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Text Identifier:"^blest_hour_when_mortal_man_retires$"

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Blest hour, when mortal man retires

Appears in 124 hymnals Used With Tune: OLD HUNDRED

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HEBRON

Appears in 629 hymnals Composer and/or Arranger: Lowell Mason Tune Key: B Flat Major Incipit: 53565 67117 23176 Used With Text: Blest hour, when mortal man retires
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WOODWORTH

Appears in 1,181 hymnals Composer and/or Arranger: Wm. B. Bradbury Incipit: 12335 43234 355 Used With Text: Blest hour, when mortal man retires
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HAMBURG

Appears in 969 hymnals Composer and/or Arranger: Lowell Mason Tune Key: F Major Incipit: 11232 34323 Used With Text: Blest hour, when mortal man retires [aspires]

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Blest Hour, When Mortal Man Retires

Author: Thomas Raffles Hymnal: The Cyber Hymnal #514 Meter: 8.8.8.8 Lyrics: 1. Blest hour, when mortal man retires To hold communion with his God; To send to Heaven his warm desires, And listen to the sacred word. 2. Blest hour, when God Himself draws nigh, Well pleased His people’s voice to hear; To hush the penitential sigh, And wipe away the mourner’s tear. 3. Blest hour, for, when the Lord resorts, Foretastes of future bliss are given; And mortals find His earthly courts The house of God, the gate of Heaven. 4. Hail, peaceful hour! supremely blest Amid the hours of worldly care; The hour that yields the spirit rest, That sacred hour, the hour of prayer. 5. And when my hours of prayer are past, And this frail tenement decays, Then may I spend in Heaven at last A never-ending hour of praise. Languages: English Tune Title: MALVERN

Blest Hour When Mortal Man Retires

Author: Thomas Raffles Hymnal: The Church Hymnal #28 (1941) Meter: 8.8.8.8 Topics: Worship Opening of Worship Languages: English Tune Title: ROGERS
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Blest hour! when mortal man retires

Hymnal: The Book of Worship #172 (1867) Meter: 8.8.8.8 Lyrics: 1 Blest hour! when mortal man retires To hold communion with his God, To send to heaven his warm desires, And listen to the sacred word. 2 Blest hour! when God himself draws nigh, Well pleased His people's voice to hear, To hush the penitential sigh, And wipe away the mourner's tear. 3 Blest hour! for, where the Lord resorts, Foretastes of future bliss are given, And mortals find His earthly courts The house of God--the gate of heaven! 4 Hail, peaceful hour! supremely blest, Amid the hours of worldly care; The hour that yields the spirit rest, That sacred hour--the hour of prayer. 5 And when my hours of prayer are past, And this frail tenement decays, Then may I spend in heaven at last A never-ending hour of praise. Topics: Prayer Prayer in General Languages: English

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John Chandler

1806 - 1876 Person Name: J. Chandler Translator of "Blest Hour of Prayer" in Sacred Praise John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "WOODWORTH" in African Methodist Episcopal hymn and tune book William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven (1770-1827) Composer of "WILMAN" in The Woman's Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman
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