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Text Identifier:"^from_whence_these_direful_omens_round$"

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From Whence These Dire Portents Around?

Author: Samuel Wesley, Jr. Meter: 8.6.8.6 Appears in 55 hymnals First Line: From whence these dire portents around Lyrics: 1 From whence these dire portents around, That earth and Heav’n amaze? Wherefore do earthquakes cleave the ground? Why hides the sun his rays? 2 Not thus did Sinai’s trembling head With sacred horror nod, Beneath the dark pavilion spread Of legislative God! 3 Thou earth, thy lowest center shake, With Jesu sympathize! Thou sun, as hell’s deep gloom be black, ’Tis thy creator dies! 4 What tongue the tortures can describe Of this vindictive hour? Wrath He alone had will to share As He alone had power! 5 See streaming from th’accursèd tree His all-atoning blood! Is this the Infinite? ’Tis He! My Savior and my God! 6 For me these pangs His soul assail, For me the death is born! My sin gave sharpness to the nail, And pointed every thorn. 7 Let sin no more my soul enslave, Break, Lord, the tyrant’s chain; Oh, save me whom Thou cam’st to save, Nor bleed nor die in vain! Used With Tune: ST. COLUMBA Text Sources: Poems on Several Occasions (London, E. Say, 1736)

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ST. COLUMBA

Meter: 8.6.8.6 Appears in 205 hymnals Tune Sources: Ancient Irish Tune Tune Key: E Flat Major Incipit: 12345 45321 12345 Used With Text: From Whence These Dire Portents Around?

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From whence these direful omens round

Hymnal: A Selection of Psalms with occasional hymns (Charleston hymnal) #H.VI (1792) Lyrics: 1 From whence these direful omens round, Which heav'n and earth amaze? Wherefore do earthquakes cleave the ground? Why hides the sun his rays? 2 Well may the earth astonish'd shake, And nature sympathize! The sun as darkest night be black! Their Maker, Jesus, dies! 3 Behold, fast streaming from the tree, His all-atoning blood! Is this the Infinite? ’tis he, My Saviour and my God! 4 For me these pangs his soul assail, For me the death is borne; My sins gave sharpness to the nail, And pointed ev'ry thorn. 5 Let sin no more my soul enslave, Break, Lord, the tyrant chain, Oh save me, whom Thou cam’st to save, Nor bleed, nor die in vain! Topics: Good Friday Languages: English
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From whence these direful omens round

Hymnal: Christian Psalmody, in Four Parts; containing Dr. Watt's Psalms Abridged; Dr. Watt's Hymns Abridged; Select Hymns from Other Authors; and Select Harmony #SH18 (1817) Languages: English

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Samuel Wesley

1691 - 1739 Person Name: Samuel Wesley, Jr. Author of "From Whence These Dire Portents Around?" in The Cyber Hymnal Samuel Wesley, M.A., the younger, was the eldest child of Samuel and Susanna Wesley, and was born in or near London in 1691. He received his early education from his mother, who always took a special interest in him as her firstborn. In 1704 he went to Westminster School, where he was elected King's Scholar in 1707. Westminster had, under the mastership of Dr. Busby for 55 years, attained the highest reputation for scholarship, and Samuel Wesley, as a classical scholar, was not unworthy of his school. In 1709, Dr. Spratt, Bishop of Rochester, patronised the young scholar, and frequently invited him to Bromley. In 1711 he went with a Westminster studentship to Christ Church, Oxford, and having taken his degree, returned to Westminster as an Usher. He then received Holy Orders and became an intimate friend of Bishop Atterbury, who was then Dean of Westminster. His intimacy with this prelate was a bar to his advancement, and he was bitterly disappointed at not being appointed undermaster at Westminster when that post was vacant. But he was faithful to his friend in his adversity, and the banished prelate warmly appreciated his attachment. In 1732 he was invited, without solicitation, to accept the headmastership of the Free School at Tiverton, and here he spent the remainder of his life. He strongly disapproved of John and Charles Wesley's proceedings; but though the brothers expressed their opinions to one another with characteristic frankness, the disagreement did not cause any interruption in the friendly relations between them. Samuel Wesley was universally acknowledged to be an honest, conscientious and deeply religious man. He was a most uncompromising High Churchman both in the political and the theological sense of that term; and there is no doubt that he was the mainstay of the Wesley family at Epworth. His kindness to his father and mother was unbounded, and he acted like a father to his younger brothers and sisters. He also took a great interest in works of charity, and was one of the first promoters of the Westminster Infirmary. He died at Tiverton in the 49th year of his age, Nov. 6, 1739. His epitaph in Tiverton Churchyard does not exaggerate his merits, when it describes him as— "a man for his uncommon wit and learning, For the benevolence of his temper, and simplicity of manner, Deservedly loved and esteemed by all: An excellent Preacher; But whose best sermon Was the constant example of an edifying life: So continually and zealously employed In acts of beneficence and charity, That he truly followed His blessed Master's example In going about doing good; Of such scrupulous integrity, That he declined occasions of advancement in the world, Through fear of being involved in dangerous compliances; And avoided the usual ways to preferment As studiously as many others seek them." Samuel Wesley published in 1736 A Collection of Poems on several occasions, some of which are full of a rather coarse humour, but all of a good moral and religious tendency. This work was reprinted in 1743, and again by W. Nichols in 1862. Dr. Adam Clarke specifies eight hymns of S. Wesley's composition which were in use among the Methodists of that time (1823). The Wesleyan Hymn Book of the present day contains five, the best-known of which is "The Lord of Sabbath let us praise." Six of his hymns are in common use, and are annotated as follows:— 1. From whence these dire portents around. 2. Hail, Father, Whose creating call. 3. Hail, God the Son in glory crowned. 4. Hail, Holy Ghost, Jehovah, Third. 5. The Lord of Sabbath, let ns praise. 6. The morning flowers display their sweets. -- Excerpts from John Julian, Dictionary of Hymnology (1907)
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