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Text Identifier:"^let_all_on_earth_their_voices_raise_reec$"

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Let All on Earth Their Voices Raise

Author: Richard Mant, 1776-1848 Appears in 15 hymnals Topics: Apostles Scripture: Isaiah 45:23 Used With Tune: TALLIS' CANON Text Sources: Latin, 10th C.

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TALLIS' CANON

Appears in 514 hymnals Composer and/or Arranger: Thomas Tallis, c. 1505-1585 Tune Key: G Major Incipit: 11711 22343 14433 Used With Text: Let All on Earth Their Voices Raise

REX GLORIOSE MARTYRUM

Meter: 8.8.8.8 Appears in 16 hymnals Composer and/or Arranger: Anonymous Tune Sources: Catholische Geistliche Gesäsange (Andernach: 1608) Tune Key: E Major Incipit: 13455 67151 76564 Used With Text: Let All on Earth Their Voices Raise
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[Let all on earth their voices raise]

Appears in 1 hymnal Composer and/or Arranger: Simon Hecht Tune Key: A Flat Major Incipit: 53217 61517 12 Used With Text: Let all on earth their voices raise

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Published text-tune combinations (hymns) from specific hymnals
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Let All on Earth Their Voices Raise

Author: Richard Mant, 1776-1848 Hymnal: Catholic Book of Worship III #452 (1994) Topics: Apostles Scripture: Isaiah 45:23 Languages: English Tune Title: TALLIS' CANON
Text

Let All on Earth Their Voices Raise

Author: Anonymous; Richard Mant Hymnal: The Cyber Hymnal #3560 Meter: 8.8.8.8 Lyrics: 1. Let all on earth their voices raise, Re-echoing Heav’n’s triumphant praise To Him, who gave th’apostles grace To run on earth their glorious race. 2. Thou, at whose word they bore the light Of Gospel truth o’er heathen night, To us that heav’nly light impart, To glad our eyes and cheer our heart. 3. Thou, at whose will to them was giv’n To bind and loose in earth and Heav’n, Our chains unbind, our sins undo, And in our hearts Thy grace renew. 4. Thou, in whose might they spake the word Which cured disease and health restored, To us its healing power prolong, Support the weak, confirm the strong. 5. And when the thrones are set on high And judgment’s awful hour draws nigh, Then, Lord, with them pronounce us blest, And take us to Thine endless rest. Languages: English Tune Title: REX GLORIOSE MARTYRUM
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Let all on earth their voices raise

Hymnal: New Jewish Hymnal for Religious Schools and Junior Congregations. 8th ed. #15 (1917) Tune Title: [Let all on earth their voices raise]

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Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, c. 1505-1585 Composer of "TALLIS' CANON" in Catholic Book of Worship III Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

Richard Mant

1776 - 1848 Person Name: Richard Mant, 1776-1848 Translator of "Let All on Earth Their Voices Raise" in Catholic Book of Worship III Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

Anonymous

Author of "Let All on Earth Their Voices Raise" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
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