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Text Identifier:"^city_of_god_how_broad_and_far$"

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City of God, how broad and far

Author: Samuel Johnson Meter: 8.6.8.6 Appears in 170 hymnals Topics: Church Continuity and Permanence of; City of God; Kingdom of Christ Its Nature Used With Tune: NOX PRÆCESSIT

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RICHMOND

Appears in 312 hymnals Incipit: 51354 34213 25171 Used With Text: City of God, how broad and far
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NOX PRAECESSIT

Meter: 8.6.8.6 Appears in 114 hymnals Composer and/or Arranger: J. Baptiste Calkin Tune Key: G Major Incipit: 33312 33421 35431 Used With Text: City of God, How Broad and Far
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MIRFIELD

Meter: 8.6.8.6 Appears in 76 hymnals Composer and/or Arranger: Arthur Cottman Tune Key: B Flat Major Incipit: 51113 45555 12332 Used With Text: City of God, how broad and far

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City of God, how broad and far

Author: Samuel Johnson, 1822-1882; Erwin Kleine; Pauline Martin Hymnal: Cantate Domino #53 (1960) Topics: Church and Christian Unity; Kirche und Wiederverinigung; L’Eglise et l’unité; Evangelism and Missions; Evangelisation und Mission; Evangélisation et Missions; Times of Suffering and Persecution; Zeit des Leidens und der Verfolgung; Temps de Souffrance et de Persécution Languages: English; French; German Tune Title: [City of God, how broad and far]
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City of God, how broad and far

Author: Samuel Johnson, 1822-1882 Hymnal: Complete Anglican Hymns Old and New #106 (2000) Meter: 8.6.8.6 Lyrics: 1 City of God, how broad and far outspread thy walls sublime! Thy free and loyal people are of ev'ry age and clime. 2 One holy Church, one mighty throng, one steadfast, high intent; one working band, one harvest-song, one King omnipotent. 3 How purely hath thy speech come down from earth's primeval youth! How grandly hath thine empire grown of freedom, love, and truth! 4 How gleam thy watch-fires through the night with never-fainting ray! How rise thy tow'rs, serene and bright, to meet the dawning day! 5 In vain the surge's angry shock, in vain the drifting sands: unharmed upon th'eternal Rock th'eternal city stands. Topics: Christian unity; Year A Dedication Festival; Year C Easter 6 Scripture: Psalm 87:1-3 Languages: English Tune Title: RICHMOND
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City of God, How Broad and Far

Author: Samuel Johnson Hymnal: The Hymnal of The Evangelical United Brethren Church #319 (1957) Meter: 8.6.8.6 Lyrics: 1 City of God, how broad and far Outspread thy walls sublime! The true thy chartered freemen are Of every age and clime. 2 One holy Church, one army strong, One steadfast high intent, One working band, one harvest song, One King Omnipotent! 3 How purely hath thy speech come down From man's primeval youth; How grandly hath thine empire grown Of freedom, love, and truth! 4 How gleam thy watch-fires through the night, With never-fainting ray; How rise thy towers, serene and bright, To meet the dawning day! 5 In vain the surge's angry shock, In vain, the drifting sands; Unharmed upon th'Eternal Rock Th'eternal city stands. Amen. Scripture: Psalm 48:2 Tune Title: GRÄFENBERG

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Thomas Haweis

1734 - 1820 Person Name: Thomas Haweis, 1734-1820 Composer of "RICHMOND" in The Hymnary of the United Church of Canada Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808). Bert Polman ============================ Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar." The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:— 1. Dark was the night and cold the ground. Gethsemane. 2. From the cross uplifted high. Christ in Glory. 3. Great Spirit, by Whose mighty power. Whitsuntide. 4. Submissive to Thy will, my God. Resignation. 5. The happy morn is come. Easter. 6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn. 7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption. --John Julian, Dictionary of Hymnology (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "ST. AGNES" in Christian Science Hymnal (Rev. and enl.) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Samuel Webbe

1740 - 1816 Person Name: Samuel Webbe, the elder (1740-1816) Harmonizer of "RICHMOND" in Ancient and Modern Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
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