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E. S. Elliott

1836 - 1897 Person Name: Emily E. S. Elliott, 1836-1897 Hymnal Number: 25 Author of "Thou Didst Leave Thy Throne" in Worship and Service Hymnal Elliott, Emily Elizabeth Steele, third daughter of the late Rev. E. B. Elliott, of Brighton, author of the Horae Apocalypticae was born at Brighton, and now [1887] lives in London. She has contributed hymns, some of which have obtained wide acceptance, to the choir manuals, and Additional Hymns, 1866 (Nos. 8, 34) for use in St. Mark's Church, Brighton; to the Church Missionary Juvenile Instructor, which she edited for six years. Her Chimes of Consecration, a volume of 70 hymns and poems, was published in 1873, and her Chimes for Daily Service in 1880. The latter contains 71 hymns in two parts. The second part of 48 hymns is also published separately as Under the Pillow, for use as a cheap large type hymn-book (with corresponding tune-book) for hospitals and infirmaries and the sick generally. Her hymn, “Let us keep the feast" (Holy Communion), was first published in The Feast of Sacrifice and The Feast of 'Remembrance, 1865, in 5 stanzas of 5 lines. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= Elliott, Emily E. 8., p. 328, ii. The following additional hymns by Miss Elliott have recently come into common use:— 1. Brothers, sisters, pray for us. [Missionaries' Farewell.] Appeared in the C. M. Gleaner, Sept. 1896, p. 14?, and entitled "The Missionaries' Departing Petition." In the Church Miss. Hymn Book, 1899. 2. Rabboni, Master, we have heard. [Consecration of Self to Duty.] In theC. M. Gleaner, Dec. 1895, p. 195. It was sung for the first time at the Gleaners' Union Anniversary, 1895. In the Church Miss. Hymn Book, 1899. 3. Full consecration! heart and spirit yielded. [Full Consecration.] Given in Hymns of Consecration and Faith, 1902. 4. They come and go, the seasons fair, [Second Advent.] In the C. M. Gleaner, Nov. 1891, p. 172, as "What will be when the King comes?" It was sung for the first time at the Gleaners' Union Anniversary, Oct. 30, 1891. In the Church Miss. Hymn Book, 1899. Miss Elliott was born at Brighton, July 22, 1836, and died at Mildmay, London, Aug. 3, 1897. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Rufus H. McDaniel

1850 - 1940 Person Name: Rufus H. McDaniel, 1850-1940 Hymnal Number: 265 Author of "Since Jesus Came Into My Heart" in Worship and Service Hymnal Rufus H. McDaniel was ordained in the Christian church in 1873. He found much joy in church music. He began writing hymns in the 1880's. He wrote, "I feel in my soul that God has something for me to do in brightening the experience of struggling souls. My chief desire is to be a blessing, if possible, to my fellow-men through these hymns and thereby glorify God in the name of his dear son 'whose I am and whom I serve.'" Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Joseph Swain

1761 - 1796 Person Name: Joseph Swain, 1761-1796 Hymnal Number: 370 Author of "O Thou, in Whose Presence" in Worship and Service Hymnal Swain, Joseph, was born at Birmingham in 1761, and after being apprenticed to an engraver, removed to London. After a time he became a decided Christian, and being of an emotional poetic temperament, began to give expression to his new thoughts and feelings in hymns. In 1783 he was baptized by the Rev. Dr. Rippon, and in 1791 became minister of a Baptist congregation in East Street, Walworth. After a short but popular and very useful ministry, he died April 16, 1796 Swain published the following:— (1) A Collection of Poems on Several Occasions, London, 1781; (2) Redemption, a Poem in five Books, London, 1789; (3) Experimental Essays on Divine Subjects, London, 1791; (4) Walworth Hymns, by J. Swain, Pastor of the Baptist Church Meeting there, London, 1792, 129 hymns; with a Supplement, 1794, 192 hymns; (5) A Pocket Companion and Directory, London, 1794. In addition to a limited number of Swain's hymns, annotated under their respective first lines, the following, from his Walworth Hymns1792, and the 2nd ed., 1796, are also in common use:— 1. Brethren, while we sojourn here. Mutual Encouragement. 2. Children of the King of grace. Holy Baptism. 3. Christ the Lord will come again. Second Advent. 4. Come, ye souls, by sin afflicted. The Yoke of Christ. 5. How sweet, how heavenly is the sight. Communion of Saints. 6. In expectation sweet. Second Advent. 7. Lift up your heads, ye gates. Ascension. 8. Love is the sweetest bud that blows. A Flower an Emblem of Christ. 9. 0 how the thought that I shall know. Heaven Anticipated. Sometimes it begins with st. ii., "For ever to behold Him shine". 10. On earth the song begins. Heaven Anticipated. 11. On the wings of faith upspringing. Passiontide. 12. Pilgrims we are to Canaan bound. Pilgrimage of Life. 13. Praise ye the Lord, the eternal King. Divinity of Christ. 14. Praise your Redeemer, praise His Name. Praise for Redemption. 15. 'Tis heaven begun below. Heaven Anticipated. 16. What is it for a saint to die? Death and Burial. 17. What must [will] it be to dwell above? Heaven Anticipated. 18. When firm I [we] stand on Zion's hill. Confidence. Sometimes as "I stand on Zion's mount," in American collections. 19. Who can forbear to sing? Praise of Jesus. From his Redemption, a Poem in Five Books, 1791, the following hymns are also in common use:-- 20. 0 Thou in whose presence my soul takes delight. In Affliction. 21. Ye daughters of Zion, declare, have you see? Comfort in Affliction. Of these hymns the most widely known are Nos. 1, 5, 6, and 20. We may add that several of Swain's hymns appeared in The Theological Miscellany, 1784-1789. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

James Russell Lowell

1819 - 1891 Person Name: James Russell Lowell, 1819-1891 Hymnal Number: 468 Author of "Once to Every Man and Nation" in Worship and Service Hymnal Lowell, James Russell, LL.D., was born at Cambridge, Massachusetts, February 22, 1819; graduated at Harvard College, 1838, and was called to the Bar in 1840. Professor of Modern Languages and Literature (succeeding the Poet Longfellow) in Harvard, 1855; American Minister to Spain, also to England in 1881. He was editor of the Atlantic Monthly, from 1857 to 1862; and of the North American Review from 1863 to 1872. Professor Lowell is the most intellectual of American poets, and first of her art critics and humorists. He has written much admirable moral and sacred poetry, but no hymns. One piece, “Men, whose boast it is that ye" (Against Slavery), is part of an Anti-Slavery poem, and in its present form is found in Hymns of the Spirit, 1864. Part of this is given in Songs for the Sanctuary, N.Y., 1865, as "They are slaves who will not choose.” [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Clement of Alexandria

170 - 215 Person Name: Clement of Alexandria, c. 150-c. 220 Hymnal Number: 509 Author of "Shepherd of Tender Youth" in Worship and Service Hymnal Clemens, Titus Flavins (Clemens Alexandrinus), St. Clement of Alexandria, was born possibly at Athens (although on this point there is no certain information) about A.D. 170. His full name, Titus Flavins Clemens, is given by Eusebius (H. E., vi. 13) and Photius (Cod. Ill), but of his parentage there is no record. Studious, and anxious to satisfy his mind on the highest subjects, he is said to have been a Stoic and Eclectic, and a seeker after truth amongst Greek, Assyrian, Egyptian, and Jewish teachers. He himself enumerates six teachers of eminence under whom he studied the "true tradition of the blessed doctrine of the holy apostles." At Alexandria he came under the teaching of Pantsenus, and embraced Christianity, Pantsenus being at the time the master of the Catechetical School in that city. On the retirement of Pantsenus from the school for missionary work, Clement became its head, cir. 190, and retained the position to 203. His pupils were numerous, and some of them of note, including Origen, and Alexander, afterwards Bishop of Jerusalem. Driven from Alexandria by the persecution under Severus (202-203), he wandered forth, it is not known whither. The last notice wo have of him in history is in a letter of congratulation by his old pupil, Alexander, then Bp. of Cappadocia, to the Church of Antioch, on the appointment of Asclepiades to the bishopric of that city. This letter, dated 211, seems to have been conveyed to Antioch by Clement. Beyond this nothing is known, either concern¬ing his subsequent life or death, although the latter is sometimes dated A.D. 220. The works of Clement are ten in all. Of these, the only work with which we have to do is The Tutor, in three books. The first book describes the Tutor, who is the Word Himself, the children whom He trains (Christian men and women), and his method of instruction. The second book contains general instructions as to daily life in eating, drinking, furniture, sleep, &c.; and the third, after an inquiry into the nature of true beauty, goes onto condemn extravagance in dress, &c, both in men and women. Appended to this work, in the printed editions, are two poems; the first, "A Hymn of the Saviour), and the second, an address "To the Tutor". The first, beginning is attributed to Clement in those manuscripts in which it is found; but it is supposed by some to be of an earlier date: the second is generally regarded as by a later hand . The “Hymn of the Saviour," the earliest known Christian hymn, has been translated into English: The earliest translation is "Shepherd of tender youth.” This is by Dr. H. M. Dexter (q. v.). It was written in 1846, first published in The Congregationalist [of which Dexter was editor], Dec. 21, 1849, and is in extensive use in the United States. In Great Britain it is also given in several collections, including the New Congregational Hymn Book, 1859; Baptist Psalms & Hymns, 1858; the R. T. Society's Collection, &c. There are also translations not in common use, viz.: (1) "Bridle of colts untamed," by Dr. W. L. Alexander, in the Ante-Nicene Christian Library, vol. iv. p. 343; (2) "Bridle of colts untaught," by Dr. H. Bonar, in The Sunday at Home, 1878, p. 11. (3) Another translation is by the Rev. A. W. Chatfield, in his Songs and Hymns of the Earliest Greek Christian Poets, 1876. Mr. Chatfield, following the Anth. Graeca Car. Christ., 1871, p. 37, begins with the eleventh line: "O Thou, the King of Saints, all-conquering Word." His translation extends to 40 lines. --Excerpts from John Julian, Dictionary of Hymnology (1907)

Dorothy Frances Gurney

1858 - 1932 Person Name: Dorothy F. Gurney, 1858-1932 Hymnal Number: 524 Author of "O Perfect Love, All Human Thought Transcending" in Worship and Service Hymnal Blomfield, Dorothy F. , was born at 3 Finsbury Circus, Oct. 4, 1858. Miss Blomfield is the eldest daughter of the late Rev. F. G. Blomfield, sometime Rector of St. Andrew's Undershaft, London, and granddaughter of the late Dr. Blomfield, Bishop of London. Her very beautiful hymn for Holy Matrimony, “O perfect Love, all human thought transcending," was written for her sister's marriage in 1883, and was intended to be sung to Strength and Stay, in Hymns Ancient & Modern, No. 12. Subsequently it was set as an anthem by J. Barnby for the marriage of the Duke of Fife with the Princess Louise of Wales, on July 27, 1889. In 1889 it was included in the Supplemental Hymns to Hymns Ancient & Modern, and in 1890 in the Hymnal Companion. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =============== Gurney, Dorothy Frances, née Blomfield, p. 1553, ii. Married to Mr. Gerald Gurney. Mrs. Gurney's personal account of her hymn, "O perfect Love," &c, is given in detail in the Rev. J. Brownlie's Hymns and Hymn Writers of The Church Hymnary, 1899, p. 248. Her hymn is given in most hymn books published since 1889. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Samuel Longfellow

1819 - 1892 Person Name: Samuel Longfellow, 1819-1892 Hymnal Number: 536 Author of "Bless Thou the Gifts" in Worship and Service Hymnal Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow

J. H. Fillmore

1849 - 1936 Person Name: James H. Fillmore, 1849-1936 Hymnal Number: 76 Composer of "[I know that my Redeemer liveth]" in Worship and Service Hymnal James Henry Fillmore USA 1849-1936. Born at Cincinnati, OH, he helped support his family by running his father's singing school. He married Annie Eliza McKrell in 1880, and they had five children. After his father's death he and his brothers, Charles and Frederick, founded the Fillmore Brothers Music House in Cincinnati, specializing in publishing religious music. He was also an author, composer, and editor of music, composing hymn tunes, anthems, and cantatas, as well as publishing 20+ Christian songbooks and hymnals. He issued a monthly periodical “The music messsenger”, typically putting in his own hymns before publishing them in hymnbooks. Jessie Brown Pounds, also a hymnist, contributed song lyrics to the Fillmore Music House for 30 years, and many tunes were composed for her lyrics. He was instrumental in the prohibition and temperance efforts of the day. His wife died in 1913, and he took a world tour trip with single daughter, Fred (a church singer), in the early 1920s. He died in Cincinnati. His son, Henry, became a bandmaster/composer. John Perry

Wolfgang Amadeus Mozart

1756 - 1791 Person Name: Wolfgang A. Mozart, 1756-1791 Hymnal Number: 233 Composer of "ARIEL" in Worship and Service Hymnal Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice. John Perry

César Malan

1787 - 1864 Person Name: H. A. César Malan, 1787-1864 Hymnal Number: 335 Composer of "HENDON" in Worship and Service Hymnal Rv Henri Abraham Cesar Malan, 1787-1864. Born in Geneva, Switzerland, into a bourgeois family that moved to Switzerland to escape religious persecution during the French Revolution, he attended the university in Marseilles, France, intending to become a businessman. Although having some grounding in religious faith by his mother, he decided to attend the Academy at Geneva (founded by Calvin) in preparation for ministry. He was ordained in 1810, after being appointed a college master (teaching Latin) in 1809. Malan was in accord with the National Church of Geneva as a Unitarian, but the Reveil Movement caused him to become a dissident (evangelical) instead of a proponent of the Reformed Church (believing works, not faith, was what mattered). In 1811 he married (wife’s name not found). They had at least two children (one son was Solomon, referenced below). From 1813 on Malan slowly became an evangelical, after being given an understanding of true salvation through grace (not works) in 1816 by two German Lutherans from Geneva. He became saved upon this realization and was so changed that he burned his prized collection of classical authors and manuscripts. In 1817 he preached around Geneva, and one sermon in particular, “Man only justified by faith alone” created a firestorm and brought him into conflict with religious authorities of the region. From then on he wished to help reform the national church from within, but the forces of the Venerable Company were too strong for him and excluded him from the pulpits and caused his dismissal from his regentsship at the college in 1818. Others in agreement with Malan were Charles Spurgeon, Robert Wilcox, Robert Haldane, and Henry Drummond. In 1820 he built a chapel in his garden and obtained the license of the State for it as a separatist place of worship. He preached in that chapel 43 years. In 1823 he was formally deprived of his status as a minister of the national Church. Various events caused his congregation to diminish over the next few years, and he began long tours of evangelization subsidized by religious friends in his land, Belgium, France, England and Scotland. He often preached to large congregations. Malan also authorized a hymn book, “Chants de Sion” (1841). A strong Calvinist, Malan lost no opportunity to evangelize. On one occasion an old man he visited pulled Malan’s hymnal out and told him he had prayed to see the author of it before he died. On a visit to England Malan also inspired author, Charlotte Elliott, to write the hymn lyrics for “Just as I am”, when seeking an answer to her conversion she asked and he advised her to come to Christ ‘just as she was’. Malan published a score of books and also produced many religious tracts and pamphlets largely on questions in dispute between the National and evangelical churches of Rome. He also wrote articles in the “Record” and in American reviews. His hymns were set to his own melodies. He was an artist, a mechanic, a carpenter, a metal forger, and a printer. He had his own workshop, forge and printing press. One of his greatest joys was the meeting of the evangelical alliance at Geneva in 1861 which helped change church views. He retired to his home, Vandoeuvres, in the countryside near Geneva in 1857, dying there seven years later.. He was honored by a visit from the Queen of Holland two years before his death. He is mainly remembered as a hymn writer, having written 1000+ hymn lyrics and tunes. One son, Solomon, a gifted linguist and theologian, became Vicar of Broadwindsor. About a dozen of his hymns appeared translated in the publication “Friendly visitor” (1826). He was an author, creator, composer, editor, correspondent, contributor, translator, owner, and performer. John Perry ================= Malan, Henri Abraham César. The family of Malan traces its origin to the valleys of Piedmont. A branch of it settled at Mérindol, in Dauphiné, but was driven from France by the persecutions that followed the Revocation of the Edict of Nantes. Pierre Malan [Cesar's father], after seeing his sister fall a victim to persecution, left Mérindol (1714), and arrived at Geneva (1722). Henri Abraham César Malan was born at Geneva in 1787. After an education at the College, he went to Marseilles, with the intention of learning business: but, soon after, entered the Academy at Geneva, as a preparation for the ministry, to which he was ordained in 1810. He had been appointed one of the masters at the College in the previous year. The National Church of Geneva was at that time almost Unitarian, and Malan's convictions were in accord with it. But the great movement known as the Réveil, of which the first products were the dissident church of Bourg de Four and at a later date that founded by Malan himself, and which finally imbued the whole Swiss Church with its spirit, was silently preparing itself. The germ of the movement may be traced in the Société des Amis (1810), of which Empeytaz and A. Bost were leaders; and in Malan's independent attainment to the doctrines of the Divinity of the Saviour and the free gifts of salvation through Him (1816). But the human agency, which gave it force, and determined its Calvinistic direction, was the visit of Robert Haldane (in the autumn of 1816), to whom not only these pioneers of the movement, but F. Monod, E. Rieu, Guers, Gonthier, Merle d'Aubigné, and others, always pointed as their spiritual father. Empeytaz and others sought to attain enfranchisement by the establishment of the "petite Eglise of Bourg de Four." Malan wished to reform the national Church from within: and a sermon at Geneva, which brought on him the obloquy of the professors and theologians that composed his audience, and which Haldane characterized as a republication of the Gospel, was his first overt act (Jan. 19, 1817). But the opposing forces were far too strong for him. The Venerable Company excluded him from the pulpits, and achieved his dismissal from his regentship at the College (1818). In 1820 he built a chapel (Chapelle du Temoignage) in his garden, and obtained the licence of the State for it, as a separatist place of worship. In 1823 he was formally deprived of his status as a minister of the national Church. The seven years that succeeded were the palmy days of the little chapel. Strangers, especially from England, mingled with the overflowing Swiss congregation. But (in 1830) a secession to Bourg de Four, and then the foundation of the Oratoire and the Société Evangelique, which in 1849 absorbed the congregation of Bourg de Four under the title of the Église Evangélique, thinned more and more the number of his adherents. His burning zeal for the conversion of souls found a larger outlet in long tours of evangelization, subsidized by religious friends, in his own land and Belgium and France, and also in Scotland and England, where he had friends among many religious bodies, and where he preached to large congregations. The distinguishing characteristic of these tours was his dealing with individuals. On the steamboat or the diligence, in the mountain walk, at the hotel, no opportunity was lost. On one occasion an old,man whom he visited drew from under his pillow a copy of his great hymnbook, Chants de Sion, 1841, and told him how he had prayed to see the author of it before he died. It is as the originator of the modern hymn movement in the French Reformed Church that Malan's fame cannot perish. The spirit of his hymns is perpetuated in the analysis of Christian experience, the never-wearied delineation of the hopes and fears, the joys and sorrows of the believer's soul, which are still the staple of French Protestant hymns. To this was added, in Malan himself, a marked didactic tone, necessitated by the great struggle of the Réveil for Evangelical doctrine; and an emphatic Calvinism, expressing itself with all the despondency of Newton and Cowper, but, in contrast with them, in bright assurance, peace and gladness. French criticism has pronounced his hymns unequal, and full of literary defects; but their unaffected freshness and fervent sincerity are universally allowed. In the Chants de Sion, hymns 20, ”Hosanna! Béni soit"; 165, “Mon coeur joyeux, plein d'espérance"; 199, "Du Rocher de Jacob"; 200, "Agneau de Dieu"; 239, "Trois fois Jehovah," are in every Protestant French hymnbook; and several others are very widely used. Besides his hymns Malan produced numberless tracts and pamphlets on the questions in dispute between the National and Evangelical Churches and the Church of Rome, as well as articles in the Record and in American reviews. He was a man of varied acquirements. His hymns were set to his own melodies. He was an artist, a mechanic: his little workshop had its forge, its carpenter's bench, its printing press. To the end of his life his strong Calvinism, and his dread of mere external union in church government, kept him distinct from all movements of church comprehension, though freely joining in communion with all the sections of Evangelical thought in Geneva and Scotland. At one time there seemed a prospect of his even rejoining the national Church, which had driven him from her. One of his greatest joys was the meeting of the Evangelical Alliance at Geneva (1861). He left no sect; one of his latest orders was the demolition of his decayed chapel, in which he had preached for 43 years. He died at Vandoeuvres, near Geneva, in 1864, leaving a numerous family, one of whom, the Rev. S. C. Malan, D.D., sometime Vicar of Broadwindsor, is well known as a linguist and a theologian of the English Church. To English readers Malan is chiefly known as a hymn-writer through translations of his "Non, ce n'est pas mourir" (q.v.): "It is not death to die", &c. About a dozen of his hymns appear in a translated form in the Friendly Visitor for 1826. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= http://en.wikipedia.org/wiki/César_Malan

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