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Text Identifier:"^o_father_hear_my_morning_prayer$"

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O Father, Hear My Morning Prayer

Author: Mrs. Frances A. Percy Appears in 44 hymnals First Line: O Father, hear my morning pray'r Used With Tune: [O Father, hear my morning pray'r]

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ST. PETER

Meter: 8.6.8.6 Appears in 732 hymnals Composer and/or Arranger: Alexander Robert Reinagle, 1799 - 1877 Tune Key: E Flat Major Incipit: 51765 54332 14323 Used With Text: O Father, hear my morning prayer
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MEAR

Appears in 307 hymnals Composer and/or Arranger: Aaron Williams Incipit: 15533 13223 15455 Used With Text: O Father, hear my morning prayer
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[O Father, hear my morning pray'r]

Appears in 63 hymnals Composer and/or Arranger: E. C. Walker Incipit: 31215 76556 71224 Used With Text: O Father, Hear My Morning Prayer

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O Father, Hear My Morning Prayer

Author: Mrs. F. A. Percy Hymnal: The Assembly Praise Book #55 (1922) First Line: O Father, hear my morning pray'r Languages: English Tune Title: [O Father, hear my morning pray'r]

O Father, Hear My Morning Prayer

Author: Mrs. Frances A. Percy Hymnal: Favorite Hymns #236 (1953) First Line: O Father, hear my morning pray'r Languages: English Tune Title: [O Father, hear my morning pray'r]
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O Father, Hear My Morning Prayer

Author: Frances A. Percy Hymnal: The Cyber Hymnal #4806 Meter: 8.6.8.6 Lyrics: 1. O Father, hear my morning prayer, Thine aid impart to me, That I may make my life today Acceptable to Thee. 2. May this desire my spirit rule, And, as the moments fly, Something of good be born in me, Something of evil die. 3. Some grace that seeks my heart to win, With shining victory meet; Some sin that strives for mastery Find overthrow complete. 4. That so throughout the coming day The hours shall carry me A little farther from the world, A little nearer Thee. Languages: English Tune Title: EVERSLEY

People

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Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Person Name: Bradbury Composer of "BROWN" in Sunday School Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes Composer of "ST. AGNES" in Christian Song As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

F.-H. Barthélémon

1741 - 1808 Person Name: F. Barthélémon Composer (attributed to) of "BALLERMA" in The Book of Common Praise French violinist, composer, teacher, he became active in England, playing in an Italian comedy orchestra and led a band. He wrote opera, ballet, theatre music and ballads, popular songs, masques, concertos and 6 symphonies. John Perry
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