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Robert Stanley Weir

1856 - 1926 Person Name: Robert S. Weir Hymnal Number: 424 Author (English) of "O Canada!" in The Worshiping Church Weir, Robert Stanley. (Hamilton, Ontario, November 15, 1856--August 20, 1926, Lake Memphremagog, Quebec). Unitarian. McGill University (Montreal), B.C.L., 1881; D.C.L., 1897. He took up law after training, and working for some years, as a schoolteacher. He began to pratise law in Montreal in 1881, and taught it at McGill 1909-1920, as well as writing articles on it, and publishing verse and prose in magazines. For the tercentenary of Quebec City (1908) he composed an English version of "O Canada" which, as kept insisting for the rest of his life, was not an attempted translation of the French lyric which Judge Adolphe B. Routhier had written for the 1880 St-Jean-Baptiste celebrations at Quebec, but an independent poem constructed to pit the tune which Calixa Lavallée had composed for that occasion. Since his poem invokes God only in the final stanza, it was never sung in church until after 1967, when Parliament took incomplete steps toward designating it as Canada's national anthem, and then usually with the amended wording proposed to Parliament in 1972, on which no definite action was then taken. --Hugh D. McKellar, DNAH Archives

Bertus Frederick Polman

1945 - 2013 Person Name: Bert Polman Hymnal Number: 660 Reviser of "Christian, Do You Struggle?" in The Worshiping Church Bert Frederick Polman (b. Rozenburg, Zuid Holland, the Netherlands, 1945; d. Grand Rapids, Michigan, July 1, 2013) was chair of the Music Department at Calvin College and senior research fellow for the Calvin Institute of Christian Worship. Dr. Polman studied at Dordt College (BA 1968), the University of Minnesota (MA 1969, PhD in musicology 1981), and the Institute for Christian Studies. Dr. Polman was a longtime is professor of music at Redeemer College in Ancaster, Ontario, and organist at Bethel Christian Reformed Church, Waterdown, Ontario. His teaching covered a wide range of courses in music theory, music history, music literature, and worship, and Canadian Native studies. His research specialty was Christian hymnody. He was also an organist, a frequent workshop leader at music and worship conferences, and contributor to journals such as The Hymn and Reformed Worship. Dr. Polman was co-editor of the Psalter Hymnal Handbook (1989), and served on the committees that prepared Songs for Life (1994) and Sing! A New Creation (2001), both published by CRC Publications. Emily Brink

Christopher D. Collins

Hymnal Number: 323 Paraphraser of "Angels Bright, Heavens High" in The Worshiping Church

Robert Archibald Smith

1780 - 1829 Person Name: Robert Smith Hymnal Number: 208 Adapter of "MARTYRDOM" in The Worshiping Church Although largely self-taught, Robert A. Smith (b. Reading, Berkshire, England, 1780; d. Edinburgh, Scotland, 1829) was an excellent musician. By the age of ten he played the violin, cello, and flute, and was a church chorister. From 1802 to 1817 he taught music in Paisley and was precentor at the Abbey; from 1823 until his death he was precentor and choirmaster in St. George's Church, Edinburgh. He enlarged the repertoire of tunes for psalm singing in Scotland, raised the precentor skills to a fine art, and greatly improved the singing of the church choirs he directed. Smith published his church music in Sacred Harmony (1820, 1825) and compiled a six-volume collection of Scottish songs, The Scottish Minstrel (1820-1824). Bert Polman

H. D. Rawnsley

1851 - 1920 Person Name: Hardwicke D. Rawnsley Hymnal Number: 413 Author of "O God, Whose Will Is Life and Good" in The Worshiping Church Rawnsley, Hardwicke Drummond, M.A., son of the Rev. R. D. B. Rawnsley, M.A., sometime Prebendary of Lincoln, was born at Shiplake-on-Thames, Sept. 28,1850, and educated at Ball. Coll., Oxford, B.A. 1875, M.A. 1883; D. 1875, P. 1877; Curate of St. Barnabas, Bristol, 1875-77; Vicar of Low Wray, Lancashire, 1878-83, and Vicar of Crosthwaite since 1883. He became Rural Dean of Keswick 1883, Hon. Canon of Carlisle 1893, and Proctor in Convocation 1905. His publications include: Notes for the Nile, 1892; Literary Associations of the English Lakes, 1894; Memoir of Harvey Goodwin, Bishop of Carlisle, 1896; Sermons on the Logia, 1897, and various books of Poems and Sonnets. The best-known of his hymns are:— 1. Hark! I hear the trumpet sounding. [Mission Hymn for Children.] In the Ch. Missionary Hymn Book, 1899. 2. Lord God, our praise we give. [In Praise of Nature]. Contributed to the 1904 ed. of Hymns Ancient & Modern. 3. Now trumpets cease your sound. [Peace.] In Hymns of the Kingdom . . . for the use of the Christian Democracy. Norwich, 1903. 4. Saviour, Who didst healing give. [St. Luke.] Written at Crosthwaite Vicarage, Dec. 1, 1905, and included in The English Hymnal 1906. 5. Lord Jesu, Who at Lazarus' tomb. [Memorial of the Dead.] Written at Crosthwaite Vicarage, Dec. 2, 1905, for The English Hymnal, 1906. 6. Lord, Who gavest streams and fountains. [For a Dual School.] Written in 1898 at Keswick for the Holiday Association of the Home Readers' Union, and included in the Keswick School Hymn Book. --John Julian, Dictionary of Hymnology, New Supplement (1907)

J. A. Hultman

1861 - 1942 Person Name: John A. Hultman Hymnal Number: 380 Composer of "TACK, O GUD" in The Worshiping Church

Martin West

b. 1929 Hymnal Number: 499 Arranger of "O WALY WALY" in The Worshiping Church

Ralph Vaughan Williams

1872 - 1958 Hymnal Number: 135 Arranger of "HYFRYDOL" in The Worshiping Church Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Henry Purcell

1659 - 1695 Hymnal Number: 475 Composer of "WESTMINSTER ABBEY" in The Worshiping Church Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

Frederick A. Blom

1867 - 1926 Hymnal Number: 683 Author of "He the Pearly Gates Will Open" in The Worshiping Church Frederick Arvid Blom was born on May 21, 1867, near Enköpking, Sweden. He emigrated to America in the 1890s and joined the Salvation Army in Chicago. He attended North Park College and Seminary, served as a minister in the Evangelical Covenant Church. But he strayed from the church and ended up in prison. After be released from prison, Blom underwent a spiritual revival, and became pastor at a Swedish Congregational Church in Pennsylvania. He returned to his native Sweden in 1921 and died there on May 24, 1927. Sources: Hustad, p. 208 NN, Hymnary. Source: http://www.hymntime.com/tch/bio/b/l/o/blom_fa.htm

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