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John Roberts

1822 - 1877 Hymnal Number: 40 Arranger of "LLANFAIR" in The Worshiping Church Used Ieuan Gwyllt as his bardic name. See also Ieuan Gwyllt, 1822-1877.

W. Pennefather

1816 - 1873 Person Name: William Pennefather Hymnal Number: 803 Author of "Jesus, Stand Among Us" in The Worshiping Church Pennefather, William, B.A., son of Richard Pennefather, Baron of the Irish Court of Exchequer, was born in Merrion Square, Dublin, Feb. 5, 1816. He resided for a time for educational purposes at Wesbury College, near Bristol, and then at Levans Parsonage, near Kendal, Westmoreland. He entered Trinity College, Dublin, in Feb. 1832, and graduated B.A. in 1840. Taking Holy Orders in 1841, he became curate of Ballymacugh, diocese of Kilmore. In July, 1844, he was preferred to the Vicarage of Mellifont, near Drogheda. In 1848 he removed to England, where he held successively the Incumbency of Trinity Church, Walton, Aylesbury, 1848; of Christ Church, Barnet, 1852; and of St. Jude's, Mildmay Park, 1864. He died April 30, 1873. His great work at Barnet and at Mildmay—-the Conferences began at the former and continued at the latter place-—the large religious and charitable organizations which he instituted and superintended, are matters of history. Full details are given of the rise and progress of these and his other works in his Life and Letters, 1878. His hymns were written mainly for the Barnet and Mildmay "Conferences," and were published sometimes as leaflets, and again, as for the Conference of 1872, as Hymns Original and Selected, By W. P. In this pamphlet there are 25 of his compositions. In the latter part of 1873 his Original Hymns and Thoughts in Verse were published posthumously. This work contains 71 pieces, but few of which are dated. Of these the following are given in a few hymn-books:— 1. And may I really tread. Divine Worship. 2. Help us, 0 Lord, to praise! Praise. 3. How shall we praise Thy name. Christian Communion. From this “0 for ten thousand harps," is taken. 4. Jesus, in Thy blest name. Church Conferences. 5. Jesus, stand among us. Divine Worship. 6. My blessed Jesus, Thou hast taught. Self Consecration. 7. 0 God of glorious majesty. For Retreats or Quiet Days. 8. 0 haste Thy coming kingdom. The Second Advent desired. 9. 0 holy, holy Father. Divine Worship. 10. 0 Lord, with one accord. Divine Worship. 11. 0 Saviour! we adore Thee. Jesus the Faithful One. 12. Once more with chastened joy. Divine Worship. 13. Praise God, ye seraphs bright. Praise. 14. Thousands and thousands stand. Communion of Saints. 15. Yon shining shore is nearer. Heaven Anticipated. Mr. Pennefather's hymns possess much beauty and earnest simplicity; are rich in evangelical sentiment and doctrine; and are much more musical than is usual with lyrics of their class -- John Julian, Dictionary of Hymnology (1907)

Hans Sachs

1494 - 1576 Hymnal Number: 131 Composer of "WACHET AUF" in The Worshiping Church Sachs, Hans, the famous German poet and shoemaker, was born at Nürnberg, Nov. 5, 1494; settled there in 1516 after his journeyman wanderings, and d. there on the evening of Jan. 19,1576 (see full notices in K. Goedeke's Grundriss, vol. ii., 1886, pp. 408-437; Allg. Deutsche Biographie, xxx., 115, &c). His poetical works were collected at Nürnberg in 3 vols., folio, 1558-61 (vol. 4, 1578; vol. 5, 1579); and a complete ed. of his works is now being published by the Literary Union of Stuttgart, of which vol. xvii. appeared in 1888. His pre-Reformation hymns are given by Wackernagel, ii., Nos. 1403-1410 ; and his post-Reformation hymns by Wackernagel, iii., Nos. 83-106. Two of his hymns (Wackernagel, iii., Nos. 83, 97) have been translated by Bp. Coverdale, 1539 (see p. 442, ii., Nos. 16, 27); and two others (Wackernagel, iii., Nos. 86, 82) by Miss Winkworth, 1869, pp. 131,134. See also p. 1234, i., and p. 1543, ii. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Samuel Dyer

1785 - 1835 Hymnal Number: 714 Arranger of "MENDON" in The Worshiping Church Rv Samuel Dyer United Kingdom 1785-1835. Born in White Chapel, Hampshire, the family moved to Wellshire, England, where he was ordained and served as a Baptist minister. In 1806 the family moved to Coventry, and Samuel emigrated to the U.S. in 1811. He married Renee Novak. He taught music and directed choirs in New York City and Philadelphia, PA. He later moved to Baltimore, MD, and wrote, conducted singing schools in the south and east, and conducted the New York Sacred Music Society. He published “New selection of sacred music” (1817), “Anthems” (1822 & 1834), and “The Philadelphia collection of sacred music” (1828). He died in Hoboken, NJ. John Perry

Austin C. Lovelace

1919 - 2010 Hymnal Number: 768 Arranger of "DOVE OF PEACE" in The Worshiping Church LOVELACE, AUSTIN C., AAGO: (1919-2010) D.S.M., Union Theological Seminary, New York. Recitals, workshops, festivals, lectures in 17 different denominations in 45 states as well as in Finland, Scotland, Canada, and New Zealand. Past President, Fellow, and Life member, HSUSC. 50 year member, Hymn Society of Great Britain and Ireland. Author of five books; co-editor and consultant of denominational and other hymnals. Longtime member, ASCAP. Composer of over 800 compositions published by 20 publishers. Organist for the 2nd Assembly of the World Council of Churches, 1954. Dean of the first North Carolina Chapter, AGO. Chairman of the 1968 National Convention, AGO, in Denver. Two terms on the National Council, AGO. Co-founder, with Tom Matthews, of the North Shore Chapter, AGO. Minister of Music Emeritus. Denver Chapter, AGO. Austin C. Lovelace (from In Melody and Song, Darcey Press, 2014)

Aubrey L. Butler

b. 1933 Hymnal Number: 505 Composer of "ADA" in The Worshiping Church BUTLER, A. L. (Pete) (b. 1933): B.M., Oklahoma Baptist University. M.S.M. Southern Baptist Seminary, Louisville, KY. D.C.M. (Hon.), Southwest Baptist University, Bolivar, MO. Minister of Music, First Baptist Church, Ada, OK. Retired Professor of Church Music, Midwestern Baptist Seminary, Kansas City, MO. Published works include children's and adult anthems and hymn tunes. Member, ASCAP (American Society of Composers, Authors, and Publishers). A. L. Butler (from In Melody and Song, Darcey Press, 2014)

Charles F. Gounod

1818 - 1893 Person Name: Charles F. Gounod, 19th C. Hymnal Number: 811 Composer of "LUX FLAT" in The Worshiping Church Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman

John Merbecke

1510 - 1585 Hymnal Number: 823 Composer of "MERBECKE" in The Worshiping Church John Marbeck, Merbeck or Merbecke (c. 1510 – c. 1585) was an English theological writer and musician who produced a standard setting of the Anglican liturgy. He is also known today for his setting of the Mass, Missa Per arma justitiae. Probably a native of Beverley in Yorkshire, Merbecke appears to have been a boy chorister at St. George's Chapel, Windsor, and was employed as an organist there from about 1541. Two years later he was convicted with four others of heresy and sentenced to be burnt at the stake, but received a pardon owing to the intervention of Stephen Gardiner, Bishop of Winchester. An English Concordance of the Bible which Merbecke had been preparing at the suggestion of Richard Turner, was however confiscated and destroyed. A later version of this work, the first of its kind in English, was published in 1550 with a dedication to Edward VI. In the same year, Merbecke published his Booke of Common Praier Noted, intended to provide for musical uniformity in the use of the First Prayer Book of Edward VI. This set the liturgy to semi-rhythmical melodies partly adapted from Gregorian chant; it was rendered obsolete when the Prayer Book was revised in 1552. Merbecke wrote several devotional and controversial works of a strongly Calvinistic character, and a number of his musical compositions are preserved in manuscript in the British Library, and at Oxford and Cambridge. He died, probably while still organist at Windsor, about 1585. His son, Roger Marbeck (1536–1605), was a noted classical scholar and physician. In the first half of the 19th century, the Oxford Movement inspired renewed interest in liturgical music within the Church of England. John Jebb first drew attention to Merbecke's Prayer Book settings in 1841. In 1843, William Dyce published plain song music for all the Anglican services, which included nearly all of Merbecke's settings, adapted for the 1662 edition of the Book of Common Prayer then in use. During the latter half of the 19th century, many different editions of Merbecke's settings were published, especially for the Communion Service, with arrangements by noted musicians such as Sir John Stainer, Charles Villiers Stanford and Basil Harwood, Merbecke's Communion setting was very widely sung by choirs and congregations throughout the Anglican Communion until the 1662 Book of Common Prayer began to be supplanted by more modern liturgy in the late 20th century. Parts of his service, notably the Nicene Creed, have been adapted to "modern" wording. His setting has also been adapted for the liturgy of many other denominations; the Roman Catholic Church used it for the new English language rite following the Second Vatican Council of 1962-65. His complete Latin Church music was recorded by The Cardinall's Musick under the direction of Andrew Carwood in 1996. A voluntary choir for young men and women at Southwark Cathedral in London is named the Merbecke Choir in his honour, because Merbecke's heresy trial had been partly held at the church in 1543. Merbecke is honoured, together with William Byrd and Thomas Tallis, with a feast day in the liturgical calendar of the Episcopal Church (United States) on 21 November. --en.wikipedia.org/wiki/

Samuel F. Coffman

1872 - 1954 Hymnal Number: 761 Author of "We Bless the Name of Christ the Lord" in The Worshiping Church Born: June 11, 1872, Dale En­ter­prise, Rock­ing­ham Coun­ty, Vir­gin­ia. Died: June 28, 1954, Vine­land, On­tar­io, Ca­na­da. Buried: First Men­non­ite Church, Vine­land, On­tar­io, Ca­na­da. Coffman spent most of his school years in Elk­hart Coun­ty, In­di­a­na, where his fam­i­ly had moved in 1879. He grad­u­at­ed from the Elk­hart High School in 1890, and at­tend­ed the Moo­dy Bi­ble Ins­ti­tute (1894-95 and for six months in 1897-98). From 1890-94, he worked for the Men­non­ite Pub­lish­ing Com­pa­ny in Elk­hart. He was con­vert­ed at meet­ings held in Elk­hart by his fa­ther, and was bap­tized on May 26, 1888. He was elect­ed su­per­in­tend­ent of the Elk­hart Men­non­ite Sun­day school on De­cem­ber 28, 1893. In 1894-95 he served in the Men­non­ite Home Miss­ion in Chi­ca­go, Il­li­nois. There he was or­dained to the min­is­try in 1895; he be­came bi­shop in Vine­land, On­tar­io, in 1903. Coffman served wide­ly in his de­nom­in­a­tion be­yond the bor­ders of his own con­gre­ga­tion and con­fer­ence. He was mod­er­at­or of the On­tar­io Con­fer­ence in 1931-34, and mod­er­at­or of the Gen­er­al Con­fer­ence in 1911 and 1933. He al­so served as sec­re­ta­ry of the Gen­er­al Con­fer­ence for a time. He was a mem­ber of the fol­low­ing Gen­er­al Con­fer­ence com­mit­tees: Mu­sic Com­mit­tee from its be­gin­ning in 1911 un­til 1947; Peace Prob­lems Com­mit­tee 1925-49; His­tor­ic­al Com­mit­tee from its in­cept­ion in 1911, and its chair­per­son from 1911 un­til 1947; Gen­er­al Sun­day School Com­mit­tee from its be­gin­ning in 1915 un­til it was in­cor­por­at­ed in­to the Com­miss­ion for Christ­ian Ed­u­ca­tion and Young Peo­ple’s Work in 1937. He served for a time on the Miss­ions Com­mitt­ee of the Men­non­ite Board of Miss­ions and Char­i­ties. He served on the Men­non­ite Board of Ed­u­ca­tion from its incep­tion in 1905 un­til about 1944, serv­ing as sec­re­ta­ry for about 20 years. He al­so served on the Pub­li­ca­tion Board and its Pub­lish­ing Com­mit­tee. He was the found­er and served as prin­ci­pal of the On­tar­io Men­non­ite Bi­ble School in Kitch­en­er, 1907-47. He was ed­it­or of the Bi­ble stu­dy de­part­ment of the Christ­ian Mon­i­tor from the be­gin­ning of its pub­li­ca­tion in 1909 un­til 1953. He served as pas­tor of the Moy­er con­gre­ga­tion in Vine­land from 1902 un­til he died in 1954, and as bi­shop of the Ni­a­ga­ra Dis­trict from 1903. He was a char­ter mem­ber of the Non­re­sist­ant Re­lief Or­gan­i­za­tion in On­tar­io, or­gan­ized in 1918, and its se­cre­ta­ry 1920-54. In 1918 he was ap­point­ed the spe­cial cor­res­pond­ent with the Ca­na­di­an gov­ern­ment re­gard­ing mil­i­tary serv­ice and the im­mi­gra­tion of the Russ­ian Men­non­ites. He was as­so­ci­at­ed with the Ca­na­di­an Men­non­ite Board of Col­o­niz­a­tion (1922-44), and ac­tive­ly aid­ed the im­mi­gra­tion from Russ­ia to On­tar­io (1922-25). In his ear­li­er min­is­try, he was wide­ly used in Bi­ble con­fer­ence and evan­gel­is­tic work. In 1901 on a com­miss­ion from the On­tar­io Con­fer­ence, he or­gan­ized a num­ber of con­gre­ga­tions and or­dained min­is­ters and dea­cons in Al­ber­ta. During Coff­man’s time as hymn ed­it­or of the Mu­sic Com­mit­tee, the fol­low­ing books ap­peared at Scott­dale, Penn­syl­van­ia: Church and Sun­day School Hymn­al Sup­ple­ment, 1911 Life Songs, 1916 (co-ed­it­or) Church Hymn­al, 1927 Songs of Cheer for Child­ren, 1928 Life Songs No. 2, 1938 (ed­it­or) Photo & bi­o­graphy cour­te­sy of the Men­non­ite His­tor­ic­al So­ci­e­ty of Ca­na­da

Julia C. Cory

1882 - 1963 Hymnal Number: 377 Author of "We Praise You, O God, Our Redeemer" in The Worshiping Church Julia C. Cory (Julia Buckley Cady Cory) was born in New York, NY in 1882. She was the daughter of a prominent New York architect, J. Cleveland Cady. Her father was also a Sunday school superintendent and amateur hymnologist. Partly because of his influence Julia began to write hymns at an early age. She was a member of the Brick Presbyterian Church. She married Robert Haskell Cory in 1911 and was a member of the Presbyterian Church in Englewood, NJ for all of her married life. She was a member of the Hymn Society that met in New York City all her adult life and died in Englewood, NJ in 1963. She raised 3 sons and they had 15 grandchildren. Psalter Hymnal Handbook, 1998 and D. Lincoln Cory

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