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Text Identifier:"^almighty_lord_of_earth_and_heaven$"

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Almighty Lord Of Earth And Heaven

Author: David Denike; C. H. L. Schuette Meter: 8.8.8.8 Appears in 9 hymnals First Line: Almighty Lord of earth and heav'n Lyrics: 1 Almighty Lord of earth and heav'n, The Ten Commandments Thou hast giv'n Reveal how wicked I have been And make me dread the curse of sin. 2 I've loved the creature more than Thee And sinned against Thy majesty; My love and trust to Thee denied, On self and man my soul relied. 3 My lips have oft, from heart profane, Employed Thy holy name in vain; Forgetful of Thy cov'nant grace, How seldom have I sought Thy face! 4 In sinful cares, or work, or play, I've often spent Thy holy day, Despised Thy Word, strayed from Thy fold, And left Thy benefits untold. 5 My parents oft I've disobeyed, Their good with evil deeds repaid; I've been unchaste in word and deed And careless of my neighbor's need. 6 With hateful thoughts my heart's been stained, Nor have I aye my tongue restrained; I've coveted what was not mine, And so transgressed Thy law divine. 7 Ah, how my sins are multiplied When by Thy law my life is tried! O jealous God, do pity me And mark not mine iniquity! 8 Let grace to judgment be preferred; Remove the curse I have incurred; For Jesus' sake my sins forgive, And may I to Thy glory live. Topics: The Ten Commandments Used With Tune: HAMBURG

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[Almighty Lord of earth and heav'n]

Appears in 1,162 hymnals Composer and/or Arranger: Peter Ritter Incipit: 11117 12321 3333 Used With Text: Almighty Lord of earth and heav'n
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HAMBURG

Appears in 974 hymnals Composer and/or Arranger: Lowell Mason, Mus. Doc. Tune Sources: Gregorian Chant Tune Key: F Major Incipit: 11232 34323 33343 Used With Text: Almighty Lord of earth and heav'n

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Almighty Lord Of Earth And Heaven

Author: David Denike; C. H. L. Schuette Hymnal: American Lutheran Hymnal #58 (1930) Meter: 8.8.8.8 First Line: Almighty Lord of earth and heav'n Lyrics: 1 Almighty Lord of earth and heav'n, The Ten Commandments Thou hast giv'n Reveal how wicked I have been And make me dread the curse of sin. 2 I've loved the creature more than Thee And sinned against Thy majesty; My love and trust to Thee denied, On self and man my soul relied. 3 My lips have oft, from heart profane, Employed Thy holy name in vain; Forgetful of Thy cov'nant grace, How seldom have I sought Thy face! 4 In sinful cares, or work, or play, I've often spent Thy holy day, Despised Thy Word, strayed from Thy fold, And left Thy benefits untold. 5 My parents oft I've disobeyed, Their good with evil deeds repaid; I've been unchaste in word and deed And careless of my neighbor's need. 6 With hateful thoughts my heart's been stained, Nor have I aye my tongue restrained; I've coveted what was not mine, And so transgressed Thy law divine. 7 Ah, how my sins are multiplied When by Thy law my life is tried! O jealous God, do pity me And mark not mine iniquity! 8 Let grace to judgment be preferred; Remove the curse I have incurred; For Jesus' sake my sins forgive, And may I to Thy glory live. Topics: The Ten Commandments Languages: English Tune Title: HAMBURG
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Almighty Lord of earth and heaven

Hymnal: Evangelical Lutheran Hymnal. 9th ed. #a206 (1895) Meter: 8.8.8.8 Lyrics: 1 Almighty Lord of earth and heaven, The Ten Commandments Thou hast given Reveal how wicked I have been, And make me dread the curse of sin. 2 I've loved the creature more than Thee, And sinned against Thy majesty; My love and trust to Thee denied, On self and man my soul relied. 3 My lips have oft, from heart profane, Employed Thy holy name in vain; Forgetful of Thy cov'nant grace, How seldom have I sought Thy face! 4 In sinful cares or work, or play, I've often spent Thy holy day, Despised Thy Word, strayed from Thy fold, And left Thy benefits untold. 5 My parents oft I've disobeyed, Their good with evil deeds repaid: I've been unchaste in word and deed, And careless of my neighbor's need. Topics: The Catechism The Decalogue Languages: English
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Almighty Lord of earth and heaven

Hymnal: Evangelical Lutheran Hymnal #206 (1880) Meter: 8.8.8.8 Lyrics: 1 Almighty Lord of earth and heaven, The Ten Commandments Thou hast given Reveal how wicked I have been, And make me dread the curse of sin. 2 I've loved the creature more than Thee, And sinned against Thy majesty; My love and trust to Thee denied, On self and man my soul relied. 3 My lips have oft, from heart profane, Employed Thy holy name in vain; Forgetful of Thy cov'nant grace, How seldom have I sought Thy face! 4 In sinful cares or work, or play, I've often spent Thy holy day, Despised Thy Word, strayed from Thy fold, And left Thy benefits untold. 5 My parents oft I've disobeyed, Their good with evil deeds repaid: I've been unchaste in word and deed, And careless of my neighbor's need. Topics: The Catechism The Decalogue Languages: English

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Lowell Mason

1792 - 1872 Person Name: Lowell Mason, Mus. Doc. Adapter of "HAMBURG" in Evangelical Lutheran hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

Peter Ritter

1760 - 1846 Composer of "[Almighty Lord of earth and heav'n]" in Songs of Praise Peter Ritter; b. 1760, Mannheim; d. 1846 Evangelical Lutheran Hymnal, 1908

David Denicke

1603 - 1680 Person Name: David Denike Author of "Almighty Lord of earth and heav'n" in Songs of Praise Denicke, David, son of B. D. Denicke, Town Judge of Zittau, Saxony, was born at Zittau, January 31, 1603. After studying philosophy and law at the Universities of Wittenberg and Jena, he was for a time tutor of law at Königsberg, and, 1624-1628, travelled in Holland, England and France. In 1629 he became tutor to the sons of Duke Georg of Brunswick-Lüneburg, and under father and sons held various important offices, such as, 1639, the direction of the foundation of Bursfeld, and in 1642 a member of the Consistory at Hannover. He died at Hannover, April 1, 1680 (Koch, iii. 237; Bode, p. 58). His hymns, which for that time were in good taste, and are simple, useful, warm, and flowing, appeared in the various Hannoverian hymnbooks, 1646-1659, which he edited along with J. Gesenius (q.v.). All appeared there without his name.   Those translated are:—i. Wenn ich die heilgen zehn Gebot. Ten Commandments. Contributed to the Hannover Gesang Buch, 1652, No. 69, as a hymn on the Ten Commandments, in 22 stanza of 4 1., stanzas i.-x. being a confession of sins against them, and stanzas xi.-xxii. a medi¬tation and prayer for God's mercy. Included in Crüger's Praxis pietatis melica, 1661, in Freylinghausen's Gesang Buch, 1714, and recently in a few collections, as Sarnighausen's Gesang Buch, 1855, No. 164, and the Ohio Gesang Buch, 1865, No. 182. It is translated as Almighty Lord of earth and heaven. By C. H. L. Schnette, as No. 206 in the Ohio Lutheran Hymnal, 1880. Stanzas i.-iv. are literal; stanzas v.-vii. seem based on v., vii., xvi., xvii. Hymns not in English common use:— ii. Ach treuer Gott! ich ruf zu dir . [Christian Life .] 1st published in the Hannover Gesang Buch, 1652, No. 135, in 17 st. This is translated as:—(1) “My God! I call upon Thy name," by Miss Cox, 1841, p. 177. (2) "Most holy God! to thee I cry," by Lady E. Fortescue, 1843 (1847, p. 69). iii. Kommt, lasst euch den Herren lehren . [ The Beatitudes,] 1st published in the Hannover Gesang Buch , 1648, in 11 st., No. 133. It may have been suggested by J. Heermann's "Kommt ihr Christen, kommt und höret" (9 st. in his Sontags- und Fest-Evangelia, Leipzig, 1638; Mützell, 1858, No. 94), but has only 3 lines in common with it. In the Nürnberg Gesang Buch , 1676, No. 962, and many later hymnbooks, it begins : "kommt und lasst uns Jesum lehren." It is translated as "Come and hear our blessed Saviour," by J. C. Jacobi, 1722, p. 46. In his 2nd edition, 1732, p. 75, altered and beginning “Come, and hear the sacred story," and thence in the Moravian Hymnbook, 1754, pt. i., No. 469; stanzas x., xi. beginning, "Jesus, grant me to inherit," being repeated in later editions and as No. 423 in J. A. Latrobe's Collection, 1841. iv. Was kann ich doch fiir Dank. [Praise and Thanksgiving]  1st publised in the Hannover Gesang Buch, 1648, in 8 st., No. 154.  Stanza vii. is altered from “Herr Jesu, führe mich," by J. Heermann (Devoti Musica Cordis); Breslau, 1630; Mützell, 1858, No. 57. Translated as "What, thanks can I repay?" by J. C. Jacobi, 1725, p. 46 (1732, p. 147). v. Wir Menschen sein zu dem, O Gott. [Holy Scripture."] 1st published in the Hannover Gesang Buch, 1659, No. 180, in 10 stanzas.  Founded on the Gospel for Sexagesima Sunday—St. Luke viii. 4, &c. Translated as:—(1) "Give us Thy Spirit, Lord, that we," a translation of stanza iii. by J. Swertner, as No. 8 in the Moravian Hymnbook, 1789 (1886, No. 9). (2) "Let the splendour of Thy word," a translation of stanza ix. by J. Swertner, as No. 15, in the Moravian Hymnbook, 1789. (1886, No. 17).        [Rev. James  Mearns, M.A.] -- John Julian, Dictionary of Hymnology
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