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Text Identifier:"^at_the_name_of_jesus_every_knee_noel$"

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At the Name of Jesus

Author: Caroline M. Noel, 1817-1877 Meter: 6.5.6.5 D Appears in 260 hymnals Lyrics: 1. At the name of Jesus Every knee shall bow, Every tongue confess Him King of glory now; 'Tis the Father's pleasure We should call Him Lord, Who from the beginning Was the mighty word. 2. At His voice creation Sprang at once to sight, All the angel faces, All the hosts of light, Thrones and dominations, Stars upon their way, All the heavenly orders, In their great array. 3. Humbled for a season, To receive a name From the lips of sinners, Unto whom He came, Faithfully He bore it Spotless to the last, Brought it back victorious, When from death He passed. 4. Bore it up triumphant With its human light, Through all ranks of creatures, To the central height, To the throne of Godhead, To the Father's breast; Filled it with the glory Of that perfect rest. 5. Name Him, brothers, name Him With love as strong as death, But with awe and wonder And with bated breath; He is God the Saviour, He is Christ the Lord, Ever to be worshiped, Trusted, and adored. 6. In your hearts enthrone Him; There let Him subdue All that is not holy, All that is not tue; Crown Him as your captain In temptation's hour; Let His will enfold you In its light and power. 7. Brothers, this Lord Jesus Shall reutrn again, With His Father's glory With His angels train: For all weaths of empire Meet upon His brow, And our hearts confess Him King of glory now. Used With Tune: KING'S WESTON

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KING'S WESTON

Meter: 6.5.6.5 D Appears in 99 hymnals Composer and/or Arranger: Ralph Vaughan Williams Tune Key: d minor Incipit: 12321 71234 51345 Used With Text: At the Name of Jesus
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WYE VALLEY

Meter: 6.5.6.5 D Appears in 137 hymnals Composer and/or Arranger: James Mountain, 1844-1933 Tune Key: F Major Incipit: 11223 54422 31122 Used With Text: At the Name of Jesus
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EVELYNS

Meter: 6.5.6.5 D Appears in 34 hymnals Composer and/or Arranger: William H. Monk Tune Key: E Flat Major Incipit: 35651 54321 11343 Used With Text: At the name of Jesus

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Canticle of Christ's Obedience

Author: Catharine M. Noel Hymnal: The United Methodist Hymnal #167b (1989) First Line: At the name of Jesus every knee shall bow Refrain First Line: At the name of Jesus every knee shall bow Lyrics: Response 2: At the name of Jesus every knee shall bow. Topics: Canticles Languages: English Tune Title: [At the name of Jesus every knee shall bow]
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At the Name of Jesus

Author: C. M. Noel Hymnal: Victorious Life Hymns #87 (1919) First Line: At the Name of Jesus Every knee shall bow Topics: Christ Tune Title: [At the Name of Jesus Every knee shall bow]
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At the Name of Jesus

Author: Caroline Maria Noel Hymnal: Voices United #335 (1996) Meter: 11.11.11.11 First Line: At the name of Jesus every knee shall bow Lyrics: 1 At the Name of Jesus every knee shall bow, every tongue confess him King of glory now; 'tis our God's great pleasure we should call him Lord, who from the beginning was the mighty Word. 2 Humbled for a season to receive a name from the lips of sinners unto whom he came, faithfully he bore it, spotless to the last, brought it back victorious when from death he passed. 3 Name him, Christians, name him, with love strong as death, but with awe and wonder, and with bated breath; he is God the Saviour, he is Christ the Lord, ever to be worshipped, trusted, and adored. 4 In your hearts enthrone him; there let him subdue all that is not holy, all that is not true; crown him as your Captain in temptation's hour; let his will enfold you in its light and power. 5 Christians, this Lord Jesus shall return again, with his Father's glory, with his angel train; for all wreaths of empire meet upon his brow, and our hearts confess him King of Glory now. Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Adoration and Praise; Christian Year Passion/Palm Sunday; Christian Year Holy Week; Christian Year Triduum; Commitment; Conversion; Faithfulness; Humility; Jesus Christ Adoration and Praise; Jesus Christ Creator; Jesus Christ Faithfulness; Jesus Christ Kingship, Conqueror; Jesus Christ Love of; Jesus Christ name; Jesus Christ Praise; Jesus Christ Reign; Jesus Christ Saviour; Jesus Christ Second Coming; Jesus Christ Word; Salvation; Second Coming; Surrender; Temptation; Trust; Truth; Witness; Word of God; Worship; Christmas 1 Year A; Christmas 2 Year A; Baptism of Jesus Year A; Palm/Passion Sunday Year A; Easter 2 Year A; Ascension Year A; Proper 8 Year A; Proper 13 Year A; Proper 14 Year A; Proper 16 Year A; Proper 19 Year A; Proper 21 Year A; Reign of Christ Year A; Advent 4 Year B; Christmas 2 Year B; Epiphany Last/Transfig. Year B; Lent 3 Year B; Palm/Passion Sunday Year B; Easter 4 Year B; Proper 21 Year B; Proper 27 Year B; Reign of Christ Year B; Advent 3 Year C; Baptism of Jesus Year C; Epiphany Last/Transfig. Year C; Lent 1 Year C; Palm/Passion Sunday Year C; Proper 4 Year C; Proper 9 Year C; Proper 20 Year C; Reign of Christ Year C; Easter Evening Year ABC Languages: English Tune Title: KING'S WESTON

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Authors, composers, editors, etc.

Caroline M. Noel

1817 - 1877 Author of "At the Name of Jesus" in Psalter Hymnal (Gray) Caroline Marie Noel (b. Teston, Kent, England, 1817; d. St. Marylebone, London, England, 1877) The daughter of an Anglican clergyman and hymn writer, she began to write poetry in her late teens but then abandoned it until she was in her forties. During those years she suffered frequent bouts of illness and eventually became an invalid. To encourage both herself and others who were ill or incapacitated, Noel began to write devotional verse again. Her poems were collected in The Name of Jesus and Other Verses for the Sick and Lonely (1861, enlarged in 1870). Bert Polman ================ Noel, Caroline Maria, daughter of the Hon. Gerard T. Noel (p. 809, ii.), and niece of the Hon. Baptist W. Noel, was born in London, April 10, 1817, and died at 39 Great Cumberland Place, Hyde Park, Dec. 7, 1877. Her first hymn, "Draw nigh unto my soul" (Indwelling), was written when she was 17. During the next three years she wrote about a dozen pieces: from 20 years of age to 40 she wrote nothing; and during the next 20 years the rest of her pieces were written. The first edition of her compositions was published as The Name of Jesus and Other Verses for the Sick and Lonely, in 1861. This was enlarged from time to time, and its title subsequently changed by the publishers to The Name of Jesus and Other Poems. The 1878 ed. contains 78 pieces. Miss Noel, in common with Miss Charlotte Elliott, was a great sufferer, and many of these verses were the outcome of her days of pain. They are specially adapted "for the Sick and Lonely" and were written rather for private meditation than for public use, although several are suited to the latter purpose. Her best known hymn is the Processional for Ascension Day, "At the Name of Jesus." It is in the enlarged edition of The Name of Jesus, &c, 1870, p. 59, and is dated 1870 by her family. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Fred Pratt Green

1903 - 2000 Author (B) of "[At the name of Jesus]" in The United Methodist Hymnal Music Supplement II The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

Ralph Vaughan Williams

1872 - 1958 Composer of "KING'S WESTON" in Psalter Hymnal (Gray) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman
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