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Kevin Keil

b. 1965 Composer of "[Alleluia, alleluia]" in Breaking Bread (Vol. 39)

Michael Joncas

b. 1951 Person Name: J. Michael Joncas Composer of "[Alleluia, alleluia, alleluia, alleluia, alleluia]" in We Celebrate

Composer of "ALLELUIA" in Together in Song Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation

Fintan O'Carroll

1922 - 1981 Person Name: Fintan O'Carroll, 1922-1981 Composer of "[Alleluia, alleluia. Alleluia, alleluia]" in We Celebrate Fintan O’Carroll was born on 31st July 1922 in Wexford, and spent most of his life in Waterford. On completion of his secondary school studies Fintan took up a position as a Clerk in C.I.E., the national railway. He won first prize in a traditional music competition, aged 12, playing violin, and went on to study violin at home, taking lessons as and when the opportunity arose. While working at C.I.E. Fintan undertook a correspondence course in Music from Trinity College, Dublin. His heart was in music, and he left C.I.E. in 1967 after 27 years service, whereupon he completed his degree at Trinity to gain his B.Mus. along with the Prout Prize for the most outstanding student of the year. All the time Fintan had taken a keen interest in composition, particularly sacred music. Fintan became a fulltime teacher at the Presentation Convent Secondary School in Waterford, a job which payed about half the salary in C.I.E. at the time. He supplemented his income by taking 52 private pupils, conducting 2 brass bands, and led the orchestra in every musical show that offered. Some of the many musical organizations that owe a debt of musical gratitude to Fintan, whether it be as leader, violinist, conductor, organist, composer, or founder include Waterford Orchestral Players; Waterford Festival of Light Opera Orchestra; St Saviours Church, Bridge Street; the Franciscan Friary; the Church of SS Josephs and Benildus; St Patrick’s; Waterford Cathedral; St Patrick’s Brass Band; HFC Brass Band, New Ross; Mount Sion Silver Band. It is particularly with the brass bands that we are interested and it is fair to say that Fintan brought a sense of musicality and musicianship to these bands which helped greatly in the development of their players and the achievement of competition successes at all levels. Many musicians have commented later in their life that it was the love of music instilled in them by Fintan that carried them through their own musical lives. One of the proudest moments of Fintan’s musical career must have been when his Mass of the Immaculate Conception was chosen for the occasion of the visit of Pope John Paul II to Limerick in 1979. He took part in the Offertory Procession on this momentous occasion. Fintan died in July 1981 and was survived by his wife Josephine, a fine contralto voice, and whom he credits with much of his own success. They had six children: Fiona, Deirdre, Fergus, Declan, Kevin, Aoileann, and Cian, many of which play a very active role in the musical life of Waterford and beyond. --www.mountsionsilverband.org/history/

I-to Loh

b. 1936 Translator of "Alleluiah! Alleluiah!" in Chalice Hymnal

Geoff Weaver

b. 1943 Arranger of "[Alleluia, alleluia]" in In Every Corner Sing

Giovanni Pierluigi da Palestrina

1525 - 1594 Person Name: Giovanni P. da Palestrina Composer of "[Alleluia! Alleluia! Alleluia!]" in Unity Song Selections Giovanni Pierluigi (da Palestrina) Italy 1525-1594. Born at Palestrina, Italy, near Rome, then part of the Papal States to Neopolitan parents. As a youth he became a chorister at the Santa Maria Maggiore basilica in the Rome Diocese. This allowed him to learn literature and music. In 1540 he moved to Rome, where he studied in the school ofr the Hugenot, Claude Goudimel. He also studied with Robin Mallapert and Firmin Lebel. Orlando Di Lasso was also a musical advisor to him. From 1544-1551 he was organist at the Cathedral of St Agapito, the principle church of his native city. In 1547 he married Lucrezia Gori, and they had four children: Rodolfo, Angelo, Iginio, and a daughter. In 1551 Pope Julius III (previously Bishop of Palestrina) appointed him ‘maestro di cappella’, or musical director of the Cappella Giulia (choir). Pierluigi dedicated his first published compositions to Pope Julius III (1554), known as ‘the book of Masses’. It was the first book of masses by a native composer, since most sacred works in those days were from low countries (France or Spain). In 1555 Pope Paul IV ordered that all papal choristers should be clerical. As Pierluigi married early in life and had four children, he was unable to continue in the chapel as a layman. During the next decade he held positions similar to his Julian Chapel appointment at other chapels and churches in Rome, including St John Lateran (1555-1560), and Santa Maria Maggiore (1561-1566). In 1571 he returned to the Julian Chapel and remained at St Peter’s for the rest of his life. The 1570s was a decade of difficulty for him, as he lost his brother, two sons, and his wife in three separate outbreaks of plague (1572-1575-1580). In 1578 he was given the title of ‘Master of Music’ at the Vatican Basilica. He thought of becoming a priest at this time, but instead married a wealthy widow, Virginia Formoli, in 1581, widow of a wealthy merchant, which gave him financial independence (he was not well-paid as choirmaster). He spent considerable time administering to her fortune, but also was able to compose prolifically until his death. He also helped to found an association of professional musicians called the Vertuosa Compagnia dei Musici. He died in Rome of pleurisy. He left hundreds of compositions, including 1045 masses, 68 offertories, 140 madrigals, 300+ motets, 72 hymns, 35 magnificats, 11 litanies and several sets of lamentations. There are two comprehensive editions of his works: a 33-volume edition published by Breitkopf and Hartel, in Leigzig, Germany, between 1862-1894, edited by Franz Xaver Habert, and a 34-volume edition published in the mid 20th century by Fratelli Scalera, in Rome, Italy, edited by R Casimiri and others. As a Renaissance musician and composer of sacred music he was the best known 16th century representative of the Roman School of musical composition. He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint, his work considered the culmination of Renaissance polyphony. Very famous in his day, he was considered by some the legendary ‘savior of church music’. A 2009 film was produced by German television about him, titled: ‘Palestrina – Prince of Music’. John Perry

James Chepponis

b. 1956 Person Name: James J. Chepponis Composer of "[Alleluia, alleluia, alleluia]" in Oramos Cantando = We Pray In Song

A. T. Olá Olude

1908 - 1980 Person Name: A. T. Ola-Olude Composer of "[Alleluia]" in The Cambridge Hymnal Revd. (Dr.) Abraham Taiwo Olajide OLUDE was born at Abeokuta on July 16, 1908, to the family of Chief & Mrs. Joseph Sotayo Olude of Ikereku-Ikija, Abeokuta, Nigeria. He had his primary education at Ikereku Anglican Primary School, Abeokuta and later at Agbeni Methodist School, Ibadan. In 1921, he enrolled at Wesley College, Ibadan, where he distinguished himself as a brilliant scholar and a keen sportsman. He obtained the then Junior Cambridge Certificate and successfully completed the Sub-Pastor’s course in 1925. He remained at the same College till 1934 when he passed out as a full fledge Minister of Religion and was eventually ordained a Methodist Minister in 1938. He served the Church at various location both within the Northern and Southern parts of the country and was at a time, the Chairman of the Western Nigeria District of the old Methodist Church. He was a musician of great repute, a highly prolific writer and composer, who along with his pastoral responsibilities, composed several melodious songs and folklore tunes in his native dialect – Yoruba. He was convinced that the Great Commission was easier achieved through musical compositions using the native language and available musical instruments of talking drums, flutes, etc, as accompaniments. A number of such local gospel songs and melodies, he incorporated in his much sort-after songbooks –“MAYOKUN, IYE ati IYIN, - folklore tunes, composed to suit various occasions, times and seasons.” These became the arrow-head and vehicle utilized in propagating the Word of God and his other Ministry at large. Among his small court of admirers and friends were the likes of Dr. Fela Sowande, the world-acclaimed musicologist of is time, who in no small measure greatly assisted Revd. Olude in attaining both national and international recognition. Others included erudite organists like Sir. M. O. Ajose, Messrs. Olaoluwa Omideyi, T. A. Bankole and G. Pope Dopemu – the young organist of the ‘Mayokun Musical Party’ with which Rev. A. T. Olude carried out his scriptural and musical crusades across the nation Revd. A. T. Olude was accorded the National honour of the Member of the Order of Niger- (M.O.N) in 1965 and honorary Doctorate Degree in Music by the University of Ife on May 15. 1967 – Both, awards in recognition of his great efforts at promoting indigenous Yoruba Church Music in Nigeria. Along his musical composition, he published other powerful prayer books which greatly assist – (i) relieving the heart of stress and the fears associated with daily living, and (ii) lifting up the soul in penitence and thanksgiving to God. These titles are: • So fun Jesu • Ipin Ayo l’oni • Ase L’oruko Oluwa On May 30 1980, this great soldier of the cross finally breathed his last to join the Church Triumphant. His body was buried in Lagos. In his memory, the Conference of the Methodist Church of Nigeria in 1992, posthumously awarded him, the Knighthood of Charles Wesley (KCW) , in appreciation of his laudable contributions to the growth and development of indigenous Sacred music in Nigeria and in particular, the Methodist Church. Wale Ogunbekun, with information provided by Olude's son