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Louis M. Gottschalk

1829 - 1869 Person Name: Louis Gottschalk Hymnal Number: 9 Composer of "LAST HOPE" in Concordia Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists. John Perry

August Crull

1845 - 1923 Person Name: A. Crull Hymnal Number: 164 Translator of "Jesus, Jesus, only Jesus" in Concordia August Crull was born January 27, 1845 in Rostock, Germany, where his father, Hofrat Crull, was a lawyer. He was educated at the Gymnasium in Rostock, and at Concordia College in St. Louis and Fort Wayne where he graduated in 1862. His father died soon after he began studying at the Gymnasium. His mother then married Albert Friedrich Hoppe, who later became the editor of the St. Louis edition of Luther's Works. In 1865, Crull graduated from Concordia Seminary in St. Louis. He became assistant pastor at Trinity Church in Milwaukee and also served as Director of the Lutheran High School. Later he was pastor of the Lutheran Church in Grand Rapids, Michigan. From 1873 to 1915, he was professor of the German language and literature at Concordia College in Fort Wayne, Indiana. After his retirement he returned to Milwaukee, where he died on February 17, 1923. His first wife and three of his four children preceded him in death. His second wife, Katharina John, survived him by many years. Crull was a distinguished hymnologist and translated many hymns that appeared in several Lutheran hymnals. He published a German grammar and edited a book of devotions, Das walte Gott, based on the writings of Dr. C.F.W. Walther. His project of translating Lutheran hymns so they would be accessible to American Lutherans bore its first fruits when he published a book of English hymns at the Norwegian Synod publishers in Decorah, in 1877. --www.hymnsandcarolsofchristmas.com/

Henry Carey

1687 - 1743 Hymnal Number: 233 Composer of "AMERICA" in Concordia Henry Carey, b. 1685 (?); d. London, 1743 Evangelical Lutheran Hymnal, 1908

John Wyeth

1770 - 1858 Hymnal Number: 12 Composer of "NETTLETON" in Concordia

F. W. Detterer

1861 - 1893 Hymnal Number: 241 Translator of "Abide in Grace, Lord Jesus" in Concordia We have little data on Detterer, except that his translations appear in late 19th Century Moravian hymnals. He seems to have been living in Lake Mills, Wisconsin, in 1888, when his son Ernst was born there. Translations-- Abide in Grace, Lord Jesus Fairest Lord Jesus --www.hymntime.com/tch/

Tobias Clausnitzer

1619 - 1684 Person Name: T. Clausnitzer Hymnal Number: 8 Author of "Blessed Jesus, at Thy Word" in Concordia Clausnitzer, Tobias, born at Thum, near Annaberg, in Saxony, probably on Feb. 5,1619. After studying at various Universities, and finally at Leipzig (where he graduated M.A. in 1643), he was appointed, in 1644, chaplain to a Swedish regiment. In that capacity he preached the thanksgiving sermon in St. Thomas's Church, Leipzig, on "Reminiscere" Sunday, 1645 (ii. Sunday in Lent) on the accession of Christina as Queen of Sweden; as also the thanksgiving sermon at the field service held by command of General Wrangel, at Weiden, in the Upper Palatine, on January 1, 1649, after the conclusion of the Peace of Westphalia. In 1649 he was appointed first pastor at Weiden, and remained there (being also appointed later a member of the Consistory, and inspector of the district,) till his death, on May 7, 1684 (Koch, iii. 354, 355; Allg. Deutsche Biographie, iv. 297; Bode, p. 53; manuscript from Pastor Klinkhardt, Thum). Three hymns by him are known as follows:— i. Jesu dein betrübtes Leiden. [Passiontide.] First published in his Passions-Blume, Nürnberg, 1662, a volume containing 12 sermons on the Passion of our Lord. The hymn appears at p. 17, in 7 stanzas of 6 lines entitled, "Clausnitzer's Passion-Hymn which may be sung with each Meditation." This form is No. 496 in Burg's Gesang-Buch, Breslau, 1746. This hymn has passed into English through a recast, probably by Gensch von Breitenau, beginning, “Herr Jesu, deine Angst und Pein," in 6 stanzas of 7 lines. First published in the Vollständiges Gesang-Buch, Plöen, 1675, No. 41, repeated as No. 101 in the Unverfälschter Liedersegen 1851. The only translation in common use is:— Lord Jesu! may Thy grief and pain, a good translation of stanzas i., iii., vi., by A. T. Russell, as No. 84 in his Psalms and Hymns, 1851. ii. Liebster Jesu wir sind bier, Dion und Dein Wort anzuhören. [Public Worship .] First published in the Altdorffisches Gesang-Buchlein, 1663, No. 20, in 3 stanzas of 6 lines, as a Sunday Hymn for use before Sermon. It appeared with Clausnitzer's name in the Nürnberg Gesang-Buch, 1676, No. 891, and has since come into universal use. In the Berlin Geistliche Lieder, ed. 1863, No. 1062. Translated as:— 1. Gracious Jesu! in Thy name, a good and full translated by A. T. Russell, as No. 82 in the Dalston Hospital Hymn Book, 1848. Included as No. 454 in the ed.,1857, of Mercer's Church Psalm & Hymn Book. (Ox. ed. 1864, No. 56, considerably altered with stanza i. line 4, iii. lines 1-4, from Miss Winkworth, and a doxology added). 2. Gracious Jesu! we are here, a recast of his 1848 translation, made by A. T. Russell for his Psalms & Hymns, 1851, No. 19. 8. Saviour, in Thy house of prayer, a good and full translation as No. 13 in J. F. Thrupp's Psalms & Hymns, 1853, repeated in Maurice's Collection, 1861, No. 634. In Kennedy , 1863, No. 1251, altered and beginning, "Saviour, to Thy house of prayer." 4. Blessed Jesus, at Thy word, a full and good translation by Miss Wink worth in her Lyra Germanica, 2nd Series, 1858, p. 68, repeated in her Chorale Book for England, 1863, No. 12. Included in the English Presbyterian Psalms & Hymns,1867, and others; and in America in the Pennsylvania Lutheran Church Book, 1868; Evangelical Hymnal, N. Y., 1880, and others. 5. Dear Lord, to hear Thee and Thy word, a good translation by Mrs.L. C. Smith; included as No. 50 in Dr. Stevenson's Hymns for Church & Home, 1873. Translations not in common use:— (1) “Dearest Jesu! we are here, Thee to hear," by J. C. Jacobi (1720, p. 32; 1722, p. 43; 1732, p. 72, alt.). In the Moravian Hymn Book, 1789, No. 12 (1849, No. 3), recast by C. J. Latrobe. (2) "Dearest Jesu, we are here, for to hear," as No. 432 in pt. i. of the Moravian Hymn Book, 1754. (3) "Here in Thy presence we appear," by J. Swertner, as No. 10 in the Moravian Hymn Book, 1789 (1886, No. 9). (4) "Blessed Jesus, we are here," by Miss Manington, 1863, p, 145. (5) "Precious Jesus! here are we," in the British Herald, Nov. 1866, p. 360, repeated in Reid's Praise Book, 1872, No. 419. (6) "Dear Redeemer, we are here," by N. L. Frothingham, 1870, p. 204. iii. Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist. [Trinity Sunday.] First appeared in the Culmbach-Bayreuth Gesang-Buch, 1668, p. 132, with the initials "C.A.D." With (Clausnitzer's name it was included as No. 572 in the Nürnberg Gesang-Buch, 1676, in 3 st. of 6 1. In the Bavarian Gesang-Buch, 1854. Translated as:— 1. We all believe in One true God, Father, Son and Holy Ghost, in full by Miss Winkworth in her Chorale Book for England, 1863, No. 75, and thence as No. 118 in the American Methodist Episcopal Hymnal, 1878, and the Evangelical Association Hymn Book, 1882, No. 64. 2. One true God we all confess, by E. Cronenwett, as No. 209 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Nils J. Holm

1778 - 1845 Person Name: N. J. Holm Hymnal Number: 120 Author of "How Blessed is this Little Flock" in Concordia

James W. Alexander

1804 - 1859 Person Name: J. W. Alexander Hymnal Number: 75 Translator of "O Sacred Head, now Wounded" in Concordia James W. Alexander (b. Hopewell, Louisa County, VA, 1804; d. Sweetsprings, VA, 1859) was often overshadowed by his father, the renowned Archibald Alexander, first professor at Princeton Theological Seminary. But James Alexander was also a fine preacher, teacher, and writer. He studied at New Jersey College (now Princeton University) and Princeton Seminary. Ordained in the Presbyterian Church, he alternated his career between teaching and pastoring; for two years (1849-1851) he was professor of ecclesiastical history and church government at Princeton Seminary. Alexander translated a number of hymns from Greek, Latin, and German but is mainly known today for his translation of "O Sacred Head." Bert Polman ===================== Alexander, James Waddell, D.D., son of Archibald Alexander, D.D., b. at Hopewell, Louisa, county of Virginia, 13 Mar., 1804, graduated at Princeton, 1820, and was successively Professor of Rhetoric at Princeton, 1833; Pastor of Duane Street Presbyterian Church, New York, 1844; Professor of Church History, Princeton, 1849; and Pastor of 5th Avenue Presbyterian Church, New York, 1851; d. at Sweetsprings, Virginia, July 31, 1859. His works include Gift to the Afflicted, Thoughts on Family Worship, and others. His Letters were published by the Rev. Dr. Hall, in 2 vols., some time after his death, and his translations were collected and published at New York in 1861, under the title, The Breaking Crucible and other Translations. Of these translations the following are in use: O Sacred Head, now wounded” a translation of "Salve Caput," through the German; "Near the cross was Mary weeping," a translation of "Stabat Mater"; and "Jesus, how sweet Thy memory is," a translation of "dulcis memoria." The annotations of these translations are given under their respective Latin first lines. --John Julian, Dictionary of Hymnology (1907)

Herbert Stanley Oakeley

1830 - 1903 Person Name: Herbert Oakeley Hymnal Number: 229 Composer of "ABENDS" in Concordia

John Goss

1800 - 1880 Person Name: John Goss, 1800-80 Hymnal Number: 224 Arranger of "ARMAGEDDON" in Concordia John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman