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Text Identifier:"^theres_not_a_place_in_earths_vast_round$"

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There's Not a Place in Earth's Vast Round

Author: Wallace Appears in 18 hymnals Used With Tune: [There's not a place in earth's vast round]

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[There's not a place in earth's vast round]

Appears in 896 hymnals Incipit: 13451 23432 11715 Used With Text: There's Not a Place in Earth's Vast Round
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FARRANT

Appears in 137 hymnals Composer and/or Arranger: Farrant Incipit: 11232 14223 45545 Used With Text: There's not a place in earth's vast round
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[There's not a place in earth's vast round]

Appears in 1 hymnal Composer and/or Arranger: Frederic Curtis Butterfield Incipit: 35173 61551 72165 Used With Text: There's Not a Place in Earth's Vast Round

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There's Not a Place in Earth's Vast Round

Author: J. C. Wallace Hymnal: The Assembly Praise Book #84 (1922) Languages: English Tune Title: [There's not a place in earth's vast round]
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There's Not a Place in Earth's Vast Round

Author: Wallace Hymnal: Sunday School Hymnal #86 (1912) Languages: English Tune Title: [There's not a place in earth's vast round]
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There's not a place in earth's vast round

Author: Anon. Hymnal: The Voice of Praise #56 (1873) Meter: 8.6.8.6 Lyrics: 1 There's not a place in earth's vast round, In ocean deep, or air, Where skill and wisdom are not found, For God is everywhere. 2 Around, within, below, above, Wherever space extends, There heaven displays its boundless love, And power with mercy blends. 3 Then rise, my soul, and sing his name, And all his praise rehearse, Who spread abroad earth's wondrous frame, And built the universe. 4 Where'er thine earthly lot is cast, His power and love declare; Nor think the mighty theme too vast, For God is everywhere. Topics: Attributes of God Omnipresence; God Omnipresent

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Anonymous

Author of "There's not a place in earth's vast round" in Hymns for Christian Devotion In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

James Cowden Wallace

1793 - 1841 Person Name: J. C. Wallace Author of "There's Not a Place in Earth's Vast Round" in The Assembly Praise Book Wallace, James Cowden, was born at Dudley, circa 1793. He was brother of the Rev. Robert Wallace (1791-1880), Professor of Theology in Manchester New College, and author of Antitrinitarian Biography. J. C. Wallace was Unitarian minister at Totnes, 1824, and afterwards at Brighton and Wareham. He died at Wareham in 1841. He was a prolific hymnwriter, and contributed various other poetical pieces to the Monthly Repository. In a Selection of Hymns for Unitarian Worship, by R. Wallace, Chesterfield, 1822, there are 13 of his hymns, and in the 2nd edition of the same, 1826, there are 29 more. There are also 10 of his hymns in the Dukinfield Selection of Psalms & Hymns for Christian Worship, 1822 (still in use), and 64 in Beard's Collection of Hymns, 1837. Of these hymns the following are still in common use:— 1. Is there no balm to soften grief? The Efficacy of Prayer (1837). 2. It is not rank, or power, or state. The Universality of the Gospel. 3. There's not a place in earth's vast round. God seen in Everything. 4. Through every clime God's care extends. Divine Care of All. 5. There is an eye that never sleeps. The Divine Helper in Need. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Wallace, James Cowdan, 1793 (?>-184l. Minister at various places in the south of England, finally at Wareham, author of a considerable number of hymns, to be found in his brother Robert's Selection of Hymns for Unitarian Worship, Chesterfield, 1822, enlarged ed., 1826, and in Beard's Collection, 1837. In the Baptist Hymnal is, "There is an eye that never sleeps” (The Divine watchfulness). See "There's not a star whose trembling light.” --John Julian, Dictionary of Hymnology (1907)

Richard Farrant

1525 - 1580 Person Name: Farrant Composer of "FARRANT" in The Christian Hymnal Like many composers of his day, the early years of Richard Farrant’s (c.1525- November 30, 1580) life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525. Although, that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriar Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named, Richard. As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George’s Chapel at Windsor. For Farrant, the post at at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November of 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theater of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he passed away, having left his house to his wife. Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems "When as we sat in Babylon" and "Call to remembrance" and "Hide not thou thy face." --en.wikipedia.org/wiki/
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