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Thomas Aquinas

1225 - 1274 Person Name: Thomas Aquinas, c. 1227-74 Author of "O Bread to pilgrims given" in The Methodist Hymn-Book with Tunes Thomas of Aquino, confessor and doctor, commonly called The Angelical Doctor, “on account of," says Dom Gueranger, "the extraordinary gift of understanding wherewith God had blessed him," was born of noble parents, his father being Landulph, Count of Aquino, and his mother a rich Neapolitan lady, named Theodora. The exact date of his birth is not known, but most trustworthy authorities give it as 1227. At the age of five he was sent to the Benedictine monastery at Monte Cassino to receive his first training, which in the hands of a large-hearted and God-fearing man, resulted in so filling his mind with knowledge and his soul with God, that it is said the monks themselves would often approach by stealth to hear the words of piety and wisdom that fell from the lips of the precocious child when conversing with his companions. After remaining at Monte Cassino for seven years, engaged in study, St. Thomas, "the most saintly of the learned, and the most learned of the saints," returned to his family, in consequence of the sack of the abbey by the Imperial soldiers. From thence he was sent by his parents to the University of Naples then at the height of its prosperity, where, becoming intimate with the Fathers of the Dominican Order, and being struck, probably, by the devotedness and ability of the Dominican Professors in the University, he was induced to petition for admission into that order, though he was at that time not more than seventeen years of age. This step gave such umbrage to his mother that she caused him to be waylaid on the road to Paris (whither he was being hurried to escape from her), and to be kept for more than two years in prison, during which time his brothers, prompted by their mother, used all means, even the most infamous, to seduce him from religion. At last the Dominicans' influence with the Pope induced the latter to move the Emperor Frederick to order his release, when St. Thomas was at once hurried back to Naples by the delighted members of his order. He was afterwards sent to Rome, then to Paris, and thence to Cologne. At Cologne his studies were continued under the celebrated Albertus Magnus, with whom, in 1245, he was sent by the Dominican Chapter once more to Paris for study, under his direction, at the University. In 1248, when he had completed his three years' curriculum at Paris, St. Thomas was appointed, before he was twenty-three years of age, second professor and “magister studentium,” under Albertus, as regent, at the new Dominican school (on the model of that at Paris), which was established by the Dominicans in that year at Cologne. There he achieved in the schools a great reputation as a teacher, though he by no means confined himself to such work. He preached and wrote; his writings, even at that early age, were remarkable productions and gave promise of the depth and ability which mark his later productions. His sermons also at that time enabled him to attract large congregations into the Dominican church. In 1248 he was directed to take his degree at Paris; and though his modesty and dislike of honour and distinction made the proposal distasteful to him, he set out and begged his way thither; but it was not until October 23rd, 1257, that he took his degree. The interval was filled by such labours in writing, lecturing, and preaching, as to enable him by the time he became a doctor to exercise an influence over the men and ideas of his time which we at this time can scarcely realise. So much was this the case that Louis IX. insisted upon St. Thomas becoming a member of his Council of State, and referred every question that came up for deliberation to him the night before, that he might reflect on it in solitude. At this time he was only thirty-two years of age. In 1259 he was appointed, by the Dominican Chapter at Valenciennes, a member of a Commission, in company with Albertus Magnus and Pierre de Tarentaise, to establish order and uniformity in all schools of the Dominicans. In 1261 the Pope, Urban IV., immediately upon his election to the Pontifical throne, sent for St. Thomas to aid him in his project for uniting into one the Eastern and Western Churches. St. Thomas in that same year came to Rome, and was at once appointed by the General of his Order to a chair of theology in the Dominican College in that city, where he obtained a like reputation to that which he had secured already at Paris and Cologne. Pope Urban being anxious to reward his services offered him, first the Patriarchate of Jerusalem, and then a Cardinal's hat, but he refused both. After lecturing, at the request of the Pope, with great success at Vitervo, Orvieto, Perugia, and Fondi, he was sent, in 1263, as "Definitor," in the name of the Roman Province, to the Dominican Chapter held in London. Two years later Clement IV., who succeeded Urban as Pope, appointed him, by bull, to the archbishopric of Naples, conferring on him at the same time the revenues of the convent of St. Peter ad Aram. But this appointment he also declined. In 1269 he was summoned to Paris—his last visit— to act as "Definitor" of the Roman Province at the General Chapter of his Order, and he remained there until 1271, when his superiors recalled him to Bologna. In 1272, after visit¬ing Rome on the way, he went to Naples to lecture at the University. His reception in that city was an ovation. All classes came out to welcome him, while the King, Charles I., as a mark of royal favour bestowed on him a pension. He remained at Naples until he was summoned, in 1274, by Pope Gregory X., by special bull, to attend the Second Council of Lyons, but whilst on the journey thither he was called to his rest. His death took place in the Benedictine Abbey of Fossa Nuova in the diocese of Terracina, on the 7th of March 1274, being barely forty-eight years of age. St. Thomas was a most voluminous writer, his principal work being the celebrated Summa Theologiae, which, although never completed, was accepted as such an authority as to be placed on a table in the council-chamber at the Council of Trent alongside of the Holy Scriptures and the Decrees of the Popes. But it is outside the province of this work to enlarge on his prose works. Though not a prolific writer of hymns, St. Thomas has contributed to the long list of Latin hymns some which have been in use in the services of the Church of Rome from his day to this. They are upon the subject of the Lord's Supper. The best known are:— Pange lingua gloriosi Corporis Mysterium; Adoro te devote latens Deitas; Sacris sollemniis juncta sint gaudia; Lauda Sion Salvatorem; and Verbum supernum prodiens. The 1st, 3rd, and 5th of these are found in the Roman Breviary, the 2nd, 4th, and 5th in Newman's Hymni Ecclesiae; the 4th in the Roman Missal; all of them appear in Daniel; the 2nd and 4th in Mone; and the 2nd, 4th, and 5th in Königsfeld. Of these hymns numerous translations have been made from time to time, and amongst the translators are found Caswall, Neale, Woodford, Morgan, and others. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

John Baptiste Calkin

1827 - 1905 Person Name: J. Baptiste Calkin Composer of "SAVOY CHAPEL" in The Hymnal John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens. John Perry

Edward Husband

1843 - 1908 Person Name: E. Husband Composer of "ST. HILDA" in New Manual of Praise Husband, Edward was educated at St. Aidan's College, Birkenhead. Taking Holy Orders in 1866, he was successively Curate of Atherstone and Folkestone; and in 1878 Vicar of St. Michael and All Angels, Folkestone. In 1874 Mr. Husband published The Mission Hymnal, in which appeared his hymns as follows:— 1. Alas! poor world, I loved thee long. Rest in Jesus. 2. And dost Thou ask me, dearest Lord. Christ's Invitation, " Follow Me." 3. I must have Jesus only. Jesus only desired 4. Sweet Blood, dear ransom of our souls. The Blood of Jesus. These hymns are very simple, earnest, and impassioned: and bear a great resemblance to Facer's compositions. --John Julian, Dictionary of Hymnology (1907)

Bartholomäus Gesius

1555 - 1613 Composer of "DANK SEI GOTT" in The Harvard University Hymn Book Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg Evangelical Lutheran Hymnal, 1908

James Walsh

b. 1940 Person Name: J. Walsh Composer of "BOLTON" in Song-Hymnal of Praise and Joy

Sigismund Thalberg

1812 - 1871 Person Name: Sigismund Thalberg, 1812-1871 Composer (arr. from) of "HODNET" in The Hymnal

William Wallace Gilchrist

1846 - 1916 Composer of "FESTUM DEI" in The Cyber Hymnal Born: January 8, 1846, Jersey City, New Jersey. Died: December 20, 1916, Easton, Pennsylvania. Buried: Saint Thomas’ Episcopal Church, Fort Washington, Pennsylvania. Gilchrist’s family moved to Philadelphia, Pennsylvania, when William was nine years old. He attended school there until the outbreak of the American civil war, when his father’s business failed and William had to seek other work. Having a good voice, he sang in choirs and choruses, first as a soprano, and later a smooth, flexible baritone. He began singing some of the principal parts in the Handel and Haydn Society, where his first real musical life began. At age 19, Gilchrist began studying organ and voice with Professor H. A. Clarke, gradually concentrating on theory. At age 25, he spent a year in Cincinnati, Ohio, as organist and teacher, returning to Philadelphia to take post of choir master at St. Clement’s Protestant Episcopal Church. He later became conductor of the Mendelssohn Club, Tuesday Club of Wilmington, and Philadelphia Symphony Society. Gilchrist was best known as a composer. His first success was in 1878, winning two prizes from the Abt Society of Philadelphia for best choruses for male voices. In 1881, he won three similar prizes from the Mendelssohn Glee Club of New York. In 1884, he took a $1,000 prize from the Cincinnati Festival Association; the judges included Saint-Saëns, Reinecke, and Theodore Thomas. This work was an elaborate setting of the Forty-Sixth Psalm, and was enthusiastically received. Gilchrist afterwards modified it and brought it out at the Philadelphia Festival in 1885. Gilchrist also served as editor of the 1895 Presbyterian hymnal, as musical editor of The Magnificat in 1910, and wrote symphonies, chamber and choral music. His works include: An Easter Idyll Psalm 46 (New York: 1882) One Hundred and Third Psalm Ninetieth Psalm Fifth Psalm Prayer and Praise De Profundis The Rose (New York: 1887) Ode to the Sun A Christmas Idyll (Boston, Massachusetts: 1898) The Lamb of God (New York: 1909) © The Cyber Hymnal™ (hymntime.com/tch)

Vincenzo Bellini

1801 - 1835 Person Name: Bellini Composer of "[O Bread to pilgrims given]" in Songs of the Covenant Vicenzo Bellini, a dramatic composer, born at Catania, Sicily; early went to Naples and became known a s a composer' his first opera was performed 1824; in 1828 "La Straniera" attracted the attention of all Italy, in 1833, he founded his fortune and his fame with "Norma," "La Sonnambula," and "Puritani;" died Sept 23, 1835, aged thirty three. A dictionary of musical information: containing also a vocabulary of musical terms, and a list of modern musical works published in the United States from 1640 to 1875 by John Weeks Moore (Boston: Oliver Ditson, c. 1876)

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