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Search Results

Text Identifier:"^hail_holy_holy_holy_lord_whom_one_in_thr$"

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Hail! Holy, Holy, Holy, Lord

Author: Charles Wesley, 1707-1788 Meter: 8.6.8.6 Appears in 72 hymnals First Line: Hail! Holy, holy, holy Lord Lyrics: 1 Hail! holy, holy, holy Lord, Whom One in Three we know; By all Thy heavenly hosts adored, By all Thy church below. 2 One undivided Trinity With triumph we proclaim; Thy universe is full of Thee, And speaks Thy glorious Name. 3 Thee, holy Father, we confess: Thee, holy Son, adore; And Thee, the Holy Ghost, we bless, And worship evermore. 4 Hail! holy, holy, holy Lord, Our heavenly song shall be; Supreme, essential one, adored In co-eternal Three! Amen. Topics: Trinity Used With Tune: CHESTERFIELD

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DUNFERMLINE

Appears in 144 hymnals Tune Sources: Scottish Psalter Incipit: 11234 55336 55455 Used With Text: Hail! holy, holy, holy Lord!
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CHESTERFIELD

Meter: 8.6.8.6 Appears in 312 hymnals Composer and/or Arranger: Rev. Thomas Haweis, 1734-1820; Dr. Gauntlett Incipit: 51354 34213 25171 Used With Text: Hail! Holy, Holy, Holy, Lord
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DUNDEE

Appears in 896 hymnals Tune Sources: Scotch Psalter Incipit: 13451 23432 11715 Used With Text: Hail! holy, holy, holy Lord!

Instances

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Hail, holy, holy, holy Lord, Whom One in three we know

Author: Charles Wesley, 1707-1788 Hymnal: The Reformed Methodist Pocket Hymnal #I.94 (1828)

Hail, holy, holy, holy Lord, Whom One in three we know

Author: Charles Wesley, 1707-1788 Hymnal: A Collection of Hymns Adapted to the use of the Methodist Episcopal Church Including the Whole Collection of the Rev. J. Wesley #ad196 (1836) Languages: English

Hail! holy, holy, holy Lord! Whom One in Three we know

Author: Charles Wesley, 1707-1788 Hymnal: Methodist Hymn and Tune Book #5 (1894) Languages: English Tune Title: TALLIS' ORDINAL

People

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Thomas Haweis

1734 - 1820 Person Name: Rev. Thomas Haweis, 1734-1820 Composer of "CHESTERFIELD" in Hymnal and Order of Service Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808). Bert Polman ============================ Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar." The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:— 1. Dark was the night and cold the ground. Gethsemane. 2. From the cross uplifted high. Christ in Glory. 3. Great Spirit, by Whose mighty power. Whitsuntide. 4. Submissive to Thy will, my God. Resignation. 5. The happy morn is come. Easter. 6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn. 7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption. --John Julian, Dictionary of Hymnology (1907)

Henry J. Gauntlett

1805 - 1876 Person Name: Dr. Gauntlett Harmonizer of "CHESTERFIELD" in Hymnal and Order of Service Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes, Mus. Doc., 1823-1876 Composer of "ST. AGNES" in Hymnal and Order of Service As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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