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Meter:6.6.11.6.6.11

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Texts

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God's Reign Is Very Near

Author: Patricia B Clark Meter: 6.6.11.6.6.11 Appears in 2 hymnals First Line: [God's Reign Is Very Near] Scripture: Isaiah 58 Text Sources: A Taste of Heaven's Joys (Morningstar Music Publishers, Inc., 2005)
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Come Down, O Love Divine!

Author: Richard F. Littledale Meter: 6.6.11.6.6.11 Appears in 114 hymnals First Line: Come down, O Love divine Lyrics: 1 Come down, O love divine! Seek out this soul of mine and visit it with your own ardor glowing: O Comforter, draw near, within my heart appear, and kindle it, your holy flame bestowing. 2 O let it freely burn, till earthly passions turn to dust and ashes in its heat consuming; and let your glorious light shine ever on my sight, and make my pathway clear, by your illuming. 3 Let holy charity my outward vesture be, and lowliness become my inner clothing; true lowliness of heart which takes the humbler part, and for its own shortcomings weeps with loathing. 4 And so the yearning strong with which the soul will long shall far surpass the power of human telling; for none can guess its grace till we become the place in which the Holy Spirit makes his dwelling. Topics: Holy Spirit Comforter; Holy Spirit Indweller; Aspiration; Confession; Holy Spirit Comforter; Holy Spirit Images of; Holy Spirit Images of; Holy Spirit Indweller; Humility; Love Our Love of Others Scripture: Psalm 119:105 Used With Tune: DOWN AMPNEY Text Sources: After Bianco da Siena, 15th C.; rev. Hymns for Today's Church, 1982
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Rest of the weary! Thou

Author: Salomo Franck, 1659-1725; Catherine Winkworth Meter: 6.6.11.6.6.11 Appears in 11 hymnals Lyrics: Rest of the weary! Thou Thyself art resting now, Where lowly in Thy sepulchre Thou liest: From out her deathly sleep My soul doth start, to weep So sad a wonder, that Thou Saviour diest! Thy bitter anguish o'er, To this dark tomb they bore Thee, Life of Life--Thee, Lord of all creation! The hollow rocky cave Must serve Thee for a grave, Who wast Thyself the Rock of our Salvation! O Prince of Life! I know That when I too lie low, Thou wilt at last my soul from death awaken; And thus I will not shrink From the grave's awful brink; The heart that trusts in Thee shall ne'er be shaken. To me the darksome tomb Is but a narrow room, Where I may rest in peace from sorrow free; Thy death shall give me power To cry in that dark hour, O Death, O Grave, where is your victory? The grave can nought destroy, Only the flesh can die, And e'en the body triumphs o'er decay: Clothed by Thy wondrous might In robes of dazzling light, This flesh shall burst the grave at that last Day. My Jesus, day by day, Help me to watch and pray, Beside the tomb where in my heart Thou'rt laid. Thy bitter death shall be My constant memory, My guide at last into Death's awful shade.

Tunes

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DOWN AMPNEY

Meter: 6.6.11.6.6.11 Appears in 94 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Tune Key: D Major Incipit: 12356 55657 16556 Used With Text: Come Down, O Love Divine

WARREN (Longacre)

Meter: 6.6.11.6.6.11 Appears in 1 hymnal Composer and/or Arranger: Lindsay B. Longacre Tune Key: D Major Incipit: 13332 13553 6

WAITING (Scottish)

Meter: 6.6.11.6.6.11 Appears in 2 hymnals Tune Sources: Scotch Incipit: 34556 51234 32161

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Rest of the weary! Thou

Author: Salomo Franck, 1659-1725; Catherine Winkworth Hymnal: Lyra Germanica #36 (1861) Meter: 6.6.11.6.6.11 Lyrics: Rest of the weary! Thou Thyself art resting now, Where lowly in Thy sepulchre Thou liest: From out her deathly sleep My soul doth start, to weep So sad a wonder, that Thou Saviour diest! Thy bitter anguish o'er, To this dark tomb they bore Thee, Life of Life--Thee, Lord of all creation! The hollow rocky cave Must serve Thee for a grave, Who wast Thyself the Rock of our Salvation! O Prince of Life! I know That when I too lie low, Thou wilt at last my soul from death awaken; And thus I will not shrink From the grave's awful brink; The heart that trusts in Thee shall ne'er be shaken. To me the darksome tomb Is but a narrow room, Where I may rest in peace from sorrow free; Thy death shall give me power To cry in that dark hour, O Death, O Grave, where is your victory? The grave can nought destroy, Only the flesh can die, And e'en the body triumphs o'er decay: Clothed by Thy wondrous might In robes of dazzling light, This flesh shall burst the grave at that last Day. My Jesus, day by day, Help me to watch and pray, Beside the tomb where in my heart Thou'rt laid. Thy bitter death shall be My constant memory, My guide at last into Death's awful shade. Languages: English
Text

Come Down, O Love Divine

Author: Bianco da Siena, d. 1434; Richard F. Littledale Hymnal: Lutheran Worship #162 (1982) Meter: 6.6.11.6.6.11 Lyrics: 1 Come down, O Love divine; Seek out this soul of mine, And visit it with your own ardor glowing; O Comforter, draw near; Within my heart appear, And kindle it, your holy flame bestowing. 2 Oh, let it freely burn Till worldly passions turn To dust and ashes in its heat consuming; And let your glorious light Shine ever on my sight And clothe me round, the while my path illuming. 3 Let holy charity My outward vesture be And lowliness become my inner clothing-- True lowliness of heart, Which takes the humbler part And over its shortcomings weeps with loathing. 4 And so the yearning strong, With which the soul will long, Shall far outpass the pow'r of human telling; No soul can guess his grace Till it become the place Wherein the Holy Spirit makes his dwelling. Topics: Commitment; Consecration; Deaconesses and Deacons; Humility; Inner Life; Invocation; Life, Christian; Pentecost Languages: English Tune Title: DOWN AMPNEY
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Come Down, O Love Divine

Author: Bianco da Siena, ca. 1350-1434; Richard F. Littledale, 1833-1890 Hymnal: Lift Up Your Hearts #234 (2013) Meter: 6.6.11.6.6.11 Lyrics: 1 Come down, O Love divine; seek thou this soul of mine, and visit it with your own ardor glowing: O Comforter, draw near; within my heart appear, and kindle it, your holy flame bestowing. 2 Oh, let it freely burn, till earthly passions turn to dust and ashes in its heat consuming: and let your glorious light shine ever on my sight, and clothe me round, the while my path illuming. 3 And so the yearning strong, with which the soul will long, shall far out pass the power of human telling: for none can guess God's grace, till Love creates a place wherein the Holy Spirit makes a dwelling. Topics: Holy Spirit; Church Year Pentecost Scripture: Malachi 3:2-3 Languages: English Tune Title: DOWN AMPNEY

People

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Catherine Winkworth

1827 - 1878 Meter: 6.6.11.6.6.11 Translator of "Rest of the weary! Thou" in Lyra Germanica Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Richard Frederick Littledale

1833 - 1890 Person Name: Richard F. Littledale Meter: 6.6.11.6.6.11 Author of "Come Down, O Love Divine!" in The Worshiping Church Richard Frederick Littledale (b. Dublin, 1833; d. London, 1890) entered Trinity College, Dublin, as a foundation scholar, graduated with a bachelors degree in classics, a Masters of Divinity in 1858, then a Bachelors and Doctorate in Civil Law at Oxford in 1862. From 1856 to 1857 he was the curate of St. Matthew in Thorpe Hamlet, Norfolk, and from 1857 to 1861 was the curate of St. Mary the Virgin, in Soho, London. For the remainder of his life he suffered from chronic illness and spent most of his time writing. He authored many books and pamphlets on Anglican liturgy, theology, and the church’s engagement with society, and completed his good friend John Mason Neale’s work on the psalms after Neale died in 1866. Laura de Jong ================ Littledale, Richard Frederick, LL.D., D.C.L., son of John Richard Littledale, merchant, was born at Dublin on the 14th of Sept, 1833, and was educated at Bective House Seminary, and Trinity College, Dublin. His University course was distinguished. In 1852 he became a University Scholar; in 1854 he was first class in Classics and gold medallist; in 1856 he won the Berkeley gold medal (for Greek), and other honours. He graduated B.A., 1855, M.A., 1858, LL.D., 1862, and D.C.L. at Oxford, 1862. Taking Holy Orders in 1856, he was Curate of St. Matthew's, in Thorpe Hamlet, Norwich, from 1856 to 1857, and of St. Mary the Virgin, Soho, London, from 1857 to 1861. Through ill-health he retired from parochial work in 1861, and devoted himself to literature. Dr. Littledale's publications amount to about fifty in all, and embrace Theological, Historical, Liturgical, and Hymnological subjects chiefly. His prose works include:— (1) Application of Colour to the Decoration of Churches, 1857; (2) Religious Communities of Women in the Early Church, 1862; (3) Catholic Ritual in the Church of England, 1861; (4) Continuation of Dr. Neale's Commentary on the Psalms, vols. ii., iii., iv., 1868-74; (5) Commentary on the Song of Songs, 1869; (6) The Petrine Claims, 1878-84; (7) Plain Reasons against joining the Church of Rome, 1880, &c.; (8) Short History of the Council of Trent; and several articles in the Encyclopaedia Britannica, 1882-88. His contributions to periodical literature have been also extensive and valuable. Dr. Littledale's Liturgical, Devotional, and Hymnological works include:— (1) Offices of the Holy Eastern Church, in the Original Greek, with translation into English, Notes, &c, 1863; (2) Carols for Christmas and Other Seasons, 1863; (3)The Priest's Prayer Book, with hymns, 1864, and with Brief Pontifical in 1870 and later editions; (4)The People's Hymnal, 1867 ; (5) The Children's Bread. A Communion Office for the Young, with hymns, 1868; (6) Primitive Liturgies and Translations, 1868-69; (7) Children at Calvary: being The Stations of the Cross in Metre for Singing, 1872; (8) the Christian Passover, 1873; (9) The Altar Manual, 1863-77. He was joint Editor of Nos. 3, 4, 8 and 9 with the Rev. J. E. Vaux; and of No. 6 with Dr. Neale. In addition to a large number of hymns, original and translated, in the above works, Dr. Littledale has also directly contributed original and translated hymns to:— (1) Lyra Eucharistica, 1863; (2) Lyra Messianica, 1864; (3) Lyra Mystica, 1865; (4) The Eucharistic Hymnal, 1877; (5) The Roman Breviary in English, by the Marquess of Bute, 1879; (6) The Altar Hymnal, 1884; (7) Supplement to Hymns Ancient & Modern, 1889; (8) to the Night Hours of the Church; (9) to the St. Margaret's Hymnal [East Grinstead], 1875; and (10) to the Church Times, The Guardian, &c, &c. Dr. Littledale's Hymnological works in verse consist of translations of Danish, Swedish, Greek, Latin, Syriac, German, and Italian hymns, together with original Carols, Hymns, and Metrical Litanies. His original hymns remain to be noted. These include the following:— i. In the Priest's Prayer Book, 1864 :— 1. Captain of Salvation. Christian Warfare. 2. Christ, on Whose Face the soldiers. Passiontide. 3. Christ, Who hast for sinners suffered. Passiontide. 4. God the Father, from on high. For the Sick. 5. Lord Jesu, by Thy passion. Passiontide. 6. Lord, Who in pain and weariness. Passiontide. 7. 0 Jesu, in Thy torture. Passiontide. In Meditations and Prayers on the Passion of Our Lord Jesus Christ, 1863. 8. 0 Lord, to Whom the spirits live. All Souls. 9. The clouds of sorrow rest upon mine eyes. For the Sorrowing. ii. In the People's Hymnal, 1867:— 10. Christ, our song we lift to Thee. Blessed Virgin Mary. 11. Christ, our Sun, on us arose. Whitsuntide. In Carols for Christmas, &c, 3rd series, 1864. 12. Christ, the Lord, Whose mighty hand. Prayer for Peace. 13. Day is past and gone. Evening. In the Church Times, Feb. 17, 1866. 14. Eternal Shepherd, God most high. Vacancy of a See or Parish. 15. Eternal Wisdom, God most high. Common of Doctors. 16. God eternal, infinite. Septuagesima. 17. Hidden Saviour, great High Priest. Holy Communion. 18. I believe in God the Father. The Creed. 19. I worship Thee, Lord Jesu. Holy Communion. In the Church Times, May 10, 1865. 20. In Paradise reposing. Burial of a Child. 21. In songs of glad thanksgiving. General Thanksgiving. 22. Lord, Whose goodwill is ever sure. In time of Famine. 23. Now the sun is in the skies. Morning. In the Church Times, Jan. 27, 1866. 24. 0 God of mercy, God of love. For Rain. 25. 0 God, Who metest in Thine hand. For those at Sea. 26. 0 God, Whose Sole-Begotten left. Almsgiving. 27. 0 sing to the Lord, Whose bountiful hand. Thanksgiving for Rain. 28. Set upon Sion's wall. Ember Days. 29. The Cedar of Lebanon, Plant of renown. Christmas. First published in Sedding's Christmas Carols, 1863. 30. The fight is o'er, the crown is won. Burial of a Sister of Mercy. 31. The wintry time hath ended. Thanksgiving for Fair Weather. 32. We are marching through the desert. Processional. 33. When the day hath come at last. The Judgment. In addition to these, a few of the more widely used of Dr. Littledale's original hymns, as "From hidden source arising," and others, are annotated under their respective first lines. In the People's Hymnal, 1867, Dr. Littledale adopted the following signatures:— A. L. P., i.e., A London Priest. B., i.e., An initial of a former address. B. T., i.e., The initials of a former address. D. L., i.e. Dr. Littledale. F., i.e., Frederick. F. R., i.e., Frederick Richard. L., i.e., Littledale. P. C. E., i.e., Priest of the Church of England. P. P. Bk., i.e., Priest's Prayer Book. Taken as a whole, Dr. Littledale's translations from the seven languages named above are characterised by general faithfulness to the originals, great simplicity of diction, good metre, smooth rhythm, and deep earnestness. His original compositions are usually on special subjects, for which, at th$ time they were written, there were few hymns, and are marked by the same excellent features of a good hymn as his translations. His main object throughout is to teach through Praise and Prayer. --John Julian, Dictionary of Hymnology (1907) ====================== Littledale, Richard F., p. 679, ii. He died at Red Lion Square, London, Jan. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Ralph Vaughan Williams

1872 - 1958 Meter: 6.6.11.6.6.11 Composer of "DOWN AMPNEY" in The Worshiping Church Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.6.11.6.6.11
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