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Text Identifier:"^glory_be_to_the_father_and_to_the_son_ha$"

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Gloria Patri

Appears in 4 hymnals First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Topics: Opening Used With Tune: [Glory be to the Father, and to the Son, and to the Holy Ghost]

Tunes

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Tune authorities

[Glory be to the Father, and to the Son, and to the Holy Ghost]

Appears in 334 hymnals Tune Sources: Gregorian Chant Incipit: 17122 32171 Used With Text: Gloria Patri
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[Glory be to the Father, and to the Son, and to the Holy Ghost]

Appears in 235 hymnals Composer and/or Arranger: Charles Meineke Incipit: 11111 22225 22217 Used With Text: Gloria Patri
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[Glory be to the Father, and to the Son, and to the Holy Ghost]

Appears in 1 hymnal Composer and/or Arranger: Chas. H. Gabriel, Jr. Tune Key: A Flat Major Incipit: 11151 33351 35153 Used With Text: Glory Be To The Father.

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Glory Be To The Father.

Hymnal: Victory Songs #204 (1920) First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Lyrics: Glory be to the Father, and to the Son, and to the Holy Ghost. Hallelujah to the Father, hallelujah to the Father, Hallelujah to the Father and to the Son. Praise the Lord, ye everlasting choirs, in holy songs, in holy songs of joy. Hallelujah to the Father, hallelujah to the Father! Hallelujah to the Father and to the Son; Praise the Lord, ye everlasting choirs in holy song of praise. Worlds unborn shall sing His glory, sing His glory; worlds unborn shall sing His glory, sing His glory, worlds unborn shall sing His glory, worlds unborn shall sing His glory. The exalted Song of God, the Son of God. Hallelujah to the Father, Hallelujah to the Father, Hallelujah to the Father and to the Son, Hallelujah to the Father and to the Son. Hallelujah! hallelujah! hallelujah, hallelujah, hallelujah, hallelujah! Hallelujah! hallelujah! hallelujah, hallelujah, hallelujah, hallelujah, Amen! Topics: Chorus Choir Selections; God Languages: English Tune Title: [Glory be to the Father, and to the Son, and to the Holy Ghost]

Gloria Patri

Hymnal: Hymns of the Faith #364 (1918) First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Topics: Opening Languages: English Tune Title: [Glory be to the Father, and to the Son, and to the Holy Ghost]

Gloria Patri

Hymnal: Hymns of the Faith #366 (1918) First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Topics: Doxologies Languages: English Tune Title: [Glory be to the Father, and to the Son, and to the Holy Ghost]

People

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Authors, composers, editors, etc.

C. Meineke

1782 - 1850 Person Name: Charles Meineke Composer of "[Glory be to the Father, and to the Son, and to the Holy Ghost]" in Hymns of the Faith Meineke (1782-1850) is referred to by several given names including C., Charles, Christopher, Christoph, and Karl. Meineke apparently left Germany in 1810 and, after spending some time in England, moved to the United States, settling in Baltimore, Maryland, by 1822. He was organist at St. Paul’s Episcopal Church in Baltimore in 1836, likely serving in this position for some eight years. Meineke published several works including "Music for the Church: Containing Sixty-two Psalm and Hymn Tunes in Four Parts: Together with Chants, Doxologies and Responses for Morning and Evening Prayer, and Holy Communion: Composed for the Use of the Choir of St. Paul's Church, Baltimore" (Baltimore, 1844). He composed the music for Glory Be to the Father and to the Son (MEINEKE). Source: Danny R. Jones, "Christoph Meineke," Worship Matrix, http://www.worshipmatrix.com/Composerr.php?code=335

Charles Hutchinson Gabriel, Jr.

1892 - 1934 Person Name: Chas. H. Gabriel, Jr. Composer of "[Glory be to the Father, and to the Son, and to the Holy Ghost]" in Victory Songs Born: March 2, 1892, San Francisco, California. Pseudonym: Jean Howard. Gabriel was living with his parents in Cook County, Illinois, in 1910. He was still there in 1920 with his wife Ethel. In 1926, he was musical director and announcer for radio station KLX in Oakland, California. By 1930, he and his wife were in Los Angeles County, California. The January 30, 1926 issue of Colliers magazine said of him: "Gabe" has experienced all those changes which the Fates deem necessary to broaden one’s views. He has taught music in the Indianapolis [Indiana] and Northwestern Conservatories; edited mechanical and automobile magazines; traveled with Billy Sunday; been a newspaper reporter; rewrite man; music editor and book reviewer. In his spare time he has managed to produce eight hundred compositions which have been printed. He first became interested in radio when he was appointed director of WGN in Chicago [Illinois]. --www.hymntime.com/tch/
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