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William B. Bradbury

1816 - 1868 Person Name: William B. Bradbury, 1816-1868 Scripture: John 1:1-18 Composer of "BACA" in Trinity Psalter Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Thomas Helmore

1811 - 1890 Person Name: Thomas Helmore, 1811-1890 Scripture: John 1:1-5 Adapter of "VENI, VENI EMMANUEL" in Catholic Book of Worship III A graduate of Magdalen College, Oxford, England, Thomas Helmore (b. Kidderminster, Worcestershire, England, 1811; d. Westminster, London, England, 1890) was ordained a priest in the Church of England, but his main contribution to the church was in music. He was precentor at St. Mark's College, Chelsea (1842-1877), and master of the choristers in the Chapel Royal for many years. He promoted unaccompanied choral services and played an important part in the revival of plainchant in the Anglican Church. Helmore was involved in various publications of hymns, chants, and carols, including A Manual of Plainsong (1850) and The Hymnal Noted (with John Mason Neale). Bert Polman

Johann Gottlob Werner

1777 - 1822 Person Name: Johann Werner Scripture: John 1:4-9 Adapter of "RATISBON" in Glory to God b. Oct. 4, 1777, Hayn be Borna, Sachsen, d. July 19, 1822, Chemnitz; German organist, teacher and composer

Charles F. Gounod

1818 - 1893 Scripture: John 1:1-5 Composer of "LUX PRIMA" in Moravian Book of Worship Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman

Robert Lowry

1826 - 1899 Person Name: Robert Lowry, 1826-1899 Scripture: John 1:1-2 Author of "Christ Arose!" in Worship and Rejoice Robert Lowry was born in Philadelphia, March 12, 1826. His fondness for music was exhibited in his earliest years. As a child he amused himself with the various musical instruments that came into his hands. At the age of seventeen he joined the First Baptist Church of Philadelphia, and soon became an active worker in the Sunday-school as teacher and chorister. At the age of twenty-two he gave himself to the work of the ministry, and entered upon a course of study at the University of Lewisburg, Pa. At the age of twenty-eight he was graduated with the highest honors of his class. In the same year of his graduation, he entered upon the work of the ministry. He served as pastor at West Chester, Pa., 1851-1858; in New York City, 1859-1861; in Brooklyn, 1861-1869; in Lewisburg, Pa., 1869-1875. While pastor at Lewisburg, he was also professor of belles lettres in the University, and received the honorary degree of D. D. in 1875. He then went to Plainfield, N. J., where he became pastor of Park Avenue Church. In each of these fields his work was crowned with marked success. Dr. Lowry was a man of rare administrative ability, a most excellent preacher, a thorough Bible student, and whether in the pulpit or upon the platform, always a brilliant and interesting speaker. He was of a genial and pleasing disposition, and a high sense of humor was one of his most striking characteristics. Very few men had greater ability in painting pictures from the imagination. He could thrill an audience with his vivid descriptions, inspiring others with the same thoughts that inspired him. His melodies are sung in every civilized land, and many of his hymns have been translated into foreign tongues. While preaching the Gospel, in which he found great joy, was his life-work, music and hymnology were favorite studies, but were always a side issue, a recreation. In the year 1880, he took a rest of four years, visiting Europe. In 1885 he felt that he needed more rest, and resigned his pastorate at Plainfield, and visited in the South and West, also spending some time in Mexico. He returned, much improved in health, and again took up his work in Plainfield. On the death of Wm. B. Bradbury, Messrs. Biglow & Main, successors to Mr. Bradbury in the publishing business, selected Dr. Lowry for editor of their Sunday-school book, Bright Jewels, which was a great success. Subsequently Dr. W. Doane was associated with him in the issue of the Sunday-school song book, Pure Gold, the sales of which exceeded a million copies. Then came Royal Diadem, Welcome Tidings, Brightest and Best, Glad Refrain, Good as Gold, Joyful Lays, Fountain of Song, Bright Array, Temple Anthems, and numerous other volumes. The good quality of their books did much to stimulate the cause of sacred song in this country. When he saw that the obligations of musical editorship were laid upon him, he began the study of music in earnest, and sought the best musical text-books and works on the highest forms of musical composition. He possessed one of the finest musical libraries in the country. It abounded in works on the philosophy and science of musical sounds. He also had some musical works in his possession that were over one hundred and fifty years old. One of his labors of love some years ago was an attempt to reduce music to a mathematical basis. On the established fact that Middle C has two hundred and fifty-six vibrations per second, he prepared a scale and went to work on the rule of three. After infinite calculation and repeated experiments, he carried it far enough to discover that it would not work. A reporter once asked him what was his method of composition — "Do you write the words to fit the music, or the music to fit the words?" His reply was, "I have no method. Sometimes the music comes and the words follow, fitted insensibly to the melody. I watch my moods, and when anything good strikes me, whether words or music, and no matter where I am, at home or on the street, I jot it down. Often the margin of a newspaper or the back of an envelope serves as a notebook. My brain is a sort of spinning machine, I think, for there is music running through it all the time. I do not pick out my music on the keys of an instrument. The tunes of nearly all the hymns I have written have been completed on paper before I tried them on the organ. Frequently the words of the hymn and the music have been written at the same time." The Doctor frequently said that he regarded "Weeping Will Not Save Me" as the best and most evangelistic hymn he ever wrote. The following are some of his most popular and sweetest gospel melodies: "Shall We Gather at the River?," "One More Day's Work for Jesus," "Where is My Wandering Boy To-night?," "I Need Thee Every Hour," "The Mistakes of My Life," "How Can I Keep from Singing?," "All the Way My Saviour Leads Me," "Saviour, Thy Dying Love," "We're Marching to Zion," etc. "Shall We Gather at the River?" is perhaps, without question, the most widely popular of all his songs. Of this Mr. Lowry said: "It is brass band music, has a march movement, and for that reason has become popular, though for myself I do not think much of it." Yet he tells us how, on several occasions, he had been deeply moved by the singing of that hymn, "Going from Harrisburg to Lewisburg once I got into a car filled with half-drunken lumbermen. Suddenly one of them struck up, "Shall We Gather at the River?" and they sang it over and over again, repeating the chorus in a wild, boisterous way. I did not think so much of the music then as I listened to those singers, but I did think that perhaps the spirit of the hymn, the words so flippantly uttered, might somehow survive and be carried forward into the lives of those careless men, and ultimately lift them upward to the realization of the hope expressed in my hymn." "A different appreciation of it was evinced during the Robert Raikes' Centennial. I was in London, and had gone to meeting in the Old Bailey to see some of the most famous Sunday-school workers in the world. They were present from Europe, Asia, and America. I sat in a rear seat alone. After there had been a number of addresses delivered in various languages, I was preparing to leave, when the chairman of the meeting announced that the author of "Shall We Gather at the River?" was present, and I was requested by name to come forward. Men applauded and women waved their handkerchiefs as I went to the platform. It was a tribute to the hymn; but I felt, when it was over, that, after all, I had perhaps done some little good in the world, and I felt more than ever content to die when God called." On Children's Day in Brooklyn, in 1865, this song was sung by over forty thousand voices. While Dr. Lowry said, "I would rather preach a gospel sermon to an appreciative, receptive congregation than write a hymn," yet in spite of his preferences, his hymns have gone on and on, translated into many languages, preaching and comforting thousands upon thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God for His goodness to the children of men. What he had thought in his inmost soul has become a part of the emotions of the whole Christian world. We are all his debtors. Rev. Robert Lowry, D. D., died at his residence in Plainfield, K J., November 25, 1899. Dead, yet he lives and his sermons in gospel song are still heard and are doing good. Dr. Lowry was a great and good man, and his life, well spent, is highly worthy of a place among the world's greatest gospel song and hymn writers. -- Biography of Gospel Song and Hymn Writers ------- Lowry, Robert, D.D., son of Crozier Lowry, was born at Philadelphia, Pennsylvania, March 12, 1826, and educated at Lewisburg University. Having received ordination as a Baptist Minister, his first charge was at West Chester, Pennsylvania. From thence he passed to New York City, and then to Brooklyn, N. Y. In 1876 he was appointed Professor of Rhetoric in his University. On resigning his Professorship he undertook the charge of the 2nd Baptist Church, New Jersey. Dr. Lowry has been associated with some of the most popular Sunday School hymn-books published in the States, including Happy Voices, 1865; Chapel Melodies, 1868; Bright Jewels, 1869; Pure Gold, 1871; Royal Diadem, 1873; Tidal Wave, 1874; Fountain of Song1877; Welcome Tidings, 1877, &c. Of Dr. Lowry's hymns those which have attained the widest circulation are:— 1. Jerusalem, for ever bright. Heaven. Appeared in the American Tract Society's Happy Voices, 1865, with music by the author. 2. Low in the grave He lay. Resurrection of Christ. Written in 1874 and published in Brightest and Best, 1875. 3. Marching on, marching on. Sunday School Battle Song. Appeared, with music by the author, in Happy Voices, 1865. 4. My home is in heaven, my rest is not here. In Happy Voices, 1865, with music by the author. 5. My life flows on in endless song. Joy in God. In Bright Jewels, 1869; the Royal Diadem, 1873, and others in America and Great Britain, with music by the author. 6. One more day's work for Jesus. Work for Christ. Published, with music by the author, in Bright Jewels, 1869. 7. Shall we gather at the river? Mutual recognition in the Hereafter. The origin of this hymn is thus set forth in E. W. Long's Illustrated History of Hymns and their Authors, Philadelphia, 1876, p. 64:— ”On a very hot summer day, in 1864, a pastor was seated in his parlour in Brooklyn, N. Y. It was a time when an epidemic was sweeping through the city, and draping many persons and dwellings in mourning. All around friends and acquaintances were passing away to the spirit land in large numbers. The question began to arise in the heart, with unusual emphasis, ‘Shall we meet again? We are parting at the river of death, shall we meet at the river of life?' ‘Seating myself at the organ,’ says he, ‘simply to give vent to the pent up emotions of the heart, the words and music of the hymn began to flow out, as if by inspiration:— ‘Shall we gather at the river, Where bright angel feet have trod?’" In 1865 the hymn and music were given in Happy Voices, No. 220, in 5 stanzas of 4 lines and a chorus. The hymn has since passed into a great number of hymnals in Great Britain and America. 8. Take the wings of the morning; speed quickly thy flight. Exhortation to Repentance. Written for, and published with music by the author in, the Royal Diadem, 1873. 9. Weeping will not save me. Salvation through Faith. Published in the Chapel Melodies, 1868. 10. What can wash away my stain? Precious Blood of Jesus. Given in the Welcome Tidings, 1877, with music by the author. 11. Where is my wandering boy tonight! The absent Child. In the Fountain of Song, 1877, together with music by the author. Most of these hymns are given in Mr. I. D. Sankey's Sacred Songs & Solos, Pts. i., ii. --John Julian, Dictionary of Hymnology (1907)

Thomas Raffles

1788 - 1863 Person Name: Thomas Raffles (1788-1863) Scripture: John 1:9 Author of "God, whose almighty word" in Church Hymnary (4th ed.) Thomas Raffles was born in London in 1788. He studied at Homerton College, and in 1809 became pastor of a Congregational society at Hammersmith. In 1812, he removed to Liverpool, where he was minister in the Great George Street chapel. This position he held for forty-nine years. He died at Liverpool, in 1863. He published several sermons, letters of travel, poems, and hymns for the use of his congregation. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Raffles, Thomas, D.D., LL.D., son of Mr. W. Raffles, solicitor, was born in Princes Street, Spitalfields, London, May 17, 1788. In 1803 he became a clerk in Doctors' Commons, but shortly after retired, and through the influence of Dr. Collyer, of whose church at Peckham he was for some time a member, he entered Homerton College in 1805. His stated ministry began at Hammersmith, where he was ordained as a Congregational minister on June 22, 1809. In 1812 he removed to Liverpool, where he succeeded the Rev. T. Spencer, and remained for 49 years the honoured pastor of the Great George Street Congregational Church. He died at Liverpool, Aug. 18, 1863. For upwards of fifty years Dr. Raffles was one of the most prominent ministers of the Congregational body. His labours outside of his own congregation were very great, his aid as a preacher on behalf of missions and other religious works, being eagerly sought after. The Lancashire Inde-pendent College owes its existence mainly to him; and to many religious works in Liverpool he gave great personal attention. His degree of LL.D. was conferred by the University of Aberdeen in Dec. 1820, and that of D.D. by Union College, Connecticut, in July 1880. His works include Memoirs of the Life and Ministry of the Rev. Thomas Spencer, 1813; A Tour on the Continent, 1817; and several Sermons, &c. He also edited the 1815 edition of Brown's Self-Interpreting Bible; was joint author with J. B. Brown and J. H. Wiffen, of Poems by Three Friends; and joint editor with Dr. Collyer and Dr. J. B. Brown, of the Investigator, a London quarterly. As early as March 8, 1813, he says, in a letter to his friend, Mr. Brown, "I am about to put to press a collection of hymns for the use of my chapel:" but this intention was not carried out until 1853, when he published his Supplement to Dr. Watts's Psalms & Hymns. His son's history of this Supplement is:— "Early in January, 1853, he published his long-expected Supplement to Dr. Watts's Psalms and Hymns, which he had in hand for many years. He would never have published it at all, but, in common with other Independent Ministers, would have used the Congregational Hymn-book [J. Conder's 1836 and 1842] had that book contained a fair share of his own hymns. In its original form, however, it did not contain one [yes, one, but given as Anonymous]; and Dr. Raffles might, without vanity—seeing that numerous hymn-books of modern date contained one or more of his hymns—-have expected that they would not have been wholly omitted from the hymn-book emphatically of his own denomination. But so it was, and he never would introduce it, though, with the greatest readiness, when the improved edition was contemplated [theNew Congregational Hymn Book, 1859], under the editorship of the Rev. Dr. Gr. Smith, Dr. Raffles contributed some of his hymns to its pages. His own collection is very good, but limited in extent; the hymns are selected with considerable Judgment; and the true versions, as written by the respective authors, are given, wherever the original source could be reached."— Memoirs, 1864, p. 419. Dr. Raffles contributed, in 1812, eight hymns under the signature "T. B." to the Collection of his old friend and former pastor, Dr. Collyer. Gradually other hymns came into notice. These, with others to the number of 46, were included in his Supplement, 1853. His hymns at present in common use include:— 1. Blest hour, when mortal man retiresPrayer. In the "R. MS." this is headed "The Hour of Prayer," and at the foot is written by Dr. Raffles, “Printed in the Amulet for 1829, and thence copied into the Christian Observer." It is dated " Jany. 26,1823," and is in 6 stanzas of 4 lines. 2. Cause of all causes, and the Source. Hymn to the Deity. Contributed to Dr. Collyer's Collection, 1812, No. 914, in 5 st. of 6 1. 3. Come, heavenly peace of mind. Peace of Mind. Pub..in Collyer's Collection, 1812, No. 915, in 3 st. of 10 1. In the "R. MS." this, in a revised and expanded form of 10 stanzas of 6 lines, is undated; but underneath Dr. Raffles has written "Printed in the American Xtian Keepsake for 1838." 4. Eternal Father, throned above. Doxology. In the "R.MS." this is in 1 st. of 8 1., and headed "Doxology." It is undated, and underneath is written by Dr. Raffles at a later date (the change in the ink proving this) "Published anonymously in the Congregational Hymn Book," i.e., J. Conder's 1836 and 1842. 5. Father of mercies, God of love, 0 hear a humble, &c. Lent. Appeared in Collyer's Collection, 1812, No. 909, in 6 st. of 6 1., and headed "The Penitent's Prayer." 6. Go, preach the Gospel to the poor Home Missions. In the "R.MS." in 7 st. of 4 1., headed "To the Agents of the Liverpool town mission," and dated "May 1849." At the foot is written "Printed at the Printing Office of the Liverpool Town Mission Bazaar, Lycaeum, Bold Street." 7. High in yonder realms of light. Heaven. Contributed to Collyer's Collection, 1812, No. 911, in 6 st. of 8 1. It was sung at Dr. Raffles's funeral, Aug. 24, 1863. It is the most widely known of his hymns, but is usually given in an abbreviated form. 8. Lord, like a publican I stand. Lent. Dated in the "R.MS." "Seacombe, Oct. 4th, 1831," and headed, “The Publican, Luke xviii. 13." It is in 5 st. of 4 1., and is in several collections. 9. No night shall be in heaven! No gathering gloom. Heaven. In 8 st. of 4 double lines, headed “And there shall be no night there," Rev. xxii. 5, and dated " April 4, 1857." ("R.MS.") 10. 0 God of families, we own. Family Worship. In the "R.MS." in 5 st. of 4 1., entitled "The God of the families of Israel," and dated, "Jany. 15th, 1823." It appeared in the New Song, 1859. 11. Rapid flows the stream of tune. New Year. The last but one of his New Year's hymns, in 6 st. of 8 1., entitled "Hymn for New Year's Morning," and dated, "Jany. 1st, 1861." ("R.MS.") 12. Saviour, let Thy sanction rest. Holy Matrimony. In the “R. MS." in 6 st. of 6 1. entitled “The Marriage Feast," and dated "November 3rd, 1852. On occasion of the marriage of the Rev. J. F. and Mrs. Guenett." Included in the New Congregational Hymn Book, 1859, with the omission of st. v., vi. 13. Sovereign Ruler, Lord of all. Lent. No. 813 in Collyer's Collection, 1812, in 6 st. of 4 1. 14. The cup which my Father hath given. In Affliction. In the “R.MS." in 2 st. of 8 1., but without date. In theMemoirs. 1864, p. 272, the history of the hymn from Dr. Raffles's Diary is this :— "Ashby-de-la-Zouch, 16th [Oct., 1828.] I preached to an immense congregation last night at Nottingham, and slept at Mr. Gilbert's. Mr. Rawson [of Nottingham Castle], a fine young man, and but recently married, has broken a blood-vessel, and with his wife and mother, and father and sister, set out yesterday for Devonshire, to pass the winter. Mrs. Rawson sent me her album, and begged me to insert something appropriate. As I dressed in the morning I composed the following lines, which I sent her just before they set out: ‘The cup, &c.'" Mrs. Rawson, soon left a widow, resided at Wincobank Hall, near Sheffield, nearly 60 years, and died there in 1887. 15. Thou art my Hiding-place, 0 Lord. The Hiding-place. In the "R.MS." in 4 st. of 8 1., and dated “Burnley, June 23rd, 1833." 16. What is life? A rapid stream. Life. In the “R.MS." in 6 st. of 4 1., and dated in pencil 1838. At the foot is written by Dr. Raffles "Originally published in the Investigator, and, anonymously, in Affection's Gift, a poetical selection published by Simpkin and Marshall, Hamilton, &c, London." The "Raffles MS.," from which we have annotated these hymns, was kindly lent by Mr. T. S. Raffles, B.A., Stipendiary Magistrate of Liverpool. Mr. Raffles is the author of his father's Memoirs, 1864, and of hymn 25 in his father's Supplement. Dr. Raffles's original Hymns were published in 1868, with a Preface by J. Baldwin Brown. --John Julian, Dictionary of Hymnology (1907)

David M. Young

1928 - 1997 Scripture: John 1:4-5 Composer of "[Lamb of God, you take away the sin of the world]" in Catholic Book of Worship III

Martin Clarke

b. 1982 Person Name: Martin V. Clarke, b. 1982 Scripture: John 1:1-14 Arranger of "CAMBERWELL" in Singing the Faith

Skinner Chávez-Melo

1944 - 1992 Person Name: Skinner Chávez-Melo, 1944-1992 Scripture: John 1:1-3 Translator (Spanish, sts. 2, 5) of "Of the Father's Love Begotten (Fruto del amor divino)" in Santo, Santo, Santo Skinner Chavez-Melo, an organist, conductor and composer who was music director at the St. Rose of Lima Roman Catholic Church in Manhattan, died on Saturday at New York Downtown Hospital. He was 47 years old and lived in Manhattan. He died of spinal cancer, said his brother, Juan Francisco. Mr. Chavez-Melo was born in Mexico City, but completed his musical studies in the United States, receiving degrees at Eastern Nazarene College and the Union Theological Seminary, and pursuing further studies at the Juilliard School and the Manhattan School. He toured internationally as an organist and conducted orchestras in Mexico, Brazil and the United States. As a composer, he wrote works for organ, choir and orchestra, and contributed hymn settings to several published hymnals, including those of the United Church of Christ and Yale University. He also lectured and presented workshops on Hispanic church music. Besides directing music at St. Rose, Mr. Chavez-Melo conducted the annual Singing Christmas Tree concerts at the South Street Seaport. http://www.nytimes.com/1992/01/28

Walter C. Smith

1824 - 1908 Person Name: Walter Chalmers Smith, 1824-1908 Scripture: John 1:9 Author of "Immortal, Invisible, God Only Wise" in Worship and Rejoice Smith, Walter Chalmer, D.D., was born at Aberdeen Dec. 5, 1824, and educated at the Grammar School and University of that City. He pursued his Theological studies at Edinburgh, and was ordained Pastor of the Scottish Church in Chad well Street, Islington, London, Dec. 25, 1850. After holding several pastorates he became, in 1876, Minister of the Free High Church, Edinburgh. His contributions to poetical literature have been many and of great merit. His principal works are:— (1) The Bishop's Walk, 1860; (2) Olrig Grange, 1872; (3) Borland Hall, 1874; (4) Hilda among the Broken Gods, 1878; (5) North Country Folk, 1883; (6) Kildrostan, 1884; (7) Hymns of Christ and Christian Life, 1876. From his Hymns of Christ, &c, 1876, the following, after revision, were included in Horder's Congregational Hymns, 1884 :— 1. Immortal, Invisible, God only wise. God, All in All. 2. Lord, God, Omnipotent. Omnipotence. 3. Our portion is not here. Treasure in Heaven. 4. There is no wrath to be appeased. God is Love. In Horder's Congregational Hymns a new opening stanza was added to this hymn by Dr. Smith at the request of the editor, and in that collection the hymn begins "I vexed me with a troubled thought." Dr. Smith's hymns are rich in thought and vigorous in expression. They deserve and probably will receive greater notice than hitherto at the hands of hymnal compilers. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ================= Smith, W. C., p. 1064, i. The following additional hymns by Dr. Smith have come into common use, mainly through The Baptist Church Hymnal, 1900:— 1. Earth was waiting, spent and restless. Christmas. 2. Faint and weary Jesus stood. Our Lord's Temptation. 3. If any to the feast have come. Holy Communion. 4. The Lord hath hid His face from us. Providence. 5. To me to live is Christ. Union with Christ. These hymns appeared in his Hymns of Christ and the Christian Life, 1867, pp. Ill, 122, 241, 10, and 36, respectively. A collected ed. of his Poetical Works (not including his hymns) appeared in 1902. Other hymns that have come into use are:— 1. Gird your loins about with truth. Manliness. 2. Jesus, unto Whom we pray. Christ the Way. 3. One thing I of the Lord desire. Consecration. Nos. 1, 3 are from his Thoughts and Fancies for Sunday Evenings, 1887, pp. 3, 84. No. 2 is from his Hymns of Christ, 1867, p. 31. --John Julian, Dictionary of Hymnology, New Supplement (1907)