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Text Identifier:"^i_do_not_ask_o_lord_that_life_may_be$"

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I do not ask, O Lord, that life may be

Author: Adelaide A. Procter Meter: 10.4.10.4 Appears in 130 hymnals Lyrics: I do not ask, O Lord, that life may be A pleasant road; I do not ask that thou wouldst take from me Aught of its load. I do not ask that flowers should always spring Beneath my feet; I know too well the poison and the sting Of things too sweet. For one thing only, Lord, dear Lord, I plead: Lead me aright Though strength should falter and though heart should bleed, Through peace to light. I do not ask, O Lord, that thou shouldst shed Full radiance here Give but a ray of peace, that I may tread Without a fear. I do not ask my cross to understand, My way to see; Better in darkness just to feel thy hand, And follow thee. 352 Joy is like restless day; but peace divine Like quiet night. Lead me, O Lord, till perfect day shall shine, Through peace to light. Amen. Topics: Visitation Used With Tune: BURFORD

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BURFORD

Meter: 10.4.10.4 Appears in 82 hymnals Composer and/or Arranger: Henry Purcell Tune Sources: Wilkin's Psalmody, 1699 Tune Key: g minor Incipit: 11234 54327 12345 Used With Text: I do not ask, O Lord, that life may be
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SERENITY

Appears in 397 hymnals Composer and/or Arranger: W. V. Wallace Incipit: 33343 32225 23435 Used With Text: I do not ask that life may be
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SPOHR

Appears in 221 hymnals Composer and/or Arranger: L. Spohr (1784-1859) Incipit: 53351 32136 53453 Used With Text: I do not ask, that life may be

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I do not ask, O Lord, that life may be

Author: Adelaide A. Procter Hymnal: The Hymnal #385a (1916) Meter: 10.4.10.4 Lyrics: I do not ask, O Lord, that life may be A pleasant road; I do not ask that thou wouldst take from me Aught of its load. I do not ask that flowers should always spring Beneath my feet; I know too well the poison and the sting Of things too sweet. For one thing only, Lord, dear Lord, I plead: Lead me aright Though strength should falter and though heart should bleed, Through peace to light. I do not ask, O Lord, that thou shouldst shed Full radiance here Give but a ray of peace, that I may tread Without a fear. I do not ask my cross to understand, My way to see; Better in darkness just to feel thy hand, And follow thee. 352 Joy is like restless day; but peace divine Like quiet night. Lead me, O Lord, till perfect day shall shine, Through peace to light. Amen. Topics: Visitation Languages: English Tune Title: REIGATE
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I do not ask, O Lord, that life may be

Author: Adelaide A. Procter Hymnal: The Hymnal #385b (1916) Meter: 10.4.10.4 Lyrics: I do not ask, O Lord, that life may be A pleasant road; I do not ask that thou wouldst take from me Aught of its load. I do not ask that flowers should always spring Beneath my feet; I know too well the poison and the sting Of things too sweet. For one thing only, Lord, dear Lord, I plead: Lead me aright Though strength should falter and though heart should bleed, Through peace to light. I do not ask, O Lord, that thou shouldst shed Full radiance here Give but a ray of peace, that I may tread Without a fear. I do not ask my cross to understand, My way to see; Better in darkness just to feel thy hand, And follow thee. 352 Joy is like restless day; but peace divine Like quiet night. Lead me, O Lord, till perfect day shall shine, Through peace to light. Amen. Topics: Visitation Tune Title: BURFORD
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I do not ask, O Lord, that life may be

Author: Miss Adelaide A. Procter, 1825-1864 Hymnal: Methodist Hymn and Tune Book #465 (1917) Lyrics: 1 I do not ask, O Lord, that life may be A pleasant road; I do not ask that Thou wouldst take from me Aught of its load. 2 I do not ask that flowers shall always spring Beneath my feet; I know too well the poison and the sting Of things too sweet. 3 For one thing only, Lord, dear Lord, I plead: Lead me aright Though strength should falter, and though heart should bleed Through peace to light. 4 I do not ask, O Lord, that Thou wouldst shed Full radiance here; Give but a ray of peace, that I may tread Without a fear. 5 I do not ask my cross to understand, My way to see; Better in darkness just to feel Thy hand, And follow Thee. 6 Joy is like restless day; but peace divine Like quiet night; Lead me, O Lord till perfect day shall shine Through peace to light. Topics: Christ Leading; The Christian Life Aspiration and Prayer; Consecration To Christ; Youth; Trials; Prayer For Guidance; Peace In Christ; Leader, Christ our Languages: English Tune Title: SUBMISSION

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Henry Purcell

1659 - 1695 Composer of "BURFORD" in The Hymnal Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "VAUGHAN" in The Praise Hymnary As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Adelaide Anne Procter

1825 - 1864 Person Name: Adelaide A. Procter Author of "I do not ask, O Lord, that life may be" in The Hymnal Not to be confused with Adelaide A. Pollard. Adelaide Anne Proctor was born in London, in 1825. Her father, Brian W. Proctor, is well known by his literary nom de guerre of Barry Cornwall. In 1853, Miss Proctor became a contributor to Dickens' "Household Words." Her reputation as a poet was secured by the publication of her first volume of "Legends and Lyrics," in 1858. A second volume was added in 1860. She also published other compositions in poetry and prose. She died in 1864. She was a member of the Roman Catholic Church. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. =============== Procter, Adelaide Anne, daughter of Bryan Waller Procter (Barry Cornwall), was born in Bedford Square, London, Oct. 30, 1825. In 1851 she entered the Roman communion, and died in London, Feb. 2, 1864. Miss Procter displayed more than usual intellectual powers at an early age. In later years she was skilled in music and languages. Her poetical gifts have been widely appreciated. Her Legends and Lyrics, A Book of Verse, was published in 1858. Of this an enlarged edition was published in 1862. Her hymns in common use from these two editions are:— 1. I do not ask, 0 Lord, that life may be. Resignation. In her Legends, &c., 1862. It is one of the most widely used of Miss Procter's hymns. 2. I thank Thee, 0 my God, Who made. Thankfulness. In her Legends, &c., 1858, p. 207, in 6 stanzas of 6 lines. In several collections, including the Hymnal Companion, it begins in an altered form, "My God, I thank Thee, Who hast made;" and in others, "Our God, we thank Thee, Who hast made." Bishop Bickersteth in his note on this hymn in the Hymnal Companion, 1816, says, "This most beautiful hymn by A. A. Procter (1858), touches the chord of thankfulness in trial, as perhaps no other hymn does, and is thus most useful for the visitation of the sick." 3. One by one the sands are going [flowing]. The links of Life. In her Legends, &c., 1858, p. 20, in 8 stanzas of 4 lines. 4. Rise, for the day is passing. Redeem the Time. In her Legends, &c., 1858. Sometimes given as "Arise, for the day is passing," as in Holy Song, 1869. 5. Strive; yet I do not promise. Strive, Wait, Pray. In her Legends, &c., 1858, p. 103, in 3 stanzas of 8 lines. 6. The way is long and dreary. Life a Pilgrimage. In her Legends, &c., 1858, p. 136, in 3 stanzas of 8 lines and a refrain. 7. The shadows of the evening hours. Evening. In her Legends, &c., 1862. 8. We ask for peace, 0 Lord. Peace with God. In her Legends, &c., 1858, p. 214, in 4 stanzas of 9 lines. --John Julian, Dictionary of Hymnology (1907)
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