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Text Identifier:"^lord_teach_us_how_to_pray_aright$"

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Lord, Teach Us How to Pray Aright

Author: James Montgomery Appears in 225 hymnals First Line: Lord, teach me how to pray aright Topics: Prayer Used With Tune: ST. ELHERDREDA

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SONG 67

Meter: 8.6.8.6 Appears in 68 hymnals Composer and/or Arranger: Orlando Gibbons, 1583-1625 Tune Key: D Major Incipit: 15345 66551 67761 Used With Text: Lord, Teach Us How to Pray Aright
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RICHMOND

Meter: 8.6.8.6 Appears in 312 hymnals Composer and/or Arranger: Thomas Haweis; Samuel Webbe, Jr. Tune Key: F Major Incipit: 51354 34213 25171 Used With Text: Lord, Teach Us How to Pray Aright
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FARRANT

Meter: 8.6.8.6 Appears in 136 hymnals Composer and/or Arranger: R. Farrant, c. 1530-80 Tune Key: G Major Incipit: 11232 14223 45545 Used With Text: Lord, teach us how to pray aright

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Lord, teach us how to pray aright

Author: James Montgomery Hymnal: Sacred Poems and Hymns #65 (1854) Meter: 8.6.8.6 Lyrics: Lord, teach us how to pray aright, With reverence and with fear; Though dust and ashes in Thy sight, We may, we must draw near. We perish if we cease from prayer; Oh! grant us power to pray; And when to meet Thee we prepare, Lord, meet us by the way. Burden'd with guilt, convinced of sin, In weakness, want, and woe, Fightings without, and fears within, Lord, whither shall we go? God of all grace, we bring to Thee A broken, contrite heart; Give, what Thine eye delights to see, Truth in the inward part. Give deep humility; the sense Of godly sorrow give; A strong, desiring confidence To hear Thy voice and live;-- Faith in the only Sacrifice That can for sin atone; To cast our loves, to fix our eyes On Christ, on Christ alone;-- Patience to watch, and wait, and weep, Though mercy long delay; Courage, our fainting souls to keep, And trust Thee though Thou slay. 70 Give these, and then Thy will be done; Thus, strenghen'd with all might, We, through Thy Spirit and Thy Son, Shall pray, and pray aright. Topics: Heart contrition of; Prayer preparation of heart for Languages: English
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Lord, Teach Us How to Pray Aright

Author: James Montgomery Hymnal: Rejoice in the Lord #261 (1985) Meter: 8.6.8.6 Lyrics: 1 Lord, teach us how to pray aright with rev'rence and with fear; though weak and sinful in thy sight, we may, we must draw near. 2 We perish if we cease from prayer: O grant us power to pray; and when to meet thee we prepare, Lord, meet us by the way. 3 Give deep humility, the sense of godly sorrow give; a strong dsiring confidence to hear thy voice and live; 4 faith in the only sacrifice that can for sin atone, to cast our hopes, to fix our eyes on Christ, and Christ alone: 5 patience to watch, and wait, and weep though mercy long delay; courage, our fainting souls to keep and trust thee though thou slay: 6 give these--and then thy will be done; thus, strengthened with all might, we by thy Spirit and thy Son, shall pray, and pray aright. Topics: Faith and Aspiration; Jesus Christ Teachings Scripture: Job 13:15 Languages: English Tune Title: GLENLUCE
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Lord, Teach Us How to Pray Aright

Author: James Montgomery Hymnal: Hymns to the Living God #274 (2017) Meter: 8.6.8.6 Lyrics: 1 Lord, teach us how to pray aright with rev'rence and with fear. though dust and ashes in your sight, we may, we must draw near. 2 We perish if we cease from pray'r; Oh, grant us pow'r to pray. and when to meet thee we prepare, Lord, meet us on our way. 3 Give deep humility; the sense of godly sorrow give; a strong desire with confidence, to hear your voice and live; 4 Faith in the only sacrifice that can for sin atone; to cast our hopes, to fix our eyes on Christ, on Christ alone. 5 Give these, and then your will be done; thus strengthened with all might, we, through your Spirit and your Son, shall pray, and pray aright. Topics: Prayer Languages: English

People

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Authors, composers, editors, etc.

Henry Purcell

1659 - 1695 Person Name: Henry Purcell, 1658-95 Composer (attributed to) of "WALSALL" in The Book of Common Praise Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

W. H. Havergal

1793 - 1870 Person Name: William Henry Havergal, 1793 - 1870 Composer of "EVAN" in Service Book and Hymnal of the Lutheran Church in America Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William B. Bradbury

1816 - 1868 Composer of "BROWN" in The Otterbein Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry
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