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Person Results

Tune Identifier:"^gwalchmai_jones$"
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J. D. Jones

1827 - 1870 Person Name: Joseph David Jones, 1827-1870 Composer of "GWALCHMAI" in The Hymnary of the United Church of Canada [Gwalchmai] Born: 1827, Bryngrugog, Montgomeryshire, Wales. Died: September 17, 1870, Rhuthun, Wales. Buried: Baptist cemetery, Rhuthun, Wales. Jones’ parents were so poor they could only give him a year’s schooling. Therefore he spent his boyhood learning all he could about music. Before he was 20 years old, he published a few psalm tunes under the title Y Perganiedydd (The Sweet Singer). From this effort he earned sufficient funds to attend college in London. He is also remembered as a singing teacher at Rhuthyn. His works include: Y Perganiedydd, 1847 © The Cyber Hymnal™ (hymntime.com/tch)

Elizabeth Poston

1905 - 1987 Person Name: E. P. Descant of "GWALCHMAI" in The Cambridge Hymnal Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, and writer. See more in: Wikipedia

William Cullen Bryant

1794 - 1878 Person Name: W. Cullen Bryant (1794-1878) Author of "Standing forth on life's rough way" in A Missionary Hymn Book Bryant, William Cullen. First in order of time of the great American poets, Bryant was born at Cummington, Mass., Nov. 3, 1794, and was educated at Williams College. In 1815 he'was called to the Bar, and practised for a time at Great Barrington. In 1825 he retired from the Bar, settled at New York, and devoted himself to literary pursuits, founding the New York Review, and editing for a short time the New York Evening Post. He died June 12, 1878. His poetical and other works are well known. His hymns were written at intervals during his long life. They were collected and privately printed in 1869, and number over 20. Those in common use are:— 1. Almighty, listen while we raise. Praise. This is given as "Almighty hear us,” &c, in the Unitarian Hymn and Tune Book, Boston, 1868. It was introduced into Great Britain through Beard's Collection, 1857. 2. Deem not that they are blest alone. Mourning. In this form it is in Beard's Collection, 1837. It is best known as "0 deem not they are," &c, and in this form it is No. 964 in Songs for the Sanctuary, N. Y., 1865-72, No. 452, in Dr. Martineau's Hymns of Prayer and Praise, Lond., 1873, &c. 3. Father, to Thy kind love we owe. God's Lovingkindness. This is given in several modern collections, including the Unitarian Hymn and Tune Book, Boston, 1868, Martineau, 1873, &c. 4. 0 God, whose dread and dazzling brow. Compassion desired. Is No. 57 in the Boston Hymn and Tune Book, 1868, as above. 5. When he who from the scourge of wrong. Hope of the Resurrection. This is seldom found in modern hymnals. Text in Lyra Sacra Americana, 1868. The above hymns (1-5) appeared in Dr. H. D. Sewall's (Unitarian) Psalms & Hymns for Social and Private Worship, 1820, and were written at the instance of a Miss Sedgwick. Following as near as possible the chronological order of the hymns we have next:— 6. O Thou Whose own vast temple stands. Opening of a Place of Worship. Written in 1835 for the Dedication of a Chapel in Prince Street, N. Y. This is the most widely known of this author's hymns. It was introduced into Great Britain as early as 1837, when it was included in Beard's Collection, No. 405. It is in 4 stanzas of 4 lines. Orig. text in Songs for the Sanctuary, N. Y., 1865, No. 1017, and Martineau, 1873, No. 727. Another form of the hymn is "Thou, Whose unmeasured temple stands," This is No. 569 in the American Presb. Psalms and Hymns, Richmond, 1867, Horder's Congregational Hymns, Lond. 1884, No. 747, and others. 7. All that in this wide world we see. Omnipresence. This is dated 1836. In his Collection in 1837, No. 17, Beard gives it as an original contributed thereto, thus fixing its first publication. 8. Thou unrelenting past. The Past. Dates from 1836. Also in Martineau, 1873, No. 508. 9. Not in the solitude. God in the City. Dates from 1836, and is No. 26 in Martineau, 1873. 10. Whither, midst falling dew. Divine Guidance. This, in common with Nos. 8 and 9, is more a poem than hymn. It is addressed "To a Waterfowl," and dates from 1836. In Martineau, 1873. 11. Dear ties of mutual succour bind. Charity Sermons. No. 905 in the Amer. Methodist Episcopal Hymnal, 1878. It dates from about 1836. 12. 0 Thou whose love can ne'er forget. Ordination. Given (but not as an original contributed thereto) in Beard's Collection (Eng.), 1837. 13. Mighty One, before Whose face. Ordination. This is dated 1840 (but is probably earlier), and is given in several collections, including Mr. Beecher's Plymouth Collection, 1855, and others. 14. Look from Thy sphere of endless day. Home Missions. This hymn has also attained to considerable use both in Great Britain and America. It dates from 1840. It is in the Song. for the Sanctuary, N. Y., 1865, Horder's Congregational Hymns, 1884, &c. 15. Lord, who ordainest for mankind. Thanks for a Mother's love. Written at Dr. Osgood's suggestion, and printed in his Christian Worship, 1862. It is repeated in Martineau, 1873. 16. All praise to Him of Nazareth. Holy Communion. Dr. Hatfield in his Church Hymn Bk., 1872, No. 736, gives this in 3 stanzas of 4 lines. In the Songs for the Sanctuary it is in its full form of 5 stanzas. It dates from 1864. 17. As shadows cast by cloud and sun. Epiphany. In the Methodist Episcopal Hymnal, N. Y., 1878. It was contributed to that Hymnal, 1877, but was composed for the Semi-Centennial Celebration of the Church of the Messiah, Boston, March 19, 1875. 18. When doomed to death the Apostle lay. On behalf of Drunkards. Also in the Methodist Episcopal Hymnal, 1878. In addition to the above the following hymns by Bryant are in limited use:— 19. All things that are on earth. Love of God. In Beard's Collection, 1837. 20. Close softly, fondly, while ye weep. Death. In Mr. Beecher's Plymouth Coll., 1855. 21. How shall I know thee in the sphere which keeps? The Future Life. In the Supplement to the Boston Hymns for the Church of Christ, 1853. 22. Standing forth in life's rough way. On behalf of Children. In Dr. Alton's Children's Worship, 1878; Horder's Congregational Hymns, 1884, and others. 23. When this song of praise shall cease. Death anticipated. In his Hymns, 1869, and W. R. Stevenson's School Hymnal, 1880, No 313. 24. When the blind suppliant in the way. Opening the eyes of the blind. In the Methodist Episcopal Hymnal, 1878, N. Y., No. 201. It dates from 1874. 25. Wild was the day, the wintry sea. The Pilgrim Fathers. In Hymns of the Spirit, by Longfellow and Johnson. Boston, 1864. In 1869, Hymns by W. C. Bryant, 12mo, were privately printed. In this work the texts of many of the older hymns are altered. The dates of his hymns are difficult to determine, and many of those given above are approximate only. Bryant's genius was cool, meditative, and not distinguished by lyric fire. His hymns are correct and solid, but none reach the highest rank. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

James Quinn

1919 - 2010 Person Name: James Quinn 1919- Author of "Easter glory fills the sky, alleluia" in The Australian Hymn Book with Catholic Supplement James Quinn (b. Glasgow, Scotland, April 21, 1919; d. Edinburgh, Scotland, April 8, 2010) was a Roman Catholic Jesuit priest who was ordained in 1950. As a consultant for the International Commission on English in the Liturgy, sparked by Vatican II, he has exerted influence far beyond his native Scotland. A collection of his hymn texts is available from Selah Publishing company. Sing a New Creation

Theodore Chickering Williams

1855 - 1915 Person Name: Theodore C. Williams, 1855-1915 Author of "Glory Be to God on High" in Pilgrim Hymnal Williams, Theodore Chickering, an American Unitarian minister, b. at Brookline, Mass., in 1855, and educated at Harvard, 1876, and the Harvard Divinity School, 1882. He was from 1882 to 1896 pastor of All Souls, N. Y., and has been since 1899 headmaster of Hackley School, Tarrytown, N.Y. His hymns include:— 1. As the storm retreating leaves the vales in peace. [Evening.] (1888). 2. Glory to God on high . . . Let the whole creation cry. [Praise.] (1889). 3. I long did roam afar from home. [Brought Home by Christ.] (1889). 4. Lord, Who dost the voices bless. [Ordination.] (1881). 5. My heart of dust was made. [The Image of God desired.] This is Anon, in Amore Dei, but in the Index of Authors thereto it is given to this author. 6. When thy heart with joy o'erflowing. [Unity with others desired.] (1891). These facts and dates are from Mrs. Theodore C. Williams's Hymnal, Amore Dei, Boston, 1900-1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) =================================== Willias, Rev. Theodore Chickering. (Brookline, Massachusetts, July 2, 1855--May 6, 1915, Boston, Mass.). He graduated from Harvard College in 1876, and from the Harvard Divinity School in 1882. He was ordained minister of the Unitarian Church in Winchester, Mass., in 1882, but became minister of All Souls' Church, New York, in 1883. He resigned in 1896, and spent two years in Europe. After his return he served as headmaster of Hackley School, Tarrytown, New York, 1899-1905. A classical scholar, and gifted as a poet, he published a fine metrical translation of Virgil's Aeneid, wrote a number of hymns which are religious poetry of a high order, and assisted his wife, Velma C. Williams, in compiling her Hymnal: Amore Dei, 1890, revised edition 1897. --Henry Wilder Foote, DNAH Archives

Joseph Jones

1848 - 1927 Person Name: Joseph D. Jones, 1827-1870 Composer of "GWALCHMAI" in Hymns for Youth

Anthony G. Petti

1932 - 1985 Person Name: Gaetano Raphael (Anthony) Petti, 1932-1985 Adapter of "King of glory, King of peace" in The Irish Presbyterian Hymnbook Petti, Anthony Gaetano. (London, England, February 12, 1932-- ). Roman Catholic. University College, London, B.A., 1955; M.A., 1957; D.Lit., 1970. While teaching English at the University of London (1955-1968) and the University of Calgary, Alberta (1969-?), and directing in both cities vocal and instrumental groups whose members shared his tastes, he did a great deal of research into Renaissance literature and music, particularly that produced by English Catholics, and published critical editions of many obscure and fascinating works. He reached out to a non-specialist audience with The New Catholic Hymns, for which he served as literary editor and made several translations, was published by Faber Music, London, in 1971; editions in several other countries soon followed, and his verses found their way into many other hymnbooks and breviaries. --Hugh D. McKellar, DNAH Archives

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