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Person Results

Meter:8.7.8.7.8.7
In:people

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Erik Routley

1917 - 1982 Person Name: Erik Routley, 1917-1982 Meter: 8.7.8.7.8.7 Author of "God, Omnipotent, Eternal" in Worship (3rd ed.)

Friedrich Filitz

1804 - 1876 Person Name: Friedrich Filitz, 1804 - 1876 Meter: 8.7.8.7.8.7 Composer (Adapted from) of "MANNHEIM" in The Hymnary of the United Church of Canada Friedrich Filitz PhD Germany 1804-1876. Born at Arnstadt. Thuringia, he was a German composer and musicologist. He collected church music. He also studied philosophy. In 1833 he worked in Berlin as a music critic and at other employment. He was also a music historian. With Ludwig Erck, he published a collection of 15th & 17th Century chorales in 1845. He moved to Munich and published a chorale book in 1847. His legacy of vauable church music was donated to the Bavarian State Library, where it has made many forgotten works available once again. He died in Bonn, Germany. John Perry

George Hugh Bourne

1840 - 1925 Person Name: George H. Bourne Meter: 8.7.8.7.8.7 Author of "Lord, Enthroned in Heavenly Splendor" in Hymns to the Living God Bourne, George Hugh, D.C.L., son of Rev. R. B. Bourne, born at St. Paul's Cray, Kent, 8th Nov. 1840, and educated at Eton, and O. C. C, Oxford, graduating B.A., 1863; B.C.L., 1866; and D.C.L. 1871. Taking Holy Orders in 1863, he became Curate of Sandford-on-Thames, 1863. He was afterwards Head Master of Chardstock College, and is now (1886) Warden of the same school, which has been transferred to St. Edmund's, Salisbury. Dr. Bourne has written the following hymns:— 1. Scarce discerning aught before us. General, Written in Switzerland in 1861, and published in Lyra Messianica, 1864, p. 17, in 10 stanzas of 4 lines, and repeated in the Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns, 1869, in an abbreviated form. 2. 0 Christ, the king of human life. Holy Matrimony. A hymn on Holy Matrimony, written in 1867 for the marriage of Dr. A. B. Webb, Bishop of Bloemfontein, and included in the Society for Promoting Christian Knowledge Appendix to the Psalms & Hymns, 1869, and thence into Church Hymns, 1871. 3. Of the wondrous Body, 0 my tongue be telling. A translation of "Pange lingua gloriosi corporis," q.v., contributed to Lyra Eucharistica, 2nd edition, 1864. Dr. Bourne has also written seven Post-Communion hymns for use in the Chapel of St. Edmund's College, Salisbury. These hymns have not been published. -- John Julian, Dictionary of Hymnology (1907) =================== Bourne, George H, p. 164, ii. From his Post Communion Hymns, privately printed in 1874 (see p. 165, i., 3), the hymns "O Christ, our God, 'Who with Thine own hast been" (Holy Communion), and "Lord, enthroned in heavenly splendour" (Holy Communion), are taken. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Michael Hewlett

1916 - 2000 Person Name: Michael Hewlett, 1916-2000 Meter: 8.7.8.7.8.7 Author of "Sing to him in whom creation" in Singing the Faith Michael Edward Hewlett (b. 1916; d. 2000) was ordained in England as an Anglican priest in 1949, and served several parishes as curate, vicar, or parish priest. For most of his career he was vicar in the diocese of Exeter. He was author of about seventy hymn texts and contributed to many hymnals in the UK and North America. Emily Brink

Anthony G. Petti

1932 - 1985 Person Name: Gaetano Raphael (Anthony) Petti, 1932-1985 Meter: 8.7.8.7.8.7 Adapter of "Lead us, heavenly Father, lead us" in The Irish Presbyterian Hymnbook Petti, Anthony Gaetano. (London, England, February 12, 1932-- ). Roman Catholic. University College, London, B.A., 1955; M.A., 1957; D.Lit., 1970. While teaching English at the University of London (1955-1968) and the University of Calgary, Alberta (1969-?), and directing in both cities vocal and instrumental groups whose members shared his tastes, he did a great deal of research into Renaissance literature and music, particularly that produced by English Catholics, and published critical editions of many obscure and fascinating works. He reached out to a non-specialist audience with The New Catholic Hymns, for which he served as literary editor and made several translations, was published by Faber Music, London, in 1971; editions in several other countries soon followed, and his verses found their way into many other hymnbooks and breviaries. --Hugh D. McKellar, DNAH Archives

John Goss

1800 - 1880 Meter: 8.7.8.7.8.7 Composer of "LAUDA ANIMA" in Psalter Hymnal (Gray) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Cyril Alington

1872 - 1955 Person Name: C. A. Alington, 1872-1955 Meter: 8.7.8.7.8.7 Author of "Lord of beauty, thine the splendour" in The New English Hymnal Educated at Trinity College, Oxford, England, Cyril A. Alington (b. Ipswich, England, 1872; d. St. Leonards, Hertfordshire, England, 1955) was ordained a priest in the Church of England in 1901. He had a teaching career that included being headmaster at Shrewsbury School and Eton College. He was dean of Durham from 1933-1951 as well as chaplain to the king of England. His writings include literary works and Christianity in England, Good News (1945). Many of his hymns appeared in various twentieth-century editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Stephen Somerville

1931 - 2015 Meter: 8.7.8.7.8.7 Author (refrain) of "O Redeemer" in Catholic Book of Worship III Somerville, Stephen Francis. (London, England, April 1, 1931-- ). Roman Catholic. University of Toronto, B.A., 1952; Laval University (Quebec), L.Th., 1956; graduate study in Rome. Pastorates (in Ontario) at Grimsby, 1957-1960; Niagara Falls, 1960-1963; Ottawa, 1977-1979; Midland, 1979-?. Taught at St. Michael's Choir School, Toronto, 1963-1970. Edited (1970-1977) Living with Christ, a "missalette" issued every six weeks, giving prayer and scripture passages for all Masses to be celebrated, and including appropriate hymns. During this time he chaired the Diocese of Ottawa's liturgical commission, and represented Canada (1968-1975) on ICEL, charged by the Pope with preparing a text for the whole liturgy which the entire English-speaking world might use. --Hugh D. McKellar, DNAH Archives

Robert Schumann

1810 - 1856 Meter: 8.7.8.7.8.7 Composer of "SMITH COLLEGE" Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

I-to Loh

b. 1936 Meter: 8.7.8.7.8.7 Harmonizer of "TOA-SIA" in Voices United

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