My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Person Results
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "PAX DEI" in The Book of Praise for Church, School and Home As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Louis Spohr
1784 - 1859 Person Name: L. Spohr Composer of "WATERBROOKS" in Songs for the Lord's House Also:
Spohr, Ludwig, 1784-1859
Shpor, Lui, 1784-1859
Spohr, L. (Louis), 1784-1859
Shpor, Ludvig, 1784-1859
Spohr, Ludewig, 1784-1859
Louis Spohr
James Merrick
1720 - 1769 Author of "As pants the hart for cooling flood [springs] [streams]" in The Harvard University Hymn Book Merrick, James , M.A., was born in 1720, and educated at Oxford, where he became a Fellow of Trinity College. He entered Holy Orders, but his health would not admit of parish work. He died at Reading, 1769. His publications include:—
(1) Messiah, a Divine Essay. Humbly dedicated to the Reverend the Vice-Chancellor of the University of Oxford and the Visitors of the Free School in Reading. By James Merrick, Ætat. 14, Senior Scholar of the School at their last Terminal Visitation, the 7th of October, 1734. Reading. (2) The Destruction of Troy. Translated from the Greek of Tryphiodorus into English Verse, with Notes, &c. 1742. (3) Poems on Sacred Subjects. Oxford . 1763. (4) The Psalms of David Translated or Paraphrased in English Verse. By James Merrick, M.A., late Fellow of Trinity College, Oxford. Reading. J. Carnan and Co. 1765. 2nd ed. 1766. A few only of these paraphrases were divided into stanzas. In 1797 the Rev. W. D. Tattersall pulished the work "Divided into stanzas for Parochial Use, and paraphrased in such language as will be intelligible to every capacity . . . with a suitable Collect to each Psalm from the Works of Archbishop Parker."
Merrick's paraphrases, although weak and verbose, were in extensive use in the early part of the present century, both in the Church of England and with Nonconformists. They have, however, fallen very much into disuse. Those in modern hymn-books, mainly in the form of centos, include:—
1. Blest Instructor, from Thy ways. Ps. xix.
2. Descend, O Lord! from heaven descend. Ps. cxliv. (In time of National Peril.)
3. Far as creation's bounds extend. Ps. cxlv.
4. God of my strength, the wise, the just. Ps. xxxi.
5. He who with generous pity glows. Ps. xli.
6. How pleasant, Lord.Thy dwellings are. Ps. lxxxiv.
7. Lift up your voice and thankful sing. Ps. cxxxvi.
8. Lo, my Shepherd's hand divine. Ps. xxiii.
9. Lord, my Strength, to Thee I pray. Ps. xxviii.
10. My heart its noblest theme has found. Ps.xlv.
11. O let me, [gracious] heavenly Lord extend. Ps. xxxix.
12. O turn, great Ruler of the skies. Ps. li.
13. Praise, O praise the Name divine. Ps. cl.
14. Sing, ye sons of [men] might, O sing. Ps. xxix.
15. Teach me, O teach me, Lord, Thy way. Ps. cxix.
16. The festal morn, my [O] God, is come. Ps. cxxii, (Sunday Morning.)
17. The morn and eve Thy praise resound. Ps. lxv. (Harvest.)
18. To Thy pastures, fair and large. Ps. xxiii.
From his Poems on Sacred Subjects, 1763, the following centos have also come into common use: --
19. Author of good, to Thee we turn. Resignation.
20. Eternal God, we look to Thee. Resignation.
21. 'Tis enough, the hour is come. Nunc Dimittis.
John Julian, Dictionary of Hymnology (1907)
James Merrick
Nahum Tate
1652 - 1715 Author of "As pants the hart for cooling springs" in The Song Book of the Salvation Army Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715.
--The Hymnal 1940 Companion
See also in:
Hymn Writers of the Church
Nahum Tate
Nicholas Brady
1659 - 1726 Author of "As pants the hart for cooling springs" in The Song Book of the Salvation Army Nicholas Brady, the son of an officer in the Royalist army, was born in Brandon, Ireland, 1659. He studied at Westminster School, and at Christ Church College, oxford, and graduated at Trinity College, Dublin. He held several positions in the ministry, but later in life retired to Richmond Surrey, where he established a school. Here he translated some of the Psalms. Several volumes of his sermons and smaller works were published, but his chief work, like that of his co-colabourer Tate, was the "Metrical Version of Psalms."
This version was authorized by King William in 1696, and has, since that time, taken the place of the earlier translation by Sternhold and Hopkins, which was published in 1562. The whole of the Psalms, with tunes, appeared in 1698, and a Supplement of Church Hymns in 1703. Of this version, which has little poetic merit, Montgomery says "It is nearly as inanimate as the former, though a little more refined." None of the "Metrical Psalms" are to be compared with the Psalms of the Prayer Book Psalter, and very few of them are worthy a place in a collection of hymns.
--Annotations of the Hymnal, Charles Hutchins, 1872.
Nicholas Brady
