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Meter:8.6.8.6 d

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The LORD's my shepherd, I'll not want

Author: William Whittingham 1524-79 Meter: 8.6.8.6 D Appears in 600 hymnals Lyrics: 1 The LORD’s my shepherd, I’ll not want. He makes me down to lie in pastures green: he leadeth me the quiet waters by. 2 My soul he doth restore again; and me to walk doth make within the paths of righteousness, ev’n for his own name’s sake. 3 Yea, though I walk in death’s dark vale, yet will I fear no ill: for thou art with me; and thy rod and staff me comfort still. 4 My table thou hast furnished in presence of my foes; my head with oil anoint thou dost anoint, and my cup overflows. 5 Goodness and mercy all my life shall surely follow me: and in God’s house forever more my dwelling-place shall be. Topics: The Christian Life Submission and Trust; Funeral and Memorial services Scripture: Psalm 23 Used With Tune: CRIMOND
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I Sing the Mighty Power of God

Author: Isaac Watts Meter: 8.6.8.6 D Appears in 477 hymnals First Line: I sing the mighty pow'r of God Lyrics: 1 I sing the mighty pow'r of God, That made the mountains rise; That spread the flowing seas abroad, And built the lofty skies. I sing the wisdom that ordained The sun to rule the day; The moon shines full at His command, And all the stars obey. 2 I sing the goodness of the Lord That filled the earth with food; He formed the creatures with His word, And then pronounced them good. Lord, how Thy wonders are displayed, Where'er I turn my eye: If I survey the ground I tread Or gaze upon the sky! 3 There's not a plant or flow'r below, But makes Thy glories known; And clouds arise, and tempests blow, By order from Thy throne; While all that borrows life from Thee Is ever in Thy care, And ev'rywhere that we can be, Thou, God, art present there. Amen. Topics: God Majesty and Power; God Creation Used With Tune: ELLACOMBE

For unto Us a Child Is Born

Author: Susan H. Peterson Meter: 8.6.8.6 D Appears in 1 hymnal First Line: For unto us a child is born, To us a son is given

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RESIGNATION

Meter: 8.6.8.6 D Appears in 111 hymnals Composer and/or Arranger: Richard Starr Tune Sources: Southern Harmony, 1835 Tune Key: C Major Incipit: 13532 35165 31351 Used With Text: My Shepherd Will Supply My Need
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ANTIOCH

Meter: 8.6.8.6 D Appears in 981 hymnals Composer and/or Arranger: Lowell Mason; G. F. Handel Tune Key: D Major Incipit: 17654 32156 67711 Used With Text: Joy to the World
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KINGSFOLD

Meter: 8.6.8.6 D Appears in 300 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958; Ralph Vaughan Williams, 1872-1958 Tune Sources: English; From the English Hymnal (1906) Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: Today We All Are Called to Be Disciples

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Du kyrka på den grundval byggd

Hymnal: Lutherförbundets Sångbok #S64 (1913) Meter: 8.6.8.6 D Lyrics: 1 Du kyrka på den grundval byggd, Som evigt skall stå fast, Du varit fädrens värn och skygd, Du står om allting brast! Min frjöjd och krona är du nu Och på den hörnesten, Som heter Jesus, hvilar du Så trygg, så säll, så ren. 2 På denna klippa stormars hot Och lärdomsvindars brus Och egna tyckens stolta knot Ej skaka kyrkans hus; Det klippfast står i väl och ve Uti bekännelsen Uppbyggdt af stenar lefvande, Af hvilka jag är en. 4 Det min, det Luthers kyrka är Apostlarnas också. Profeters ljus klart lyser här Och lUar mig att förstå Det tal om blodet, som rengör Och genom himlens port mig för, Som var med lagen stängd. 5 Ja, du min kyrka lär vet, Att Jesus Vägen är Och Sanning, Lif, Rättfärdighet – Du klartmig äfven lär, Att Jesus dog på korsets stam För mina synders skull, Och för det offer Han bar fram Är Gud mig evigt huld. 6 Och för din tro martyrers blod I strömmar fordom flöt, Ack, hjalp mig, Gud, med gladligt mod Bli stilla i ditt sköt', Om ock med blod det tarfvas än Af Jesu klena hjord Att vittna för bekännelsen Om Kristus och Hans ord. 7 Min kyrka med din tro, ditt namn Mig vare evigt kär! Ack, slut mig st¨ndigt i din famn Och jämt mig vandra lär Uppå min gode Herdes stig! Mitt löfte, bön, begär Är att ej skiljas ifrån dig – Där Gud mig nåd beskär. Topics: Kyrkan och Missionen; Church and Mission Languages: Swedish Tune Title: ATHENS
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Tack, atta ditt hjärta öppet står!

Hymnal: Lutherförbundets Sångbok #S61 (1913) Meter: 8.6.8.6 D First Line: Tack, atta ditt hjärta öppet står Lyrics: 1 Tack, att ditt hjärta öppet står För mig en hvar minut, Tack, att jag där mig hvila får Intill mitt sista slut! Min tunga hinner icke här För allt att tacka dig, Men hemma, hemma, hemma, där Skal du få höra mig. 2 Ack, huru på mitt ansikt' jag, Inför din fotapall, Där shunga högt med glädje stor På evighetens jubeldag, Guds Lamm, dig lofva skall, Den nya Lammets sång! I höjden, där min Fader bor, Där slipper jag allt tvång. Topics: Ordet och Gudstjänsten; The Word and the Worship Languages: Swedish Tune Title: JAG ÄR ETT FATTIGT NÅDEHJON
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The God of mercy be adored

Hymnal: Psalms and Hymns, for Christian Use and Worship #D4 (1845) Meter: 8.6.8.6 D

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John Fawcett

1740 - 1817 Meter: 8.6.8.6 D Author of "The Precious Book Divine" in Psalms, Hymns, and Spiritual Songs An orphan at the age of twelve, John Fawcett (b. Lidget Green, Yorkshire, England, 1740; d. Hebden Bridge, Yorkshire, 1817) became apprenticed to a tailor and was largely self-educated. He was converted by the preaching of George Whitefield at the age of sixteen and began preaching soon thereafter. In 1765 Fawcett was called to a small, poor, Baptist country church in Wainsgate, Yorkshire. Seven years later he received a call from the large and influential Carter's Lane Church in London, England. Fawcett accepted the call and preached his farewell sermon. The day of departure came, and his family's belongings were loaded on carts, but the distraught congregation begged him to stay. In Singers and Songs of the Church (1869), Josiah Miller tells the story associated with this text: This favorite hymn is said to have been written in 1772, to commemorate the determination of its author to remain with his attached people at Wainsgate. The farewell sermon was preached, the wagons were loaded, when love and tears prevailed, and Dr. Fawcett sacrificed the attraction of a London pulpit to the affection of his poor but devoted flock. Fawcett continued to serve in Wainsgate and in the nearby village of Hebden Bridge for the remainder of his active ministry. Bert Polman =============== Fawcett, John, D.D., was born Jan. 6, 1739 or 1740, at Lidget Green, near Bradford, Yorks. Converted at the age of sixteen under the ministry of G. Whitefield, he at first joined the Methodists, but three years later united with the Baptist Church at Bradford. Having begun to preach he was, in 1765, ordained Baptist minister at Wainsgate, near Hebden Bridge, Yorks. In 1772 he was invited to London, to succeed the celebrated Dr. J. Gill, as pastor of Carter's Lane; the invitation had been formally accepted, the farewell sermon at Wainsgate had been preached and the wagons loaded with his goods for removal, when the love and tears of his attached people prevailed and he decided to remain. In 1777 a new chapel was built for him at Hebden Bridge, and about the same time he opened a school at Brearley Hall, his place of residence. In 1793 he was invited to become President of the Baptist Academy at Bristol, but declined. In 1811 he received from America the degree of D.D., and died in 1817, at the age of 78. Dr. Fawcett was the author of a number of prose works on Practical Religion, several of which attained a large circulation. His poetical publications are:— (1) Poetic Essays, 1767; (2) The Christian's Humble Plea, a Poem, in answer to Dr. Priestley against the Divinity of our Lord Jesus Christ, 1772; (3) Three hymns, in the Gospel Magazine, 1777; (4) The Death of Eumenio, a Divine Poem, 1779; (5) Another poem, suggested by the decease of a friend, The Reign of Death, 1780; and (6) Hymns adapted to the circumstances of Public Worship and Private Devotion, Leeds, G. Wright & Son. 1782. They are 166 in number, and were mostly composed to be sung after sermons by the author. Whilst not attaining a high degree of excellence as poetry, they are "eminently spiritual and practical," and a number of them are found in all the Baptist and Congregational hymn-books that have appeared during the last 100 years. The best known of these are, “Infinite excellence is Thine;" "How precious is the Book divine;" "Thus far my God hath led me on;" "Religion is the chief concern;" "Blest be the tie that binds;" “I my Ebenezer raise;" and "Praise to Thee, Thou great Creator." These hymns, together with others by Fawcett, are annotated under their respective first lines. [Rev. W. R. Stevenson, M.A.] In addition the following hymns, also by Fawcett, but of less importance, are in common use: 1. Behold the sin-atoning Lamb. Passiontide. No. 60 of his Hymns, 1782, in 7 stanzas of 4 lines. In several hymnals in Great Britain and America. 2. I my Ebenezer raise. Birthday. No. 102 of his Hymns, in 10 stanzas of 4 lines. Usually given in an abbreviated form. 3. Infinite excellence is Thine. Jesus the Desire of Nations. No. 42 of his Hymns, in 12 stanzas of 4 lines. In several hymn-books in Great Britain and America in an abridged form. 4. Jesus, the heavenly Lover, gave. Redemption in Christ. No. 10 of his Hymns, &c., 1782, in 7 stanzas of 4 lines, and headed, "The marriage between Christ and the Soul." In Snepp's Songs of Grace & Glory, 1872, it reads, “Jesus, the heavenly Bridegroom, gave," and stanza v. is omitted. 5. Lord, hast Thou made me know Thy ways? Perseverance. No. 122 of his Hymns, &c., 1782, in 8 stanza of 4 lines. In the Baptist Hymnal, 1879, No. 451, stanzas iv.-vii. are omitted. 6. 0 God, my Helper, ever near. New Year. No. 108 of his Hymns, &c., 1782, in 6 stanzas of 4 lines. The New Congregational Hymn Book, 1859-69 omits st. vi. 7. 0, my soul, what means this sadness? Sorrow turned to Joy. No. 111 of his Hymns, &c., 1782, in 5 stanzas of 6 lines, and based upon the words, "Why art Thou cast down, O my soul?" &c. It is in common use in America, and usually with the omission of stanza ii. as in Dr. Hatfield's Church Hymn Book, 1872. 8. Sinners, the voice of God regard. Invitation to Repentance. No. 63 of his Hymns, &c., 1782, in 7 stanzas of 4 lines on Isaiah lv. 7, "Let the wicked forsake his way," &c. It is in common use in America, but usually in an abbreviated form. 9. Thy presence, gracious God, afford. Before Sermon. No 165 in his Hymns, &c., in 4 stanzas of 4 lines, and a chorus of two lines. In Dr. Hatfield's Church Hymnbook, 1872, No. 126, the chorus is omitted. Fawcett has another hymn on the same subject (No. 79) and beginning, "Thy blessing, gracious God, afford," but this is not in common use. 10. Thy way, 0 God, is in the sea. Imperfect Knowledge of God. No. 66 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on 1 Corinthians xiii. 9, "We know in part," &c. It is in several American collections, usually abbreviated, and sometimes as, "Thy way, O Lord, is in the sea." In this form it is in The Sabbath Hymn Book, 1858, &c. 11. With humble heart and tongue. Prayer for Guidance in Youth. No. 86 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on Psalms cxix. 9. "Wherewith shall a young man cleanse his way." It is No. 954 in the Baptist Psalms and Hymns, 1858-80. About 20 of Fawcett's hymns are thus still in common use. Two hymns which have been ascribed to him from time to time, but concerning which there are some doubts, are fully annotated under their respective first lines. These are," Humble souls that seek salvation," and "Lord, dismiss us with Thy blessing." -- John Julian, Dictionary of Hymnology (1907)

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, 1505?-1585 Meter: 8.6.8.6 D Composer of "THE THIRD TUNE" in The Hymnal 1982 Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

W. Stillman Martin

1862 - 1935 Meter: 8.6.8.6 D Composer of "MARTIN" in The United Methodist Hymnal Born: March 8, 1862, Rowley, Massachusetts. Died: December 16, 1935, Atlanta, Georgia. Buried: Westview Cemetery, Atlanta, Georgia. Husband of hymnist Civilla Martin, Stillman attended Harvard University and was ordained a Baptist minister, though he later switched to the Disciples of Christ denomination. In 1916, he became a professor of Bible studies at Atlantic Christian College in Wilson, North Carolina. Three years later, he moved to Atlanta, Georgia. It was from there he went all over America to run Bible conferences and evangelistic meetings. Sources: Hustad, p. 282 http://www.hymntime.com/tch/bio/m/a/r/t/martin_ws.htm

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.6.8.6 D

The Methodist Hymn-Book with Tunes

Publication Date: 1933 Publisher: Methodist Conference Office Meter: 8.6.8.6 D Publication Place: London

The Book of Common Praise

Publication Date: 1939 Publisher: Oxford University Press Meter: 8.6.8.6 D Publication Place: Toronto
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