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Meter:10.10.10 d

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Hail, Gladdening Light

Author: Anonymous; John Keble Meter: 10.10.10 D Appears in 63 hymnals First Line: Hail, gladdening Light, of His pure glory poured Lyrics: 1. Hail, gladdening Light, of His pure glory poured, Who is immortal Father, heavenly blest; Highest and holiest—Jesus Christ our Lord! Now are we come to the sun’s hour of rest; All times are ordered in Thy Word alone, Therefore the day and night Thy glories own. 2. The lights of evening now around us shine; We hymn Thy blest humanity divine; Worthiest art Thou at all times to be sung, By grateful hearts, with undefilèd tongue, Son of our God, Giver of life, alone! Therefore shall all the worlds Thy glories own. Used With Tune: SUNDOWN
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O Word Immortal of Eternal God

Author: Emperor Justinian, 483-565; Thomas A. Lacey Meter: 10.10.10 D Appears in 6 hymnals Lyrics: 1. O Word immortal of eternal God, Only begotten of the only source, For our salvation stooping to the course Of human life, and born of Mary’s blood. In equal honor with the Holy Ghost, And with th’eternal Father glorified. 2. Sprung from the ever virgin womanhood Of her who bare Thee, God immutable, Incarnate, made as man with man to dwell, And condescending to the bitter Rood; In equal honor with the Holy Ghost, And with th’eternal Father glorified. 3. Save us, O Christ, our God, for Thou hast died To save Thy people to the uttermost, And dying tramplest death in victory; One of the ever blessèd Trinity, In equal honor with the Holy Ghost, And with th’eternal Father glorified. Used With Tune: SONG 24 (Gibbons) Text Sources: Translation in The English Hymnal (London: Oxford University Press, 1906), number 325
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From Virgin's Womb This Christmas Day Did Spring

Author: Francis Kinwelmersh Meter: 10.10.10 D Appears in 6 hymnals First Line: From virgin’s womb this Christmas day did spring Lyrics: 1 From virgin’s womb this Christmas day did spring The precious seed that only savèd man; This day let man rejoice and sweetly sing, Since on this day salvation first began. This day did Christ man’s soul from death remove, With glorious saints to dwell in Heav’n above. 2 This day to man came pledge of perfect peace; This day to man came love and unity; This day man’s grief began for to surcease; This day did man receive a remedy For each offense and every deadly sin, With guilty heart that erst he wandered in. 3 Now in Christ’s flock let love be surely placed; Now from Christ’s flock let concord hate expel; Now of Christ’s flock let love so be embraced, As we in Christ, and Christ in us may dwell. Christ is the author of all unity, From whence proceedeth all felicity. 4 O sing unto this glittering, glorious King; O praise His name let every living thing; Let heart and voice like bells of silver ring, The comfort that this Christmas day did bring; Let lute, let shalm, with sound of sweet delight, The joy of Christ’s birth on this day recite. Used With Tune: SONG 24 Text Sources: The Paradise of Dayntie Devises 1576

Tunes

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SUNDOWN

Meter: 10.10.10 D Appears in 29 hymnals Composer and/or Arranger: John Henry Gower Tune Key: A Flat Major Incipit: 51776 67635 56765 Used With Text: Hail, Gladdening Light
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OLD 50TH

Meter: 10.10.10 D Appears in 6 hymnals Tune Sources: The Whole Book of Psalmes by Sternhold & Hopkins, 1562. Tune Key: g minor Incipit: 54324 54321 15545 Used With Text: Almighty Father, Unoriginate
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SONG 24 (Gibbons

Meter: 10.10.10 D Appears in 40 hymnals Composer and/or Arranger: Orlando Gibbons Tune Key: e minor Incipit: 33455 43221 55677 Used With Text: And Truly It Is a Most Glorious Thing

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Almighty Father, Unoriginate

Author: Ernest E. Dugmore Hymnal: The Cyber Hymnal #47 Meter: 10.10.10 D Lyrics: 1. Almighty Father, unoriginate, Whom no man hath seen ever, nor can see; Who reignest blest and only potentate, Light unapproachable encircling Thee: Almighty Father, hallowed be Thy name; Who ever art, unchangeably the same. 2. Thou lovest us, else had we never been: Before we were, in ages long ago, Thy love had us and all our wants foreseen, Creating us that we Thy love might know, Yea, Father, Thou, in whom we live and move, Hast loved us with an everlasting love. 3. Thou madest man immortal at the first, An image of Thine own eternity; And when he fell from life, through sin accursed, And lost his right to the life giving tree, Thy love, unconquered would to him restore His life ennobled and forevermore. 4. Such was Thy love, Thou didst not even spare Thy Best-beloved, but gav’st Him for us all; To live that human life beyond compare, And dying, by His death retrieve our fall. In Him Thy love unbounded we behold, For, giving Him, Thou canst not aught withhold. 5. Thou knowest what we are, how frail and blind, Thou still rememberest that we are but dust: Like as a father pitieth, Thou art kind, Thy justice kindness, and Thy kindness just. Then hear Thy children’s prayer from Heav’n Thy throne; Father, Thy kingdom come; Thy will be done. Languages: English Tune Title: OLD 50TH
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And Truly It Is a Most Glorious Thing

Author: William Bradford Hymnal: The Cyber Hymnal #289 Meter: 10.10.10 D Lyrics: 1. And truly it is a most glorious thing Thus to hear men pray and God’s praises sing, O how great comfort is it now to see— The churches to enjoy full liberty. And to have the Gospel preachèd here with power, And such wolves repelled as all would else devour. 2. But God will still for His people provide Such as be able them to help and guide, If they cleave to Him and do not forsake— His laws and truth and their own ways do take. If thou hast viewed the camp of Israel, How God in the wilderness with them did dwell. 3. His great and marvelous works they here saw, And He them taught in His most holy law, A small emblem hereof thou mayest see, How God hath dealt with them in some degree, For much of Himself they now there have seen, And marvelous to them His works have been. Languages: English Tune Title: SONG 24 (Gibbons
TextAudio

Hail, Gladdening Light

Author: Anonymous; John Keble Hymnal: The Cyber Hymnal #2097 Meter: 10.10.10 D First Line: Hail, gladdening Light, of His pure glory poured Lyrics: 1. Hail, gladdening Light, of His pure glory poured, Who is immortal Father, heavenly blest; Highest and holiest—Jesus Christ our Lord! Now are we come to the sun’s hour of rest; All times are ordered in Thy Word alone, Therefore the day and night Thy glories own. 2. The lights of evening now around us shine; We hymn Thy blest humanity divine; Worthiest art Thou at all times to be sung, By grateful hearts, with undefilèd tongue, Son of our God, Giver of life, alone! Therefore shall all the worlds Thy glories own. Languages: English Tune Title: SUNDOWN

People

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Authors, composers, editors, etc.

William J. Kirkpatrick

1838 - 1921 Person Name: William James Kirkpatrick Meter: 10.10.10 D Composer of "VIENNE" in The Cyber Hymnal William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia. Bert Polman

Christopher Wordsworth

1807 - 1885 Meter: 10.10.10 D Author of "The Day Is Come" in The Cyber Hymnal Christopher Wordsworth--nephew of the great lake-poet, William Wordsworth--was born in 1807. He was educated at Winchester, and at Trinity College, Cambridge, where he graduated B.A., with high honours, in 1830; M.A. in 1833; D.D. in 1839. He was elected Fellow of his College in 1830, and public orator of the University in 1836; received Priest's Orders in 1835; head master of Harrow School in 1836; Canon of Westminster Abbey in 1844; Hulsean Lecturer at Cambridge in 1847-48; Vicar of Stanford-in-the-Vale, Berks, in 1850; Archdeacon of Westminster, in 1865; Bishop of Lincoln, in 1868. His writings are numerous, and some of them very valuable. Most of his works are in prose. His "Holy Year; or, Hymns for Sundays, Holidays, and other occasions throughout the Year," was published in [1862], and contains 127 hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. =================== Wordsworth, Christopher, D.D., was born at Lambeth (of which parish his father was then the rector), Oct. 30, 1807, and was the youngest son of Christopher Wordsworth, afterwards Master of Trinity College, Cambridge, and Priscilla (née Lloyd) his wife. He was educated at Winchester, where he distinguished himself both as a scholar and as an athlete. In 1826 he matriculated at Trinity College, Cambridge, where his career was an extraordinarily brilliant one. He swept off an unprecedented number of College and University prizes, and in 1830 graduated as Senior Classic in the Classical Tripos, and 14th Senior Optime in the Mathematical, won the First Chancellor's Medal for classical studies, and was elected Fellow of Trinity. He was engaged as classical lecturer in college for some time, and in 1836 was chosen Public Orator for the University. In the same year he was elected Head Master of Harrow School, and in 1838 he married Susan Hatley Freere. During his head-mastership the numbers at Harrow fell off, but he began a great moral reform in the school, and many of his pupils regarded him with enthusiastic admiration. In 1844 he was appointed by Sir Robert Peel to a Canonry at Westminster; and in 1848-49 he was Hulsean lecturer at Cambridge. In 1850 he took the small chapter living of Stanford-in-the-Vale cum Goosey, in Berkshire, and for the next nineteen years he passed his time as an exemplary parish priest in this retired spot, with the exception of his four months' statutable residence each year at Westminster. In 1869 he was elevated to the bishopric of Lincoln, which he held for more than fifteen years, resigning it a few months before his death, which took place on March 20th, 1885. As bearing upon his poetical character, it may be noted that he was the nephew of the poet-laureate, William Wordsworth, whom he constantly visited at Rydal up to the time of the poet's death in 1850, and with whom he kept up a regular and lengthy correspondence. Christopher Wordsworth was a very voluminous writer, his principal works being:— (1) Athens and Attica, 1836; (2) Pompeian Inscriptions, 1837; (3) Greece Pictorial and Descriptive, 1839; (4) King Edward VIth's Latin Grammar, 1841; (5) Bentley's Correspondence, 1842; (6) Theophilus Anglicanus, 1843; (7) Memoirs of William Wordsworth, 1851; (8) Hippolytus, 1853; (9) Notes at Paris, 1854; (10) A Commentary on the whole Bible, 1856-1870; (11) The Holy Year, 1862; (12) Church History, 1881-1883; many volumes of Sermons, and an enormous amount of Pamphlets, Addresses, Letters, Speeches, on almost every subject in which the interests of the church were concerned, and also on subjects connected with classical literature. Of his many works, however, the only one which claims notice from the hynmologist's point of view is The Holy Year, which contains hymns, not only for every season of the Church's year, but also for every phase of that season, as indicated in the Book of Common Prayer. Dr. Wordsworth, like the Wesleys, looked upon hymns as a valuable means of stamping permanently upon the memory the great doctrines of the Christian Church. He held it to be "the first duty of a hymn-writer to teach sound doctrine, and thus to save souls." He thought that the materials for English Church hymns should be sought (1) in the Holy Scriptures, (2) in the writings of Christian Antiquity, and (3) in the Poetry of the Ancient Church. Hence he imposed upon himself the strictest limitations in his own compositions. He did not select a subject which seemed to him most adapted for poetical treatment, but felt himself bound to treat impartially every subject, and branch of a subject, that is brought before us in the Church's services, whether of a poetical nature or not. The natural result is that his hymns are of very unequal merit; whether his subject inspired him with poetical thoughts or not, he was bound to deal with it; hence while some of his hymns (such as "Hark! the sound of holy voices," &c, “See the Conqueror mounts in triumph," &c, "O, day of rest and gladness") are of a high order of excellence, others are prosaic. He was particularly anxious to avoid obscurity, and thus many of his hymns are simple to the verge of baldness. But this extreme simplicity was always intentional, and to those who can read between the lines there are many traces of the "ars celans artem." It is somewhat remarkable that though in citing examples of early hymnwriters he almost always refers to those of the Western Church, his own hymns more nearly resemble those of the Eastern, as may be seen by comparing The Holy Year with Dr. Mason Neale's Hymns of the Eastern Church translated, with Notes, &c. The reason of this perhaps half-unconscious resemblance is not far to seek. Christopher Wordsworth, like the Greek hymnwriters, drew his inspiration from Holy Scripture, and he loved, as they did, to interpret Holy Scripture mystically. He thought that ”the dangers to which the Faith of England (especially in regard to the Old Testament) was exposed, arose from the abandonment of the ancient Christian, Apostolic and Patristic system of interpretation of the Old Testament for the frigid and servile modern exegesis of the literalists, who see nothing in the Old Testament but a common history, and who read it (as St. Paul says the Jews do) ‘with a veil on their heart, which veil' (he adds) 'is done away in Christ.'" In the same spirit, he sought and found Christ everywhere in the New Testament. The Gospel History was only the history of what "Jesus began to do and to teach" on earth; the Acts of the Apostles and all the Epistles were the history of what he continued to do and to teach from Heaven; and the Apocalypse (perhaps his favourite book) was "the seal and colophon of all." Naturally he presents this theory, a theory most susceptible of poetical treatment, in his hymns even more prominently than in his other writings. The Greek writers took, more or less, the same view; hence the resemblance between his hymns and those of the Eastern Church. [Rev. J. H. Overton, D.D.] During the time that Bishop Wordsworth was Canon of Westminster, and Vicar of Stanford-in-the-Vale cum Goosey, he published his collection of hymns as:— The Holy Year; or Hymns for Sundays and Holy-days, And other Occasions. London, Rivingtons, 1862. This work contained an extended Preface; a Calendar of Hymns; 117 Original Compositions; and a Supplement of 82 hymns from other sources. In the 3rd edition, 1863, the Supplement was omitted, and the Original hymns were increased to 127. Several of these hymns are annotated under their respective first lines, the rest in common use are:— From The Holy Year, first edition, 1862:— 1. Five pebbles from the brook. Temptation. Stanza ix. added in 1863. 2. Giver of law is God's [Thy] dear Son. Circumcision. Doxology added in 1863. 3. Gracious Spirit, Holy Ghost. Quinquagesima. 4. Holy, holy, holy, Lord, God of Hosts, Eternal King. Holy Trinity. 5. Holy of Holies! awful name. Epistle 5th Sunday in Lent. 6. How blest are hearts which Christ the Lord. Holy Matrimony. In 1863 in two parts, Pt. ii. being "Bless these Thy servants, gracious Lord." 7. How blessed is the force of prayer. St. Peter. In 1863, in two parts, Pt. i. being "Behold! at hand is Herod's doom." 8. How wondrous and mysterious are. Holy Baptism. In the 1863 ed. it is divided into four parts:— Pt. ii. "In Jordan Thou didst sanctify"; Pt. iii. "Thee, risen in triumph from the grave"; Pt. iv." Baptized in Christ we put on Christ." The cento, "By Water and the Holy Ghost," is also from this hymn. 9. In sorrow and distress. Ash Wednesday. 10. In Thy glorious Resurrection . Easter. In the 1863 ed. it begins, "Lord, Thy glorious Resurrection," and the doxology was added. 11. Lord, may we never, save to One. Against False Worship. Stanza viii. was added in 1863. 12. Lord not with [by] poor and paltry gifts. Offertory. 13. Lord, Who didst the Prophets teach. 2nd Sunday in Advent, or, Holy Scripture. The doxology was added in 1863. 14. Man fell from grace by carnal appetite. Gospel 1st S. in Lent. 15. Mankind in Adam fell. Good Friday. In the 1863 ed. it is divided into three parts: Pt. ii. being "We fell by Adam's sin;" and Pt. iii. "Thy Cross a Trophy is." 16. Not bound by chains, nor pent in cells. The Gifts of the Holy Ghost. This hymn is preceded by a special note on the Holy Spirit and His gifts. 17. Not gifts of prophecy can save. Self Discipline, or, 8th Sunday after Trinity. 18. 0 Jerusalem beloved, joyful morn has dawned on Thee. Purification of Blessed Virgin Mary, or, The Presentation. In the 1863 edition it is divided into two parts, Pt. ii. Being “Light the Gentile world to lighten, and thy glory Israel." 19. 0 Saviour, Who at Nain's gate. The Raising of the Widow's Son. 20. 0 Son of God, the Eternal Word. The Queen's Accession. 21. Once all the nations were as one. Babel and Sion a Contrast. 22. Sing, 0 sing this blessed morn. Christmas. In the 1863 edition a doxology was added, and the hymn was divided into two parts, Pt. ii. being, "God comes down that man may rise." 23. The banner of the Cross. Missions. In the 1863 ed. it is in three parts, Pt. ii., "Now for the Lord our God"; Pt. iii. "The earth from East to West." 24. The Galilean Fishers toil. Collect 4th Sunday in Advent. From this "0 Lord, when storms around us howl" is taken. 25. Thou bidd'st us visit in distress. The Promise of the Comforter, or, Sunday before Ascension. In the 1863 edition it is in two parts, Pt. ii. being “At Thy first birth, Thou, Lord, didst wait." 26. Thou hast a Temple founded. The Christian Temple; or, Epistle 11th Sunday after Trinity. 27. To-day, 0 Lord, the Holy James. St. James. In the 1863 ed. in two parts, Pt. ii. being "God in His word does not display." 28. Today with bright effulgence shine. Conversion of St. Paul. In the 1863 ed. it begins "Today in Thine Apostle shine," and is in two parts, Pt. ii being "From East to West, from North to South." 29. Upon the sixth day of the week. Easter Eve. Stanzas x., xi. of the 1863 text were added then, and the hymn was given in two parts, Pt. ii. being "By tasting the forbidden fruit." 30. We hear the tolling bell. Burial. The doxology was added in 1863, and the hymn was divided, Pt. ii. being "0 gracious Lord, to Thee." The cento "We see the open grave" is from this hymn. 31. When from the City of our God. The Good Samaritan. From this is taken “What beams of grace and mercy, Lord." 32. When Thou, 0 Lord, didst send the Twelve. SS. Simon and Jude. In the 1863 ed. stanza x. is new, and Pt. ii. begins, "Zeal, swollen with passion's cloudy smoke." ii. From the Holy Year, 3rd ed., 1863. 33. Heavenly Father, send Thy blessing. For Schools. In extensive use. 34. Holy, holy, holy Lord, Maker of this worldly frame. Septuagesima. Based on the Epistle and Gospel of the week. 35. Lo He comes! Whom every nation. Advent. This is headed "The First Advent of Christ, coming to save." 36. 0 fear not though before thee lies. Communion of the Sick. Pt. ii. begins, "The Resurrection and the Life." 37. On every new-born babe of earth. Churching of Women. Pt. ii. begins, "Bright angels of the King of kings." 38. Peace to this house! O Thou Whose way. Visitation of the Sick. Pt. ii. "0 Conqueror by suffering; Pt. iii. "Restore us to Thine house of prayer." 39. The day is gently sinking to a close. Evening. A beautiful hymn. 40. We all, 0 God, unrighteous are. The Lord our Righteousness. Sometimes "We all, O Lord, unrighteous are." Based upon the Epistle of the Sunday next before Advent. Pt. ii. begins "Behold the day, the glorious day." In addition to many of the hymns in the 1863 edition of The Holy Year being divided into parts, the texts of most of them were revised by the author, and are authorized. -- John Julian, Dictionary of Hymnology (1907) ================ Wordsworth, Bp. C. (Lincoln) , p. 1294, i. Of his hymns, noted on p. 1294, i., ii., we find that No. 39 appeared in his Holy Year in 1864; and Nos. 34, 35, and 40 in 1862. The first edition in which the longer hymns were divided into parts was that of 1868. With regard to the date of Bp. Wordsworth's death, we find this reference thereto in his Biography: "He expired soon after midnight on Friday, March 20, or perhaps, it might be said, early on the Saturday morning." This gives the date of his death as March 21, 1885. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========================== See also in: Hymn Writers of the Church

William Henry Monk

1823 - 1889 Meter: 10.10.10 D Composer of "UNDE ET MEMORES" in Small Church Music William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Hymnals

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Published hymn books and other collections

Small Church Music

Meter: 10.10.10 D Editors: William Bright Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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