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B. B. Funk

Meter: 8.7.8.7.8.8.8.7 Composer of "MAROON BELLS" in The Cyber Hymnal

Ida G. Tremaine

Meter: 8.7.8.7.8.8.8.7 Author of "Bright Glory Land!" in The Cyber Hymnal

Vicente Aricó Júnior

b. 1906 Person Name: Aricó Junior, 1906-? Meter: 8.7.8.7.8.8.8.7 Composer of "HOMENAGEM" in When Breaks the Dawn

S. P. V.

Meter: 8.7.8.7.8.8.8.7 Translator of "Can You Count the Stars" in The Hymnal for Boys and Girls

Neva E. Parkhill

Person Name: Neva E. Prentice Meter: 8.7.8.7.8.8.8.7 Author of "Glory To God" in The Cyber Hymnal Neva Parkhill Prentice

1832 - 1915 Person Name: William Howard Doane Meter: 8.7.8.7.8.8.8.7 Composer of "KAZAN" in The Cyber Hymnal An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)

Ian Kellam

b. 1933 Meter: 8.7.8.7.8.8.8.7 Composer of "JUBILEE BRUNELLE" in Break Forth in Joyous Song Ian Kellam was born in Sheffield, England in 1933. As a young chorister he studied with Dr. Tustin Baker, organist at Sheffield Cathedral. He later studied with Herbert Sumsion at Gloucester Cathedral, and then with Howard Ferguson at the Royal Academy of Music in London. While there, he won the Langrish Award for choral writing, and in 1969, the Church of England Music Society prize for anthems. His first published pieces, written at age 16, were two Christmas carols for Solo Voice and Piano but, after a boyhood steeped in the traditions of church choral music, it is perhaps not surprising that much of his output seeks to further those traditions. To date his major writings comprise nine choral and orchestral cantatas and numerous smaller works: anthems, motets, carols, and settings of the morning and evening canticles. These include "The Southwark Service" (Magnificat and Nunc dimittis), commissioned for the 750th Anniversary of the founding of Southwark Cathedral, London, and the "Gloucester Te Deum", commissioned for the 13th Centenary Celebrations of the founding of Gloucester Cathedral. He has also composed song cycles, instrumental works, and much music for children, including two operas and shorter works. "Balaam", a setting of a long poem by Charles Causley, for Children's Choir and Harp, was commissioned as a companion piece to Britten's "A Ceremony of Carols" for a concert at the Aldeburgh Festival. He has written many theatre scores for the Royal Shakespeare Company in both Stratford-upon-Avon and in London, for productions at the Chichester Festival Theatre, and other open-air Shakespeare productions for the annual summer festivals at Ludlow Castle. Other venues include the Old Vic in London, the Comédie Français in Paris, the Moscow Arts Theatre, Broadway in New York, and numerous other worldwide locations. Writing for voice or voices, whether it be for a local children's choir, large choral society, solo song cycles, church and/or Cathedral choirs, or congregational singing, remains his chief pleasure and inspiration. Ian lives in a small 18th-century stone-built cottage in the Cotswolds of England, with two inseparable friends--a Jack Russell terrier and a large ginger tomcat. --www.morningstarmusic.com/