishing House, 1895) Gospel Voices No. 3 (Columbia, Tennessee: David E. Dortch, 1902) Hymns of Victory, Parts 1 and 2 (Columbia, Tennessee: Dortch Publishing Company, 1905) Happy Greetings to All (Charlotte, North Carolina: Dortch Publishing Company, 1916) © Cyber Hymnal™ (www.hymntime.com/tch)