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Text Identifier:"^jesus_thou_god_of_nations_bend$"

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KIAWAH

Meter: 8.8.8.8 Appears in 7 hymnals Composer and/or Arranger: Charles Hutchinson Gabriel Tune Sources: Epworth Praises (Chicago: Epworth League, 1909) Tune Key: G Major or modal Incipit: 51215 34315 55332 Used With Text: Jesus, Thou God Of Nations, Bend

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Jesus, Thou God Of Nations, Bend

Author: Susanna Harrison Hymnal: The Cyber Hymnal #8694 Meter: 8.8.8.8 Lyrics: 1 Jesus, Thou God of nations, bend The skies, and let the rain descend, But not Thy wrath—in mercy bless This land with showers of righteousness. 2 Pour down some tokens of Thy love; Impending punishment remove: Pour down the Spirit of Thy grace, That every soul may seek Thy face. 3 Forbid this land should ever be Forsaken utterly by Thee! Let not Thy sore displeasure rest Upon a nation so distressed. 4 Her woes, her poverty, her need, With Thy compassion we would plead; Enrich her, Lord, in every place, With all the plenitude of grace. 5 O water every sacred ground, Where’er the seeds of truth are found, And make the fruits of Zion’s hill The glory of this nation still. 6 Why should this once high-favored place Be ever banished from Thy face? Let not our sin our ruin prove, In wrath descend not, but in love. Languages: English Tune Title: KIAWAH
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Jesus, Thou God of Nations bend

Hymnal: Songs in the Night (2nd ed.) #121 (1802)

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Chas. H. Gabriel

1856 - 1932 Person Name: Charles Hutchinson Gabriel Composer of "KIAWAH" in The Cyber Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Susannah Harrison

1752 - 1784 Person Name: Susanna Harrison Author of "Jesus, Thou God Of Nations, Bend" in The Cyber Hymnal Harrison, Susanna, invalided from her work as a domestic servant at the age of 20, published Songs in the Night, 1780. This included 133 hymns, and passed through ten editions. She is known by "Begone, my worldly cares, away," and "O happy souls that love the Lord." Born in 1752 and died Aug. 3, 1784. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================================ Harrison, Susanna. (1752--August 3, 1784, Ipswich, England). The preface to the first edition of her collected hymns, Songs in the night, 1780, states that she was "a very obscure young woman, and quite destitute of the advantages of education, as well as under great bodily affliction. Her father dying when she was young, and leaving a large family unprovided for, she went out to service at sixteen years of age." In August 1722, she became ill, probably with tuberculosis, and returned to her mother's home. She taught herself to write and in her remaining years she wrote 142 hymns which, with a few meditations, were published as Songs in the night by an anonymous editor, perhaps her rector. So sincere yet vivid is the expression of her faith as she faced certain death that by 1847 there had been eleven editions printed in England and seven additional ones in America. Individual hymns remained popular in America during much of the nineteenth century due to the constant preoccupation with death in both urban and frontier life, reflected in the large sections of funeral hymns in most hymnals. --Leonard Ellinwood, DNAH Archives
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