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Search Results

Text Identifier:"^live_for_something_be_not_idle$"

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Texts

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Live for something be not idle

Appears in 31 hymnals Used With Tune: [Live for something be not idle]

Tunes

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[Live for something, be not idle]

Appears in 1 hymnal Composer and/or Arranger: J. H. Tenney Incipit: 54515 34565 17162 Used With Text: Live for Something
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[Live for something be not idle]

Appears in 209 hymnals Composer and/or Arranger: J. H. Willcox Tune Key: C Major Incipit: 55532 31555 46544 Used With Text: Live for something be not idle
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[Live for something; Be not Idle]

Appears in 1 hymnal Tune Key: E Flat Major Incipit: 55543 22143 65765 Used With Text: Live for Something

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Live for Something

Hymnal: The Gospel Trumpet #49 (1890) First Line: Live for something, be not idle Languages: English Tune Title: [Live for something, be not idle]
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Live for Something

Hymnal: Hours of Singing #70 (1882) First Line: Live for something, be not idle Languages: English Tune Title: [Live for something, be not idle]
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Live for Something

Hymnal: The Sabbath School Hymnal, a collection of songs, services and responses for Jewish Sabbath schools, and homes 4th rev. ed. #108 (1897) First Line: Live for something; Be not Idle Tune Title: [Live for something; Be not Idle]

People

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Authors, composers, editors, etc.

John H. Willcox

1827 - 1875 Person Name: J. H. Willcox Composer of "[Live for something be not idle]" in The Service Hymnal with an introductory service

Anonymous

Person Name: Anon. Author of "Live for Something" in Heart and Voice In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Composer of "HANFORD" in Jubilate Deo Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
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