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N. F. S. Grundtvig

1783 - 1872 Person Name: Nikolai Frederik Severin Grundtvig, 1783-1872 Hymnal Number: 834 Author of "Sobre la roca firme está" in Himnario Luterano Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)

J. A. P. Schulz

1747 - 1800 Person Name: Johann A. P. Schulz, 1747-1800 Hymnal Number: 419 Composer of "IHR KINDERLEIN KOMMET" in Himnario Luterano Johann Abraham Peter Schulz Germany 1747-1800. Born at Luneburg, Germany, son of a baker, he attended St Michaelis school in Luneburg and studied organ, then the Johanneum from 1759-1764. In 1765 he was a student of composer, Johann Kimberger, and then taught in Berlin himself. In 1768 Kimberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz moved to Berlin and traveled with her for three years performing throughout Europe, where he came in contact with many new musical ideas. He married Catharina Maria Gercken, and they had a daughter, Celle. He served as the conductor of the French Theatre in Berlin from 1776-1780. From 1786-1787 he was the Kapellmeister of Prince Henry in Rheinsberg. He began writing operas in 1785 and became musical director of the Berlin French theatre. Schulz went on to serve as Court Kapellmeister in Copenhagen from 1787-1795 before returning to Berlin. In Copenhagen the music library burned down, and he had a breakdown in health from trying to save it. His health suffered further from the effects of a shipwreck he experienced in 1796. Schulz wrote seven operas, stage music, oratorios, and cantatas, as well as piano pieces, folk songs, and church music. He also wrote articles on music theory for Johann Georg Sulzer’s ‘Allgemeine Theorie der schonen Kunste’ in four volumes. He died at Schwedt an der Oder, Germany. John Perry

Mario Zeballos

Person Name: Mario Zeballos Ch., s.f. Hymnal Number: 555 Author of "Pronto vuelve Jesucristo" in Himnario Luterano

Jean Neuhauser Baue

b. 1951 Person Name: Jean Neuhauser Baue, n. 1951 Hymnal Number: 736 Composer of "PREPARATION" in Himnario Luterano Jean Neuhauser Baue is the wife of Frederick W. Baue and composed the tune, PREPARATION, for a communion service at Messiah Evangelical Lutheran Church in Tucson, Arizona. The text is based on questions and answers about Holy Communion found in Luther’s Small Catechism. NN, Hymnary editor. Source: St. Johns Lutheran Church, Fort Collins, CO, newsletter, December 19, 2013

Elizabeth Rundle Charles

1828 - 1896 Person Name: Elizabeth Rundle Charles, 1828-1896 Hymnal Number: 528 trad. inglés of "¡Al mundo "gloria" proclamad!" in Himnario Luterano Charles, Elizabeth, née Rundle, is the author of numerous and very popular works intended to popularize the history of early Christian life in Great Britain; of Luther and his times; of Wesley and his work; the struggles of English civil wars; and kindred subjects as embodied in the Chronicles of the Schönherg-Cotta Family, the Diary of Kitty Trevelyan, &c, was born at Tavistock, Devonshire, Her father was John Rundle, M.P., and her husband, Andrew Paton Charles, Barrister-at-Law. Mrs. Charles has made some valuable contributions to hymnology, including original hymns and translations from the Latin and German. These were given in her:— (1) The Voice of Christian Life in Song; or, Hymns and Hymn-writers of Many Lands and Ages, 1858; (2) The Three Wakings, and other Poems, 1859; and (3) The Chronicles of the Schönberg-Cotta Family; (4) Poems, New York, 1867. This has some additional pieces. Her hymn on the Annunciation, "Age after age shall call thee [her] blessed," appeared in her Three Wakings, &c., 1859. --John Julian, Dictionary of Hymnology (1907) ========================= Charles, Elizabeth, née Rundle. Mrs. Charles has assumed the name of "Rundle-Charles," as given in the 1890 edition of the Hymnal Companion. Other hymns in common use are:— 1. Around a Table, not a tomb. Holy Communion. Dated Oct. 1862. In her Poems, 1868, in 6 stanzas of 4 lines. 2. Come, and rejoice with me. Joy in Christ. Some-times dated 1846. From her Three Wakings, 1859, p. 146, in 7 stanzas of 4 lines, and headed "Eureka." 3. Jesus, what once Thou wast. Jesus the Unchangeable One. In Mrs. Brock's Children's Hymn Book, 1881. 4. Never further than Thy Cross. Passiontide. In The Family Treasury, Feb. 1860. 5. What marks the dawning of the Year? New Year. From her Three Wakings, 1859, p. 155. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Charles, Elizabeth, née Rundle, pp. 218, ii.; 1556, i. Mrs. Rundle-Charles was born Jan. 2, 1828, married in 1851, and died March 28, 1896. Her hymn, "The little birds fill all the air with their glee" (Thankfulness), was published in her Three Waitings, 1859, p. 165, as a "Song for an Infant School." It is found in The Sunday School Hymnary, 1905, and others. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Bianco da Siena

1350 - 1434 Person Name: Bianco da Siena, c. 1350-1434 Hymnal Number: 536 Author of "Desciende, ¡oh, santo Dios!" in Himnario Luterano Bianco da Siena (b. Anciolina, circa 1350; d. Venice, Italy, circa 1434), an Italian poet and wool worker who was born at Anciolina, in the Val d'Arno. In 1367 he entered the Order of Jesuates, consisting of unordained men who followed the rule of St. Augustine. This order was instituted in that year by one John Colombinus of Siena, and suppressed by Pope Clement IX, possibly because of fear of not being able to control their mystical fervor. Little is known of Bianco beyond the fact that he is said to have lived in Venice for some years, and died there in 1434. His hymns were published at Lucca, in 1851, and edited by T. Bini, under the title, Laudi spirituali del Bianco da Siena. Emily Brink ============== Bianco da Siena, born at Anciolina, in the Val d'Arno, date unknown. In 1367 he entered the Order of Jesuates, consisting of unordained men who followed the rule of St. Augustine. This order was instituted in that year by one John Colombinus of Siena, and suppressed by Pope Clement IX. in 1668. Little is known of Bianco beyond the fact that he is said to have lived in Venice for some years, and died there in 1434. His hymns were published at Lucca, in 1851, and edited by T. Bini, under the title, Laudi spirituali del Bianco da Siena. This work contains 92 pieces. Of these the following have been translated into English, and have come into common use:— 1. Discendi, Amor santo. The Holy Spirit desired. This is No. 35 in the above work and is in 8 stanzas. Of these, Dr. Littledale gave 4 in the People's Hymnal, 1867, No. 473, as, "Come down, 0 Love Divine." 2. Gesil Christo amoroso. Missions. This is No. 79 of the above wdrk. It has been rendered into English by Dr. Littledale, and was published in the People's Hymnal, 1867, No. 400, as, "0 Jesu Christ, the loving.” 3. Vergine santa, sposa dell’ Agnello. St. Lucy. V. M . This is also from the foregoing work, No. 74, in 15 stanzas of 3 lines. Dr. Littledale's translation in the People's Hymnal, 1867, No. 226, is in 7 stanzas of 4 lines, and begins, "0 Virgin Spouse of Christ the Lamb." 4. Ama Jesu el tuo sposo diletto. Love for Jesus . This is No. 45 in the above work, in 33 stanzas. In 1866 Dr. Littledale contributed a cento therefrom to R. Brett's Office of the Moat Holy Name. This was transferred to Brooke's Churchman's Manual of Private & Family Devotion, 1882. It begins, "Love Jesus, Who hath sought thee so." Although the translations Nos. 1-3 have not gone any further than the People's Hymnal, Nos. 1 and 2 are worthy of more extended use. [Rev. John Julian, D.D.] -- John Julian, Dictionary of Hymnology (1907)

The Venerable Bede

673 - 735 Person Name: Beda el Venerable, 673-735 Hymnal Number: 528 Author of "¡Al mundo "gloria" proclamad!" in Himnario Luterano Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral. Laura de Jong ========================== Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104. He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here. I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:— (1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244. II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities. While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect. That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

John W. Arthur

1922 - 1980 Person Name: John W. Arthur, 1922-1980 Hymnal Number: 657 Author of "Esta es la fiesta" in Himnario Luterano

Paul Eber

1511 - 1569 Person Name: Paul Eber, 1511-1569 Hymnal Number: 563 version alemana of "A Ti, Dios, damos todo honor" in Himnario Luterano Eber, Paul, son of Johannes Eber, master tailor at Kitzingen, Bavaria, was born at Kitzingen, Nov. 8, 1511. He was sent in 1523 to the Gymnasium at Ansbach, but being forced by illness to return home, was on his way thrown from horseback and dragged more than a mile, remaining as a consequence deformed ever after. In 1525 he entered the St. Lorentz school at Nürnberg, under Joachim Camerarius, and in 1532 went to the University of Wittenberg, where he graduated 1536, and thereafter became tutor in the Philosophical Faculty. He was appointed Professor of Latin in 1544, then in 1557 Professor of Hebrew and Castle preacher, and in 1558 Town preacher and General Superintendent of the Electorate, receiving in 1559 the degree D.D. from the University. He died at Wittenberg, Dec. 10, 1569 (Koch, i. 271-278; Allgemeines Deutsche Biog., v. 529). At Wittenberg he was a close friend of Melanchthon, was privy to all his plans, and conducted the greater part of his correspondence. After Melanchthon's death in 1560, he became leader of his party, and had to engage in various controversies with the Crypto-Calvinists, &c.; the seeds of his fatal illness being sown on his return journey from the fruitless conference held at Altenburg with the theologians of Jena, which lasted from Oct. 20, 1568, to March 9, 1569. Eber was, next to Luther, the best poet of the Wittenberg school. His hymns, some of them written for his own children to sing to Luther's melodies, are distinguished for their child-like spirit and beautiful simplicity. Seventeen hymns have been attributed to him, four of which are certainly his, and probably two others. Of these six, five have been translated into English, one of which is noted under "Dicimus grates," and the others are:— i. Herr Jesu Christ, wahr Mensch und Gott. For the Dying. The first hymnbook in which this simple and beautiful hymn has been found is the Low German Enchiridion, published at Hamburg, 1565, where it is in 8 stanzas of 6 lines., entitled "A prayer to Christ for a happy departure from this troublous life," and marked as "D. Paulus Eberus Filiolis suis faciebat MDLVII. Wackernagel, iv. p. 4, gives this and a second form in High German from the Psalmen, Geystliche Lieder und Gesänge, Strassburg, 1569. In his Bibliographie, 1855, p. 233, Wackernagel describes an undated broadsheet, which he would date 1550, and at p. 279 says it forms the first of Neun Schöne Geistliche Lieder, Nürnberg N.D., c. 1556. G. Döring, in his Choralkunde, Danzig, 1865, p. 434, says it appeared as "Panie Jezu ty's czlowiek i Bog" in the Polish Cantional, edited by Pastor Seklucyan, and published at Königsberg, 1559. Lauxmann, in Koch, viii, 591-594, adds that it comforted Eber himself while he lay a-dying, Dec. 10, 1569; was repeated by Hugo Grotius a few minutes before his death, Aug. 28, 1645; and was a favourite hymn of Prince Wolfgang of Anhalt (d. 1566), Christian I., Elector of Saxony (d. 1591), of the Margrave Georg Friedrieh of Brandenburg-Kulmbach (d. 1603), &c. Included as No. 820 in the Unv. L. S., 1851. The translations in common use are:— 1. Lord Jesus Christ, true Man and God, Who borest. Good and full, by Miss Winkworth in the first Ser. of her Lyra Germanica, 1855, p. 239. Of this stanzas i.-iv. appear in the Psalms & Hymns., Bedford, 1859; i., ii., viii. in the Harrow School Hymn Book, 1866 ; and i.-iii., v., viii. in the Pennsylvania Lutheran Church Book,1868. A cento from stanza ii., line 3-6, iii., 11. 1-4, vii., 1line 3-6, beginning, "When from my sight all fades away," is No. 1181 in the American Sabbath Hymn Book, 1858. 2. Lord Jesus Christ, true Man and God, Thou Who. A translation by E. Cronenwett, in nine stanzas of L.M., based on stanzas i., ii., iv.-viii., as No. 434, in the Ohio Lutheran Hymnal 1880. Other translations are, (1) "0 God, support me, death is near," by Dr. G. Walker, 1860, p. 103. (2) "Lord Jesus Christ, true Man and God, who hast”, by E. Massie, 1867, p. 10. ii. Wenn wir in höchsten Nöthen sein. In Trouble. Founded on a hymn by Joachim Camerarius, his former master at Nürnberg [b. at Bamberg, April 12, 1500, d. as Professor of Greek and Latin at Leipzig, April 17, 1574], which in Wackernagel, i. p. 324, runs thus:— "In tenebris nostrae et densa caligine mentis, Cum nihil est toto pectore consilii, Turbati erigimus, Deus, ad Te lumina cordis Nostra, tuamque fides solius erat opem. Tu rege consiliis actus, Pater optime, nostros, Nostrum opus ut laudi serviat omne Tuae." These lines comforted Melanchthon in 1546; and Lauxmann, in Koch, viii. 161-165, thinks probably Eber also. He relates that on Ascension Day, 1547, after the battle of Mühlberg, the Wittenbergers having received a message from the captive Elector to deliver their city to the Emperor Charles V. assembled for prayer in church; and quotes a portion of the prayer by Bugenhagen which greatly resembles Eber's hymn. But that the hymn was written then we have no proof, and the earliest source quoted by Wackernagel, iv. p. 6, is the Naw Betbüchlein, Dresden 1566, in 7 stanza of 4 line., though in his Bibliographie, 1855, p. 312, he describes a broadsheet printed at Nürnberg, N.D., c. 1560. In M. Moller's Meditationes sanctorum Patrum, Görlitz, 1584, it is entitled "A beautiful prayer of the venerable Dr. Paul Eber, which he composed on the beautiful words of King Jehoshaphat, 2 Chron. xx. 12." Included as No. 583 in the Unv. L. S., 1851. A "Cry from the depths," though not in despair but in trustful confidence in God, it is one of the finest and most widely used hymns of the Reformation period. Lauxmann relates how the singing of this hymn and the prayers of Martin Rinkart (q.v.), Archidiaconus of Eulenburg near Leipzig, prevailed to move the heart of the Swedish Lieutenant-Colonel, who on Feb. 21, 1635, had demanded from the inhabitants a ransom of £4500, but eventually accepted 2000 florins; says that in commemoration of a similar deliverance from the Swedish army in 1642 the hymn was long sung at the end of the Sunday afternoon service at Pegau, near Leipzig, and adds other incidents regarding its use. The only translation in common use is :— When in the hour of utmost need. A full and very good translation by Miss Winkworth in the 2nd Ser. of her Lyra Germanica, 1858, p. 180, and thence as No. 141 in her Chorale Book for England, 1863. Included in full in the American Presbyterian Hymnal 1874, and the Ohio Lutheran Hymnal, 1880. In full, though slightly altered, as No. 233, in Hymns Ancient & Modern, 1861, but omitted in the revised edition, 1875. In the Hymnary, 1871, Psalmist, 1878, J. L. Porter's Collection, 1876, Thring's Collection, 1882, and the Evangelical Hymna, N. Y., 1880, st. v. is omitted. Other translations are, (1) "When we are under great distress," by J. C. Jacobi, 1720, p. 19 (1722, p. 119; 1732, p. 184, altered, and thence as No. 140 in p. i. of the Moravian Hymn Book, 1754). (2) "When neither help nor counsel's nigh," by Dr. G. Walker, 1860, p. 89. (3) "When all our way is hedged around," by N. L. Frothingham, 1870. His hymns not in English common use are:— iii. Helft mir Gottes Güte preisen. [New Year.] Written on the name Helena, borne both by his wife and his daughter, the initial letters of each stanza composing it. Wackernagel, iv. p. 6, quotes it from Eichorn's Geistliche Lieder, Frankfurt a. Oder, c. 1580, in 6 st. of 8 l., entitled, "A Thanksgiving and Prayer for the New Year, in remembrance of God's goodness, for the Children." Older but less correct forms are noted by Mützell, p. 486, as in the Copenhagen GesangBuch,1511, and the Stettin, 1576. Included as No. 68 in the Unv. L. S., 1851. It is translation as, "Ye Christians in this nation," by J. C. Jacobi, 1722, p. 11 (1732, p. 10, altered and beginning, "Come, let us all, with Fervour.") iv. In Christi Wunden schlaf ich ein. [For the Dying.] Appears in Jeremias Weber's Gesang-Buch, Leipzig, 1638, p. 797, marked as "Another" (the hymn immediately preceding is ascribed to Eber), in 3 st. of 4 1. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 1468, the text is slightly varied, and arranged in 2 st. of 6 1. It was first ascribed to Eber in the Nürnberg Gesang-Buch, 1676. Lauxmann, in Koch, viii. 595-601, says of it, "That the hymn is much older than the date of its appearance [i.e. than 1638] seems obvious; that it breathes the childlike spirit of Eber is certain. More than this we cannot say." St. i., 11. 3-6, "Ja Christi Blut und Gerechtigkeit," has been adopted by many pious Germans, young and old, as a prayer in life and death, and Lauxmann relates many interesting incidents regarding its use by A. G. Spangenberg, by Wilhelm Hey, and others. These four lines were adopted by N. L. von Zinzendorf, as the first stanza of his well-known hymn, "Christi Blut und Gerechtigkeit" (q. v.). It is translation as, "I fall asleep in Jesus' arms," by Miss Winkworth, i860, p. 121. [Rev .James Mearns] -- John Julian, Dictionary of Hymnology (1907)

F. A. Gore Ouseley

1825 - 1889 Person Name: Frederick A. Gare Ouseley, 1825-1899 Hymnal Number: 499 Composer of "IN EXCELSIS GLORIA" in Himnario Luterano Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/