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Meter:11.11.7.7.11✖

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Stand by Me

Author: Charles A. Tindley, 1851-1933 Meter: 11.11.7.7.11 Appears in 62 hymnals First Line: When the storms of life are raging, stand by me Lyrics: 1 When the storms of life are raging, stand by me; when the storms of life are raging, stand by me. When the world is tossing me like a ship upon the sea, thou who rulest the wind and water, stand by me. 2 In the midst of tribulation, stand by me; in the midst of tribulation, stand by me. When the hosts of hell assail, and my strength begins to fail, thou who never lost a battle, stand by me. 3 In the midst of faults and failures, stand by me; in the midst of faults and failures, stand by me. When I’ve done the best I can, and my friends misunderstand, thou who knowest all about me, stand by me. 4 When I’m growing old and feeble, stand by me; when I’m growing old and feeble, stand by me. When my life becomes a burden, and I’m nearing chilly Jordan, O thou Lily of the Valley, stand by me. Scripture: Luke 8:22-25 Used With Tune: STAND BY ME
Stand by Me

Draw Nigh to God

Author: Colbert Croft; Joyce Croft Meter: 11.11.7.7.11 Appears in 1 hymnal First Line: Draw nigh to God, and He will draw nigh to you
Draw Nigh to God

In the Quiet of This Moment

Author: Dean McIntyre Meter: 11.11.7.7.11 Appears in 1 hymnal First Line: In the quiet of this moment there is joy Topics: Cheer; Comforter; Doubts; Fears; Hearts; Hope; Joy; Prayer; Present; Trust; Cheer; Comforter; Doubts; Fears; Hearts; Hope; Joy; Prayer; Present; Trust; Grace Sanctifying and Perfecting Grace Scripture: Psalm 62:1 Used With Tune: QUIET MOMENT
In the Quiet of This Moment

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CROFT

Meter: 11.11.7.7.11 Appears in 1 hymnal Composer and/or Arranger: Colbert Croft; Joyce Croft; Tom Fettke Tune Key: F Major Incipit: 33331 71243 33333
CROFT

QUIET MOMENT (McIntyre)

Meter: 11.11.7.7.11 Appears in 1 hymnal Composer and/or Arranger: Dean McIntyre Tune Key: E Flat Major
QUIET MOMENT (McIntyre)

GOLGOTHA

Meter: 11.11.7.7.11 Appears in 2 hymnals Composer and/or Arranger: John L. Bell Tune Key: e minor Incipit: 15554 54321 71155 Used With Text: When the Son of God Was Dying
GOLGOTHA

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Instances

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Published text-tune combinations (hymns) from specific hymnals
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When the Son of God Was Dying

Author: The Iona Community Hymnal: Singing the New Testament #104 (2008) Meter: 11.11.7.7.11 First Line: When the Son of God was dying, long ago Topics: Biblical Names and Places Mary; Biblical Names and Places Barrabas; Biblical Names and Places Judas; Biblical Names and Places Peter; Suffering of Christ Scripture: Matthew 27:32-61 Languages: English Tune Title: GOLGOTHA
When the Son of God Was Dying

When the Son of God Was Dying

Author: The Iona Community Hymnal: Voices United #153 (1996) Meter: 11.11.7.7.11 First Line: When the Son of God was dying, long ago Topics: The Christian Year Holy Week; Biblical Characters Judas; Biblical Characters Peter; Hosanna; Jesus Christ Incarnation; Jesus Christ Passion; Jesus Christ Son of God/Man (David); Good Friday Year A Languages: English Tune Title: GOLGOTHA
When the Son of God Was Dying

Draw Nigh to God

Author: Colbert Croft; Joyce Croft Hymnal: The Hymnal for Worship and Celebration #397 (1986) Meter: 11.11.7.7.11 First Line: Draw nigh to God, and He will draw nigh to you Topics: Aspiration; Choruses Scripture and Praise; Promises Scripture: James 4:8 Tune Title: CROFT
Draw Nigh to God

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Charles Albert Tindley

1851 - 1933 Person Name: Charles A. Tindley, 1851-1933 Meter: 11.11.7.7.11 Author of "Stand by Me" in Worship and Rejoice Charles Albert Tindley was born in Berlin, Maryland, July 7, 1851; son of Charles and Hester Tindley. His father was a slave, and his mother was free. Hester died when he was very young; he was taken in my his mother’s sister Caroline Miller Robbins in order to keep his freedom. It seems that he was expected to work to help the family. In his Book of Sermons (1932), he speaks of being “hired out” as a young boy, “wherever father could place me.” He married Daisy Henry when he was seventeen. Together they had eight children, some of whom would later assist him with the publication of his hymns. Tindley was largely self-taught throughout his lifetime. He learned to read mostly on his own. After he and Daisy moved to Philadelphia in 1875, he took correspondence courses toward becoming a Methodist minister. He did this while working as a sexton (building caretaker) for the East Bainbridge Street Church. Beginning in 1885, he was appointed by the local bishop to serve two or three-year terms at a series of churches, until coming full circle to become pastor at East Bainbridge in 1902. Under his leadership, the church grew rapidly. They relocated in 1904 to the East Calvary Methodist Episcopal Church, then again in 1924 to the new Tindley Temple, where the membership roll blossomed to about ten thousand. Tindley was known for being a captivating preacher, and for also taking an active role in the betterment of the people in his community. His songs were an outgrowth of his preaching ministry, often introduced during his sermons. Tindley was able to draw people of multiple races to his church ministry; likewise, his songs have been adopted and proliferated by white and black churches alike. The songs of Charles Tindley were published cumulatively in two editions of Soul Echoes (1905, 1909) and six editions of New Songs of Paradise (1916-1941). His wife Daisy died in 1924, before the completion of the Tindley Temple. He remarried in 1927 to Jenny Cotton. Charles A. Tindley died July 26, 1933.
Charles Albert Tindley

Iona Community

Person Name: The Iona Community Meter: 11.11.7.7.11 Author of "When the Son of God Was Dying" in Voices United Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation
Iona Community

John L. Bell

b. 1949 Meter: 11.11.7.7.11 Composer of "GOLGOTHA" in Voices United John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink
John L. Bell

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