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Text Identifier:"^my_hope_is_built_on_nothing_less$"

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My Hope is Built on Nothing Less

Author: Edward Mote Meter: 8.8.8.8.8.8.8 Appears in 1,113 hymnals Refrain First Line: On Christ the solid rock I stand Lyrics: 1 My hope is built on nothing less than Jesus' blood and righteousness; I dare not trust the sweetest frame, but wholly lean on Jesus' name. Refrain: On Christ, the solid Rock, I stand: all other ground is sinking sand; all other ground is sinking sand. 2 When darkness veils his lovely face, I rest on his unchanging grace; in every high and stormy gale, my anchor holds within the veil. [Refrain] 3 His oath, his covenant, his blood, support me in the whelming flood; when all around my soul gives way, he then is all my hope and stay. [Refrain] 4 When he shall come with trumpet sound, O may I then in him be found: dressed in his righteousness alone, faultless to stand before the throne. [Refrain] Worship and Rejoice (2003) Topics: liturgical Songs of Response

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SOLID ROCK

Meter: 8.8.8.8 with refrain Appears in 534 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: F Major Incipit: 51353 32234 44217 Used With Text: The Solid Rock
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MAGDALEN

Meter: 8.8.8.8 with refrain Appears in 76 hymnals Composer and/or Arranger: John Stainer, 1840-1901 Tune Key: C Major Incipit: 33215 54351 76521 Used With Text: My Hope Is Built on Nothing Less
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ST. PETERSBURG

Meter: 8.8.8.8.8.8 Appears in 367 hymnals Composer and/or Arranger: Dmitri Bortniansky Tune Key: C Major Incipit: 53451 21715 61653 Used With Text: My Hope Is Built on Nothing Less

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My hope is built on nothing less

Author: Rev. Edward Mote Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #622 (1894) Lyrics: 1 My hope is built on nothing less Than Jesus' blood and righteousness; I dare not trust the sweetest frame, But wholly lean on Jesus' Name. On Christ, the solid rock I stand; All other ground is shifting sand. 2 When clouds and darkness veil His face, I rest on His unchanging grace; In every high and stormy gale My anchor holds within the veil. On Christ, the solid rock I stand; All other ground is shifting sand. 3 His word, His covenant, His blood, Support me in the 'whelming flood; When all around my soul gives way, He then is all my hope and stay. On Christ, the solid rock I stand; All other ground is shifting sand. 4 When He shall come, with trumpet sound, Oh, may I then in Him be found! Dressed in His righteousness alone, Faultless to stand before the throne. On Christ, the solid rock I stand; All other ground is shifting sand. Amen. Topics: Parochial Missions; Trust Languages: English Tune Title: [My hope is built on nothing less ]
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My Hope Is Built On Nothing Less

Author: Edward Mote Hymnal: Christian Hymns #257 (1935) First Line: My hope is built on nothing less Refrain First Line: On Christ, the Solid Rock, I stand Lyrics: 1 My hope is built on nothing less Than Jesus' blood and righteousness; I dare not trust the sweetest frame, But wholly lean on Jesus' name. Chorus: On Christ, the Solid Rock, I stand; All other ground is sinking sand, All other ground is sinking sand. 2 When darkness veils His lovely face, I rest on His unchanging grace; In ev'ry high and stormy gale, My anchor holds within the veil. [Chorus] 3 His oath, His covenant, His blood, Support me in the whelming flood; When all around my soul gives way, He then is all my hope and stay. [Chorus] 4 When He shall come with trumpet sound, O may I then in Him be found, Dressed in His righteousness alone, Faultless to stand before the throne. [Chorus] Topics: Songs of Response Languages: English Tune Title: [My hope is built on nothing less]

My Hope Is Built on Nothing Less

Author: Edward Mote Hymnal: A Junior's Praise #33 (1959) Refrain First Line: On Christ the solid Rock I stand Languages: English Tune Title: [My hope is built on nothing less]

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Edward Mote

1797 - 1874 Author of "My Hope Is Built on Nothing Less" in The Presbyterian Hymnal Mote, Edward, was born in Upper Thames Street, London, Jan. 21, 1797. Through the preaching of the Rev. J. Hyatt, of Tottenham Court Road Chapel, he underwent a great spiritual change; and ultimately he became a Baptist minister. For the last 26 years of his life he was pastor at Horsham, Sussex, where he died Nov. 13, 1874. Mr. Mote published several small pamphlets; and also:- Hymns of Praise. A New Selection of Gospel Hymns, combining all the Excellencies of our spiritual Poets, with many Originals. By E. Mote. London. J. Nichols, 1836. The Originals number nearly 100. Concerning the authorship of one of these original hymns much uncertainty has existed. The hymn is:— 1. Nor earth, nor hell my soul can move. [Jesus All in All.] In 6 stanzas of 4 lines, with a refrain. Mr. Mote's explanation, communicated to the Gospel Herald, is:— "One morning it came into my mind as I went to labour, to write an hymn on the ‘Gracious Experience of a Christian.' As I went up Holborn I had the chorus, ‘On Christ the solid Rock I stand, All other ground is sinking sand.’ In the day I had four first verses complete, and wrote them off. On the Sabbath following I met brother King as I came out of Lisle Street Meeting . . . who informed me that his wife was very ill, and asked me to call and see her. I had an early tea, and called afterwards. He said that it was his usual custom to sing a hymn, read a portion, and engage in prayer, before he went to meeting. He looked for his hymnbook but could find it nowhere. I said, ‘I have some verses in my pocket; if he liked, we would sing them.' We did; and his wife enjoyed them so much, that after service he asked me, as a favour, to leave a copy of them for his wife. 1 went home, and by the fireside composed the last two verses, wrote the whole off, and took them to sister King. . . As these verses so met the dying woman's case, my attention to them was the more arrested, and I had a thousand printed for distribution. I sent one to the Spiritual Magazine, without my initials, which appeared some time after this. Brother Rees, of Crown Street, Soho, brought out an edition of hymns [1836], and this hymn was in it. David Denham introduced it [1837] with Rees's name, and others after... . Your inserting this brief outline may in future shield me from the charge of stealth, and be a vindication of truthfulness in my connection with the Church of God." The form in which the hymn is usually found is:— 2. My hope is built on nothing less (st. ii.), sometimes in 4 stanzas, and at others in 5 st., and usually without the refrain. The original in the author's Hymns of Praise, 1836, is No. 465, and entitled, "The immutable Basis of a Sinner's hope." Bishop Bickersteth calls it a "grand hymn of faith." It dates circa 1834, and is in extensive use. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: William Batchelder Bradbury Composer of "SOLID ROCK" in The Presbyterian Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry
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