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Samuel Reay

1822 - 1905 Person Name: S. Reay Hymnal Number: 354 Composer of "[Spirit of wisdom, turn our eyes]" in The Lutheran Hymnary

1818 - 1890 Person Name: C. E. Mudie Hymnal Number: 398 Author of "I lift my heart to Thee, Savior divine" in The Lutheran Hymnary Mudie, Charles Edward, the founder of the well-known library which bears his name, was born at Cheyne Walk, Chelsea, Oct. 18, 1818. In 1872 he collected his poems and published them as Stray Leaves (2nd ed., 1873). Several poems on Scriptural subjects, and a few hymns are included in the volume. The hymn by which he is best known is "I lift my heart to Thee, Saviour divine" (His and Mine). It is from the Stray Leaves, and is in several hymnbooks, including the Scottish Evangelical Union Hymnal, 1878; Horder's Congregational Hymns, 1884, and many others. It is marked by great beauty and tenderness of expression. Several of Mr. Mudie's hymns, which are not in common use are worthy of attention. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ================== Mudie, Charles E., p. 774, i. He died at 31, Maresfield Gardens, Hampstead, Oct. 28, 1890. His hymn, "I lift my heart to Thee, &c," was written in Oct., 1871. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Henry Hiles

1826 - 1904 Person Name: H. Hiles Hymnal Number: 547 Composer of "[Come, my soul, thou must be waking!]" in The Lutheran Hymnary Born: December 31, 1826, Shrewsbury, England. Died: October 20, 1904, Worthing, England. Hiles was educated at Oxford (BMus 1862, DMus 1867). He played the organ at Shrewsbury, as his brother’s deputy (1846); Bishopwearmouth (1847); St. Michael’s, Wood Street (1859); the Blind Asylum, Manchester (1859); Bowden (1861); and St. Paul’s, Manchester (1863-67). He lectured in harmony and composition at Owen’s College in Manchester (1867) and Victoria University (1879), and was Professor at the Manchester College of Music (1893). He also conducted musical societies in Lancashire and Yorkshire, and owned and edited the Quarterly Music Review (1885-88). He retired in 1904, moving to Pinner, near Harrow. His works include: Twelve Tunes to Original or Favourite Hymns, 1867 Harmony of Sounds, three editions: 1871, 1872, 1879 Wesley Tune Book, 1872 (editor) Grammar of Music, 1879 First Lessons in Singing (Manchester: Hime & Addison, 1881) Part Writing or Modern Counterpoint (Novello: 1884) Harmony or Counterpoint, 1889 Harmony, Choral or Counterpun --www.hymntime.com/tch/

Jodocus van Lodenstein

1620 - 1677 Person Name: J. van Lodenstein Hymnal Number: 279 Author of "Holy Jesus! Fountain streaming" in The Lutheran Hymnary Lodenstein, Jodocus van, son of Joost Corneliss van Lodenstein, burgomaster of Delft, was born at Delft Feb. 6, 1620. After studying at the Universities of Utrecht and Franeker he was appointed in 1644 pastor at Zoetermeer and Zegwaard, near Delft; in 1650 at Sluys (Sluis, near the boundary of Flanders); and in 1653 at Utrecht. He died at Utrecht Aug. 6, 1677 (Allg. Deutsche Biog., xix. 73-75). A pastor of the Reformed Church, he was spiritually allied to the Mystics. After 1665, not being able to exclude the worldly, he ceased to dispense the Holy Communion and altered the Baptismal formula; but never separated from the Church. His hymns appeared in his Uyt-Spanningen, Behelfende eenige stigtelyke Liederen en andere Gedigten, &c, Utrecht, 1676 [Berlin], which passed through many editions. Two are translated, viz.:— 1. Hemelsch Ooge! Wilt gy dogen. [Love to God.] 1676, p. 346, in 9 st. entitled "Solitude with God." It has passed into English through Ich will einsam und gemeinsam. No. 723, in Freylinghausen's Gesang-Buch, 1705; Porst's Gesang-Buch, ed. 1855, No. 385. It is a free translation in 5 stanzas of 6 lines, and is probably by C. A. Bernstein (p. 135, ii.), certainly not by Gr. Arnold or G. Tersteegen. Translated as (1) “Quite alone and yet not lonely," in full, from the 1105, as No. 680 in pt. i. of the Moravian Hymn Book, 1754. In the Moravian Hymn Book, 1789 (1886, No. 702), the trs. of stanzas i., ii., were reduced to 8.7.8.7, and this form is also in the Bible Hymn Book, 1845. 2. Heylge Jesu! Hemelsch Voorbeeld! [Christ our Example.] 1676, p. 152, in 9 stanzas, entitled "Jesus Pattern." It has passed into English through Heiligster Jesu, Heiligungsquelle, tr. in full. This has not yet been traced earlier than G. Arnold's Göttliche Sophia, 1700, pt. ii. p. 327, where it is No. 17 of “some hitherto unknown poems, mostly composed by others.” As it is found in this section it is perhaps more probably by B. Crasselius (q. v.). Koch, vi. 6, and viii. 437, characterises it as "a pearl in the Evangelical Treasury of Song and a genuine Christian moral hymn, of more importance than a hundred of the so-called moral hymns in the second half of the eighteenth cen¬tury." In the Berlin

Clément Marot

1496 - 1544 Person Name: Clement Marot Hymnal Number: 218 Author of "O Lord, hear Thou my calling" in The Lutheran Hymnary Born: About 1497, Cahors, France. Died: August 1544, Turin, Italy. At age 16, Marot became a page to Nicolas de Neufville, and at age 21 Valet de Chambre to Marguerite de Valois. He later fought at Pavia, where he was wounded and taken prisoner with Francis I. From 1537-9 he translated about 30 psalms, which were published in 1542. He traveled widely, sometimes fleeing persecution, and stayed at various times in Savoy, Geneva, and Turin. Sources: Julian, p. 714 Lyrics; Rendez à Dieu Louange et Gloire © The Cyber Hymnal™ (hymntime.com/tch)

Johannes Leon

1530 - 1597 Person Name: J. Leon Hymnal Number: 481 Author of "My all I to my God commend" in The Lutheran Hymnary Leon, Johannes, was a native of Ohrdruf, near Gotha. He was for some time an army chaplain, then in 1557 pastor at Königsee (Schwarzburg-Rudolstadt), in 1560 at Gross-Muhlhausen, and in 1575 at Wolfis, near Ohrdruf. He died at Wölfis about Easter, 1597 (Allg. Deutsche Biographie, xviii. 298; Wachernagel, i. pp. 466, 654; iv. p. 490, &c). Leon's hymns appeared principally in his (1) Handbüchlin, Frankfurt-am-Main, 1566, and (2) Trostbülein. The edition printed at Nürnberg, 161-1, has a preface of Dec. 9, 1588, so that the first ed. was probably 1589. His hymns are reprinted in Wackernagel, iv., Nos. 671-715. The only hymn ascribed to him which has passed into English is:— Ich hab mein Sach Gott heimgestellt. For the Dying. Wackernagel, iv. p. 519, gives this, in 18 stanzas of 5 lines, from the Psalmen, geistliche Lieder und Kirchengesäng, Nürnberg, 1589; with a long note, in which he traces all the stanzas save xi., xiv., xv., viii., to Leon's Trostbüchlein, and to his Leich-Predigten [i.e. "Funeral Sermons"], 1581-82. Mützell, No. 347, cites it as in the Psalmen, geistliche Lieder und Lobgesänge, Strassburg, n.d., but apparently before 1587. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 1460.This hymn has been frequently ascribed to Dr. Johann Pappus [b. Jan. 16, 1549, at Lindau on the Lake of Constanz; 1571, professor of Hebrew at the University of Strassburg; d. at Strassburg, July 13, 3610]; but this ascription has not been traced earlier than about 1640, e.g. in the Cantionale sacrum, Gotha, pt. iii., 1648, No. 18, and the Königsberg Gesang-Buch, 1650, p. 530. Lauxmann, in Koch, viii. 609, thinks that Pappus may have arranged the hymn in its present form. It was probably suggested by a song beginning, "Ich hab meine Sach zu Gott gestellt," which Wackernagel iii., Nos. 1242, 1243, quotes from a Leipzig broadsheet of 1555, and other sources. This hymn has been translated as:— 1. My Life I now to God resign. By J. O. Jacobi, in his Psalter Germanica, pt. ii., 1725, p. 56 (1732, p. 199), omitting st. vii., xv., xvi. Repeated in the Moravian Hymn Book, 1754, pt. i., No. 313 (1886, No. 1242, beginning with the translation of st. viii., "Teach us to number so our days"), and in J. A. Latrobe's Collection, 1841 and 1852. In the Bible Hymn Book1845, it begins with st. iii., "What is this life? a constant scene." 2. My all I to my God commend. A very good translation of stanzas i., iii., vi., viii., x., xi., xiv., xvii., by A. T. Russell, as No. 246, in his Psalms & Hymns 1851; repeated, abridged, in Dr. Pagenstecher's Collection, 1864, and Kennedy, 1863, No. 156. Dr. Kennedy, also gives a cento, beginning with the translation of stanza x., "Few are our days and sad below." 3. My cause is God's, and I am still. A good tr. of stanzas i., xi.-xiv., xvi.-xviii., by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 210; repeated, omitting the translations of stanzas xii., xvii., in her Chorale Book for England, 1863, No. 127. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

J. P. E. Hartmann

1805 - 1900 Hymnal Number: 49 Composer of "[Peace, to soothe our bitter woes]" in The Lutheran Hymnary Born: May 14, 1805, Copenhagen, Denmark. Died: March 10, 1900.

Christian Möck

1737 - 1818 Person Name: Chr. Möck, d. 1818 Hymnal Number: 443 Arranger of "[O would, my God, that I could praise Thee]" in The Lutheran Hymnary Christian Möck; b. 1737, Thaun, Germany; d. 1818 , Ansbach Germany Evangelical Lutheran Hymnal, 1908

Wilhelm Erasmus Arends

1677 - 1721 Person Name: W. E. Arends Hymnal Number: 165 Author of "Christians, prayer may well employ you" in The Lutheran Hymnary Arends, Wilhelm Erasmus, son of E. F. Arnds, pastor at Langenstein, near Halberstadt, was born at Langenstein, Feb. 5,1677. He became, in 1707, pastor at Crottorf, near Halberstadt, and in 1718, pastor of the church of St. Peter and St. Paul in Halberstadt. He died at the latter place, May 16,1721 (Koch, iv. 389; Allg. Deutsche Biog., i. 516; manuscript from Pastor Spierling, Halberstadt, and Pastor Schafft, Langenstein). He is said to have contributed three hymns to pt. ii., 1714, of Freylinghausen's Gesang-Buch Of these Nos. 118, 303 are ascribed to him at p. 3 of the Grischow-Kirchner Nachricht, 1771, to Freylinghausen's Gesang-Buch, while the other is left anonymous. It is:— Rüstet euch ihr Christenleute. [Christian Warfare.] First published as No. 360 in 1714 as above, in 4 stanzas of 11 lines. Dr. Jacobs of Wernigerode informs me that Count Christian Ernst of Wernigerode (d. 1771), a well-known German hymnologist, ascribed it to Arends in a marked copy of the 1741 ed. of Freylinghausen's Gesang-Buch. Koch styles it "a call to arms for spiritual conflict and victory." Included in many later hymnbooks, and recently as No. 675 in the Berlin Geistliche Liedersegan, ed. 1863. Translation in common use:— Christians, prayer may well employ you. A full and good translation contributed by J. M. Sloan as No. 289 to Wilson's Service of Praise, 1865. [Rev. James Mearns, M.A.] - John Julian, Dictionary of Hymnology (1907)

J. Remington Fairlamb

1838 - 1908 Person Name: J. R. Fairlamb Hymnal Number: 382 Composer of "[Come, Holy Ghost, in love]" in The Lutheran Hymnary Mr. J. Remington Fairlamb received his first musical instruction at the hands of his mother. Although he was exceedingly fond of his music, while very young he was more fond of “dreaming” than of “practicing” at the piano. But at the age of twelve the boy came across a copy of Spohr’s oratorio ”The Last Judgment,” which seems to have satisfied his craving and shaped his career. When fourteen years of age he obtained a position as organist of the Western Methodist church, the first of its denomination in Philadelphia to obtain an organ. He afterwards filled the same position in the Tabernacle Baptist Church and succeeded one of the best church musicians of that city as organist and choir master of the Clinton Street Presbyterian church. During his twentieth year Mr. Fairlamb went to Europe and studied first in Paris, the piano under Marmoutel, voice under Masset, and harmony under Danhauser; subsequently he continued his studies under Mabellin in Florence Italy. Returning to America about the outbreak of the Civil War, and being incapacitated for military service by defective eyesight, Mr. Fairlamb accepted the position of Musical Director of the Church of the Epiphany in Washington, D.C. Here he enjoyed the acquaintance of many notable people, including President and Mrs. Lincoln. Being appointed United States consul at Zurich in Switzerland by Mr. Lincoln, he returned to Europe and remained there four years. His compositions number about two hundred in all. His music is distinguishable by dramatic intensity and orchestral ideas. He has published a part of a romantic opera, “Valeri,” and a quartet opera, “Love’s Stratagem.” His songs published in “St. Nicholas Songs” and “Harper’s Young People,” are so simple, quaint and delicate that, says a prominent New York contralto, he would live had he composed nothing else, forever in these.” His “Cradle Song” is a worthy specimen of this style of composition. Mr. Fairlamb has charge of societies in Newburgh, Hudson and Catskill. from The World's Best Music: Famous Songs and Those who Made Them Famous, Volume 1 By Frederic Dean, Reginald De Koven, Gerrit Smith