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Person Results

Meter:7.6.7.6 with refrain
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Paul Sjolund

b. 1935 Person Name: Paul Sjolund, b. 1935 Meter: 7.6.7.6 with refrain Harmonizer of "GO TELL IT ON THE MOUNTAIN" in Gather Comprehensive

Adolfo Robleto

1917 - 1994 Meter: 7.6.7.6 with refrain Translator (refrain) of "Go, Tell It on the Mountain (Ve, dilo en las montañas)" in Santo, Santo, Santo Born: Jan­u­a­ry 4, 1917, Ma­na­gua, Ni­ca­ra­gua. Died: Ap­ril 1, 1994, Tex­as. Pseudonyms: Daniel R. Di­az Pablo Fi­lós Robleto at­tend­ed the Co­le­gio Bau­tis­ta in Ma­na­gua (grad­u­at­ed 1940), and the Bap­tist Sem­in­a­ry in New Or­leans, Lou­i­si­a­na, and pas­tored church­es in Ni­ca­ra­gua, Cos­ta Ri­ca and Tex­as. He al­so di­rect­ed the De­part­ment of Ad­min­is­tra­tion of Church­es and Pas­tor­al Lead­er­ship, ed­it­ed The Chris­tian Home for the Casa Bau­tis­ta de Pub­li­ca­ci­on­es, and trans­lat­ed about 200 hymns from Eng­lish to Span­ish. His works in­clude: 501 Ilus­tra­cion­es Nue­vas Doctrina Cris­ti­a­na Dramas y Po­em­as pa­ra Dí­as Es­pe­cial­es Que Hacer En Tiem­pos de Cri Sermones pa­ra el Nue­vo Mi­len­io --www.hymntime.com/tch/

Mary Nelson Keithahn

b. 1934 Meter: 7.6.7.6 with refrain Author of "When Quiet Peace Is Shattered" in Come Away with Me Mary Nelson Keithahn, a retired United Church of Christ ordained pastor and church educator, has been a curriculum writer-editor, journalist, and lyricist for musical dramas and anthems. She still works out of her home in Rapid City, South Dakota, as a free-lance writer. In 2016 she published Elfie: Adventures on the Midwest Frontier, a chapter book for children, and Embracing the Light: Reflectioins on God’s Holy Word, a collection of meditations for individual or small group use. Augsburg Fortress also published Sing the Stories of God’s NEW People, the third in a trilogy of Bible story-based collections of songs for young children, written with her longtime colleague, John D. Horman. The two have written over a hundred hymns together, some of which are included in these hymnals and supplements: Community of Christ Sings, God’s Mission, God’s Song, Hymns of Heritage and Hope, Lift Up Your Hearts, Sing Justice! Do Justice, Sing the Faith, Singing Our Savior’s Story, Singing the New Testament, The Faith We Sing, Upper Room Worshipbook, Voices Found, Voices United, and Worship and Song. They have also published four collections of their hymns: Come Away with Me and Time Now to Gather (Abingdon, 1998), The Song Lingers On (Zimbel, 2003), and Faith That Lets Us Sing (Wayne Leupold Editions, 2017). Mary is a Life Member and former board member of Choristers Guild and a Life Member of the Hymn Society in the United States and Canada. She is also a member of ASCAP. In 2006 she received a Distinguished Achievement Award from her alma mater, Carleton College in Northfield, MN, in recognition of her work in composing text for religious music. Mary was married to the Rev. Richard K. Keithahn, a U.C.C. pastor, and widowed in 1986. She has three children, eight grandchildren, and one great-grandchild. --mnk

John W. Work

1901 - 1967 Person Name: John W. Work (1901-1967) Meter: 7.6.7.6 with refrain Adapter of "Go, Tell It on the Mountain" in Seventh-day Adventist Hymnal John Wesley Work III (1901-1967) Composer, educator, choral director, and ethnomusicologist John Wesley Work III was born on June 15, 1901, in Tullahoma, Tennessee, to a family of professional musicians. His grandfather, John Wesley Work, was a church choir director in Nashville, where he wrote and arranged music for his choirs. Some of his choristers were members of the original Fisk Jubilee Singers. His father, John Wesley Work Jr., was a singer, folksong collector and professor of music, Latin, and history at Fisk, and his mother, Agnes Haynes Work, was a singer who helped train the Fisk group. His uncle, Frederick Jerome Work, also collected and arranged folksongs, and his brother, Julian, became a professional musician and composer. Work began his musical training at the Fisk University Laboratory School, moving on to the Fisk High School and then the university, where he received a B.A. degree in 1923. After graduation, he attended the Institute of Musical Art in New York City (now the Julliard School of Music), where he studied with Gardner Lamson. He returned to Fisk and began teaching in 1927, spending summers in New York studying with Howard Talley and Samuel Gardner. In 1930 he received an M.A. degree from Columbia University with his thesis American Negro Songs and Spirituals. He was awarded two Julius Rosenwald Foundation Fellowships for the years 1931 to 1933 and, using these to take two years leave from Fisk, he obtained a B.Mus. degree from Yale University in 1933. Work spent the remainder of his career at Fisk, until his retirement in 1966. He served in a variety of positions, notably as a teacher, chairman of the Fisk University Department of Music, and director of the Fisk Jubilee Singers from 1947 until 1956. He published articles in professional journals and dictionaries over a span of more than thirty years. His best known articles were "Plantation Meistersingers" in The Musical Quarterly (Jan. 1940), and "Changing Patterns in Negro Folksongs" in the Journal of American Folklore (Oct. 1940). Work began composing while still in high school and continued throughout his career, completing over one hundred compositions in a variety of musical forms -- for full orchestra, piano, chamber ensemble, violin and organ -- but his largest output was in choral and solo-voice music. He was awarded first prize in the 1946 competition of the Federation of American Composers for his cantata The Singers, and in 1947 he received an award from the National Association of Negro Musicians. In 1963 he was awarded an honorary doctorate from Fisk University. Following Work's collection Negro Folk Songs, the bulk of which was recorded at Fort Valley, he and two colleagues from Fisk University, Charles S. Johnson, head of the department of sociology (later, in October 1946, chosen as the university's first black president), and Lewis Jones, professor of sociology, collaborated with the Archive of American Folk Song on the Library of Congress/Fisk University Mississippi Delta Collection (AFC 1941/002). This project was a two-year joint field study conducted by the Library of Congress and Fisk University during the summers of 1941 and 1942. The goal of the partnership was to carry out an intensive field study documenting the folk culture of a specific community of African Americans in the Mississippi Delta region. The rapidly urbanizing commercial area of Coahoma County, Mississippi, with its county seat in Clarksdale, became the geographical focus of the study. Some of the correspondence included in this collection between Work and Alan Lomax, then head of the Archive of American Folk Song, touches on both the Fort Valley and the emerging Fisk University recording projects. John Wesley Work died on May 17, 1967. --memory.loc.gov/ammem/ftvhtml/

James H. Burke

1858 - 1901 Person Name: J. H. Burke Meter: 7.6.7.6 with refrain Composer of "BURKE" in The Hymnal of The Evangelical United Brethren Church James H Burke, 1855-1901, Born in Ireland, he emigrated to the U.S. in 1873. In Chicago, he attended the Moody Church and became a member. He taught Sunday school and started singing groups at the YMCA. He engaged in evangelistic work with D. L. Moody, Daniel Whittle, and others, going to Scotland and Britain for crusade work there for a year and a half. He was also music minister at the New York Gospel Tacernacle for a year in 1891. He traveled with Scottish evangelist, John McNeill for or year or so as well. John Perry

Carl Haywood

b. 1949 Person Name: Carl Haywood, b. 1949 Meter: 7.6.7.6 with refrain Arranger of "KING JESUS" in Total Praise

A. L. Skoog

1854 - 1934 Person Name: A. L. Skoog, 1856-1934 Meter: 7.6.7.6 with refrain Author of "Praise the Lord with Joyful Song" in The Covenant Hymnal Skoog, Andrew L. (Gunnarskog, Sweden, December 17, 1856 [sic]--October 30, 1934, Minneapolis, Minnesota). Evangelical Covenant. Son of pietists. Tailor's apprentice at 10. Family emigrated to St. Paul, Minn., when Andrew was 13. Only formal music training was 12 lessons on a melodeon. Organist, choir director, and Sunday School superintendent in Swedish Tabernacle, Minneapolis, 1886-1916. Co-editor of hymnals: Evangelii Basun I & II, 1881-1883; Lilla Basunen, 1890; and Jubelklangen, 1896. Was in editorial committee of Covenant's first three hymnals: Sions Basun, 1908; De Ungas Sångbok, 1914; and Mission Hymns, 1921. Editor and publisher of Gittit 1892-1908, a monthly choir journal with music; a series of ten bound volumes of choir selections; and many hymns. --J. Irving Erickson, DNAH Archives

Paul Rader

1879 - 1938 Meter: 7.6.7.6 with refrain Author of "Harvest Time (Rader)" in Timeless Truths Rader was one of the most powerful evangelistic preachers of the early 20th Century. He described himself as an ex-bellboy, ex-cowboy, ex-prospector, ex-football player, and ex-pugilist. He was pastor of Moody Church in Chicago, Illinois (1915–21), and followed founder Albert Simpson as president of the Christian and Missionary Alliance (1920–23). He also founded the Chicago Gospel Tabernacle in 1922 and pastored it for 11 years. Rader wrote many Gospel song lyrics and a few tunes, and was instrumental in founding of the Tabernacle Publishing Company. Rader was a pioneer of Christian broadcasting, as well: In the early 1920’s, the beginning days of radio, station WBBM in Chicago, Illinois, closed every Sunday. Rader received permission to use the studios, and for several years ran a 14-hour Christian program every Sunday. Rader called his station within a station WJBT (Where Jesus Blesses Thousands). --© Cyber Hymnal™ (www.hymntime.com/tch)

J. S. Fearis

1867 - 1932 Meter: 7.6.7.6 with refrain Composer of "BEAUTIFUL ISLE" in African Methodist Episcopal Church Hymnal John Sylvester Fearis, 1867-1932 Born: Feb­ru­a­ry 5, 1867, Rich­land, Io­wa. Died: Sep­tem­ber 2, 1932, Lake Ge­ne­va, Wis­con­sin. Fearis’ fa­ther was a suc­cess­ful sing­ing school teach­er, and a paint­er by trade. At a young age, John learned to read mu­sic in his fa­ther’s classe­s. He was pas­sion­ate­ly fond of mu­sic, and, tak­ing less­ons on the reed or­gan, he was soon able to play in Sun­day school and church. Lat­er he took charge of the church choir, and taught sing­ing class­es in near­by towns. He wrote his first hymn tune at age 16. He event­u­al­ly joined the ed­it­or­i­al staff of the Choir Lead­er, pub­lished by the Lo­renz Pub­lish­ing Com­pa­ny in Day­ton, Ohio. Sources-- Choir Her­ald, De­cem­ber 1932, p. 219 Emurian, p. 17 Hall, pp. 393-4 Lyrics-- Brightly Beams Ano­ther Morn­ing Children’s Day Show Me the Way, My Shepherd What Com­fort to Our Hearts What Won­der­ful Love Is the Love Music-- Be Thou Ex­alt­ed Beautiful Isle of Some­where God May Call for You Little Rain­drops Promise Made to Mo­ther, The Songs in the Night Show Me the Way, My Shep­herd There’s Light for a Step Wherever He Leads Me I’ll Go --hymntime.com/tch

Michael Evers

Meter: 7.6.7.6 with refrain Arranger of "ROYAL OAK" in Celebrating Grace Hymnal

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