Person Results

Tune Identifier:"^how_lovely_is_jesus_who_comes_anonymous$"
In:people

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.
Showing 1 - 4 of 4Results Per Page: 102050

Anonymous

Composer of "IBÉRICO" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Christian Wagner

1747 - 1825 Person Name: Wagner Author of "Da lächelt nun wieder der Himmel so blau" in Deutsches Liederbuch Wagner, Johann Christian, born on June 23, 1747, at Possneck, near Saalfeld, Sachse-Meiningen; and died as Consistorialrath, Geheimrath, and first Vice-president of the Saxon administration at Hildburghausen, July 14, 1825 (Koch, vi. 260, &c). Many of his hymns are founded on, or are imitations of, earlier hymns. They appeared (91, including recasts), in the Neues Hildburg-haüsisches Gesang-Buch of 1807, edited by himself. Two have passed into Euglish, viz., "Ich bin erlost" (p. 153, i.), and "Vom Himmel kommt" (p. 1228, i.) [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Randall H. Ballantyne

1821 - 1861 Author of "How Loving Is Jesus!" in The Cyber Hymnal Ballantyne, Randall Hunter, sister of R. M. Ballantyne, the novelist, was born July 8, 1821, and died in August, 1861. Her Heir of Glory was published in 1849, Mabel Grant, 1854, and others. Her hymn, "How loving is Jesus, Who came from the sky" (The Love of Jesus ), in The Church Hymnary (Scotch), 1898, appeared in her Hymns about Jesus, 1842. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Johann André

1741 - 1799 Person Name: J. Andre Composer of "[Da lächelt nun wieder der Himmel so blau]" in 349 Lieder Johann André, born at Offenbach, Hesse, March 28, 1741, died there, Jun 18, 1799. Dramatic composer. His father, a silk manufacturer, intended him for the same business, but his love of music was too strong. He received lessons on the violin from a friend studying at Frankfort, and mastered the harpsichord without a teacher. He soon began composing, writing at rist only fugitive pieces, but on visiting Frankfort in 1760 he heard operas, and this gave a new impulse to his taste. After the production of his first comic opera, Der Topfer, Goethe confided to him his operetta Erwin und Elmire, which was given in 1764 with great success, and afterwards in Berlin twenty-two times in 1782. In 1774 he established at Offenbach a prinint office for music, and in 1777 became musical director fo the Döbbelin Theatre in Berlin, where two of his operas had been give with success in 1775; while there, he formed a friendship and was much influenced by Marpurg, and composed many dramatic pieces. Unable to carry out a plan for transferring his printing office to Berlin, he returned to Offenbach in 1784, with the title of Kapellmeister, conferred on him by the Margrave of Brandenburg-Schwedt, and to the end of his active life devoted himself to composition, and his publications; Works: Operas: Der alte Freier, given in Berlin, Döbberlin Theatre, 1775; Die Bezuaberten, 1777; Der Alchymist, 1778; Das tartarische Gesetz, 1779; Das wüthende Heer, Kurze Thortheit ist die beste, 1780; Herzog Michael, Der Fütst im höchsten glanze, Die Schandefrued, Das automat, about 1780; Eins wird doch helfen, 1782; Der Barbier von Bagdad, 1782;Peter und Hannehen; Laura Rosetti; Claudina von villa Bella; Die Friedensfeier; Prolog der Grazien; Azakia. Other works: Harlekin Friseur, pantomine; Music to Macbeth, King Lear, and some German palys; Three sonatas for pianoforte, violin, and violoncello, op. 1 (Offenbach, 1786); Song with accompaniment of flute, or violin, viola, and bass, 3 parts (1793); Lenore (by Bürger), romance for pianoforte (5 editions); Die Weiber von Weinsberg, for pianoforte (1802); Ariettas, duets, and many songs of which "Bekränzt mot Laub den lieben vollen Becher: is still popular. Cyclopedia of Music and Musicians by John Denison Camplin, Jr. and William Foster Apthorp (Charles Scribner’s Sons, 1888)

Export as CSV
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.