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Person Results

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Wolfgang Amadeus Mozart

1756 - 1791 Person Name: Mozart Composer of "[Lord, a little band and lowly]" in The King's Praises Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: Rev. J. B. Dykes Composer of "ARUNDEL" in Hymns for the Children of the Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

John Wyeth

1770 - 1858 Composer of "NETTLETON" in Hymns and Tunes

J. H. Fillmore

1849 - 1936 Composer of "[Lord, a little band, and lowly]" in The Brethren Hymnody James Henry Fillmore USA 1849-1936. Born at Cincinnati, OH, he helped support his family by running his father's singing school. He married Annie Eliza McKrell in 1880, and they had five children. After his father's death he and his brothers, Charles and Frederick, founded the Fillmore Brothers Music House in Cincinnati, specializing in publishing religious music. He was also an author, composer, and editor of music, composing hymn tunes, anthems, and cantatas, as well as publishing 20+ Christian songbooks and hymnals. He issued a monthly periodical “The music messsenger”, typically putting in his own hymns before publishing them in hymnbooks. Jessie Brown Pounds, also a hymnist, contributed song lyrics to the Fillmore Music House for 30 years, and many tunes were composed for her lyrics. He was instrumental in the prohibition and temperance efforts of the day. His wife died in 1913, and he took a world tour trip with single daughter, Fred (a church singer), in the early 1920s. He died in Cincinnati. His son, Henry, became a bandmaster/composer. John Perry

Anonymous

Person Name: Unknown Author (Refrain) of "Lord, a Little Band" in Christian Hymnal (Rev. ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

W. A. Ogden

1841 - 1897 Composer of "[A Little Band]" in The Search Light William Augustine Ogden USA 1841-1897. Born at Franklin County, OH, his family moved to IN when he was age six. He studied music in local singing schools at age 8, and by age 10 could read church music fairly well. Later, he could write out a melody by hearing it sung or played. He enlisted in the American Civil War in the 30th IN Volunteer Infantry. During the war he organized a male choir which became well known throughout the Army of the Cumberland. After the war, he returned home, resumed music study, and taught school. He married Jennie V Headington, and they had two children: Lowell and Marian. He worked for the Iowa Normal School, Toledo Public School System. Among his teachers: Lowell Mason, Thomas Hastings, E E Baily and B F Baker, president of the Boston Music School. He wrote many hymns, both lyrics and/or music. He later issued his first song book, “The silver song” (1870). It became quite popular, selling 500,000 copies. He went on to publish other song books. Ogden also taught music at many schools in the U S and Canada. In 1887 he became superintendent of music in the public schools of Toledo, OH. His works include: “New silver songs for Sunday school” (1872), “Crown of life” (1875), “Notes of victory” (1885), “The way of life” (1886), “Gathering jewels” (1886). He was known as a very enthusiastic person in his work and a very congenial one as well. He died at Toledo, OH. John Perry

T. A. Willis

Composer of "LUCERNE" in The Sunday School Hymnal

W. T. Giffe

1848 - 1926 Person Name: W. T. G. Composer of "[Lord, a little band, and lowly]" in Glory Bells Born: June 28, 1848, Port­land, In­di­a­na. Died: Ju­ly 13, 1926, Se­at­tle, Wash­ing­ton. Buried: Mount Hope Cem­e­te­ry, Lo­gans­port, In­di­a­na. Giffe grew up in Coll­ege Cor­ners, In­di­a­na (near Port­land), and served in the Army dur­ing the clos­ing days of the Amer­i­can ci­vil war. Af­ter the war, he at­tend­ed Li­ber Coll­ege, and stu­died law for two years. While in col­lege, he was a mem­ber of the col­lege glee club, and took les­sons in the col­lege sing­ing school. Lat­er, he stu­died with teach­ers such as J. W. Suff­ern, George Root, Lu­ther Em­er­son, Ho­ra­tio Pal­mer, and Hen­ry Perk­ins. Giffe had a fine bar­i­tone voice, and was in de­mand as a con­cert sing­er. He soon be­came pop­u­lar as a chor­us di­rect­or and con­ven­tion con­duct­or. His first book for sing­ing schools was New Fa­vo­rite, which sold thou­sands of co­pies. The Ol­iv­er Dit­son Com­pa­ny of Bos­ton, Mass­a­chu­setts, pub­lished ma­ny of his ear­ly works, but Giffe went on to form his own pub­lish­ing house, the Home Mu­sic Com­pa­ny, in Lo­gans­port, In­di­a­na. He al­so ed­it­ed the Home Mu­sic Jour­nal for sev­er­al years. Lat­er, Giffe be­came su­per­vis­or of mu­sic in the pub­lic schools in his home town. And he was one of three men se­lect­ed to de­liv­er an ad­dress in Lo­gans­port, In­di­a­na, at the me­mor­i­al ser­vic­es for as­sas­sin­at­ed pre­si­dent Will­iam Mc­Kin­ley. Giffe and his wife Nan­cy had no child­ren. His works in­clude: The Bril­liant, 1874 Crown of Gold, with Frank Da­vis (Lo­gans­port, In­di­a­na: Home Mu­sic Com­pa­ny, 1892) The New Deal, with Lou­is Eich­horn (Lo­gans­port, In­di­a­na: Home Mu­sic Com­pa­ny, 1898) A Prac­ti­cal Course in Har­mo­ny and Mu­sic­al Com­po­si­tion --www.hymntime.com/tch

Jean-Jacques Rousseau

1712 - 1778 Person Name: Jean Jacques Rousseau, 1712-1778 Composer of "ROUSSEAU" in The Book of Praise Jean Jacques Rousseau; b. 1712, Geneva; d. 1778, Paris. Born in the city-state of Geneva in the Swiss Confederacy, his mother died whenhe was 9 days old. Rousseau's father was a watchmaker, but got into trouble with local officials and left the town, leaving his son with an uncle who had Rousseau and his own son board with a Calvinist minister for 2 years. He was later apprenticed to a notary and then to an engraver, who beat him. He ran away from Geneva at 16. In nearby Savoy, he sheltered with a Roman Catholic priest. He was sent to Italy to convert to Catholicism. He supported himself as a servant, secretary, and tutor. His life was filled with personal and political upheaval, and his writings infuriated many, to the point he had to leave several habitations. He had many friends and enemies due to his philosophies on life, religion, and God. He was concerned with decay of society (having experienced the French Revolution) and became a philosopher, writer, botanist, and composer, he influenced the Enlightenment period through his political philosophy, both in France and across Europe, including aspects of the French Revolution and overall development of modern political and educational thought. A member of the Jacobin Club, he was the most popular of philosophers. He believed that self-preservation was the highest virtue and that we should study to understand how society operates and where pitfalls lie. His personal family life was very chaotic as a result of his outspoken opinions and writings. He returned to his Calvinistic beliefs in later life, but digressed from them on several issues important to that church. John Perry

Martha E. Shelly

1812 - 1901 Person Name: Martha Shelly, 1812-? Author of "Lord, a little band and lowly" in The Book of Praise Shelly, Martha Evans, née Jackson, daughter of John Jackson, of Manchester, born at Stockport, Cheshire, and married in 1846 to J. W. Shelly, of Great Yarmouth. Her hymns appeared in Curwen's Child’s Own Hymn Book, 1844-1874, and include:— 1. Father, let Thy benediction. On behalf of Children. Appeared in Curwen's Child's Own Hymn Book, 1844, and is found in a few modern collections. 2. Lord, a little band and lowly. Children's Prayer. Mrs. Shelly's account of this hymn is:-—"At a Sunday School meeting in Manchester, the Rev. John Curwen, one evening, gave a lecture on singing. He sang a very pretty and simple tune, to which he said he had no suitable words, and wished that some one would write a hymn to it. I wrote these verses and gave them to him after the close of the meeting." (Curwen's Biog. Notes, p. 15.) The tune which Mr. Curwen sang was a German one, and was given in his Child's Own Tune Book under the name of Glover. The hymn was published in his Child's Own Hymn Book, 1844, and has passed into a large number of collections for children. 3. Lord, help us, as we sing. Sincerity. Published in The Voice of Praise, 1886. -- John Julian, Dictionary of Hymnology (1907)

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