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Text Identifier:"^all_who_see_me_deride_me$"✖

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Psalm 22: My God, My God

Appears in 7 hymnals First Line: All who see me deride me Refrain First Line: My God, my God, why have you forsaken me? Topics: Good Friday; Interfaith; Passion Sunday; Pastoral Care of the Sick; Penance; Petition; Praise; Struggle; Suffering; Trial and Tribulation; Triduum; Trust Scripture: Psalm 22:8-9 Used With Tune: [My God, my God, why have you forsaken me] Text Sources: Antiphon: The Grail; Psalm: The Grail
Psalm 22: My God, My God

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PSALM 22

Appears in 1 hymnal Composer and/or Arranger: Christopher Willcock, 1947- Tune Key: b flat minor Incipit: 17556 445 Used With Text: My God, my god, why have you abandoned me?
PSALM 22

[My God, my God, why have you forsaken me]

Appears in 2 hymnals Composer and/or Arranger: DV Tune Key: B Flat Major Incipit: 12321 2 Used With Text: My God, my God, why have you forsaken me?
[My God, my God, why have you forsaken me]

[All who see me deride me]

Appears in 1 hymnal Composer and/or Arranger: John Schiavone, b. 1947 Tune Key: e minor or modal Incipit: 15456 65434 514 Used With Text: Psalm 22: My God, My God
[All who see me deride me]

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Instances

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Published text-tune combinations (hymns) from specific hymnals
Instances

Psalm 22: My God, My God

Hymnal: Journeysongs (3rd ed.) #21 (2012) First Line: All who see me deride me Refrain First Line: My God, my God Topics: Holy Week Common Psalm; Holy Week Palm Sunday of the Passion of the Lord; Lament; Loneliness; Service Music for Mass Responsorial Psalm; Suffering; Sunday Celebrations in the Absence of a Priest Responsorial Psalm; The Liturgical Year Palm Sunday of the Passion of the Lord Scripture: Psalm 22:8-9 Languages: English Tune Title: [All who see me deride me]
Psalm 22: My God, My God
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Psalm 22: My God, My God

Hymnal: RitualSong (2nd ed.) #37 (2016) First Line: All who see me deride me Refrain First Line: My God, my God, why have you abandoned me? Scripture: Psalm 22:8-9 Languages: English Tune Title: [All who see me deride me]
Psalm 22: My God, My God

My God, my god, why have you abandoned me?

Author: ICEL Hymnal: Together in Song #9 (1999) First Line: All who see me deride me Topics: Adversity; Good Friday; Jesus Christ Passion and Cross; Passion Sunday; Trust in God Scripture: Psalm 22 Languages: English Tune Title: PSALM 22
My God, my god, why have you abandoned me?

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People

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Richard Proulx

1937 - 2010 Arranger (psalm tone) of "[My God, my God, why have you forsaken me]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman
Richard Proulx

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[My God, my God, why have you forsaken me]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com
Joseph Gelineau

Tony Alonso

b. 1980 Person Name: TA Composer of "[Dios mío, Dios mío]" in Oramos Cantando = We Pray In Song Tony Alonso has published several collections of liturgical music and his music appears in many hymnals throughout the world. He has an Bachelor of Music degree from Northwestern University and a M.A. degree in theology from Loyola Marymount University.
Tony Alonso

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