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Search Results

Text Identifier:"^o_the_endless_theme_of_neer_ceasing$"

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Texts

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Christ the Theme of Song in All

Author: Anson D. F. Randolph Appears in 3 hymnals First Line: O endless theme of never ceasing song

Tunes

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RUSSIAN HYMN

Appears in 315 hymnals Composer and/or Arranger: Alexis F. Lvov; William Lesley Mason Tune Sources: Arr.: Glad Tidings (New York: A. S. Barnes, 1899) Tune Key: E Flat Major Incipit: 56653 11765 64553 Used With Text: Christ the Theme Of Song In All Ages

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Christ the Theme of Song in All

Author: A. D. F. Randolph Hymnal: Glad Tidings #3 (1899) First Line: Oh, endless theme of ne'er ceasing Languages: English Tune Title: [Oh, endless theme of ne'er ceasing]
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O, endless theme of ne'er ceasing

Author: Anson D. F. Randolph Hymnal: Christ in Song #699 (1871)

Christ the Theme Of Song In All Ages

Author: Anson Davis Fitz Randolph, 1820-1896 Hymnal: The Cyber Hymnal #10643 First Line: Oh, endless theme of ne’er ceasing song Languages: English Tune Title: RUSSIAN HYMN

People

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Authors, composers, editors, etc.

Aleksēi Federovich L'vov

1798 - 1870 Person Name: Alexis F. Lvov Composer of "RUSSIAN HYMN" in The Cyber Hymnal Alexis Federovich L’vov Estonia 1798-1870. Born at Reval, Estonia, son of the St. Petersburg imperial court chapel director, he learned violin as a child and gave regular concerts in his home at age 9. Studying under a number of teachers until age 19, he then studied independently and developed his own personal style of playing. He entered the Russian army in 1818, became a civil engineer there eventually a General in 1828, when he was appointed Aide-de-camp to Tsar Nicholas I. He married Praskovya Aggeyevna, and they had a son and two daughters. He eventually took over his father’s post after he died in 1837 and stayed at that position for 24 years. He formed a string quartet in St. Petersburg and held weekly concerts at his private residence, which were attended by members of high society, including Franz Liszt, Robert and Clara Schumann, and Berlioz. In charge of the Russian chapel choir, it was described by Berlioz as of exceptional quality, expressing regret that Europeans were unable to hear the extraordinary sounds of the chapel choir (80 singers). L’vov took his quartet on several European tours where he could play to public audiences. He met Mendelssohn, Meyerbeer, and Spontini, who became personal friends. L’vov codified the Russian liturgical musical style ‘Obikhod’, the standard repertory of most Russian Orthodox churches in the world. L’vov was a member of the Russian musical establishment. Two of his friends who attained musical fame were Glinka and Berlioz, both impressed with L’vov’s superb violin playing and composing abilities. He composed violin music, operas and various religious pieces. His opera “Undine” (1846) became famous. In 1850 he founded the Russian Concert Society. His musical style was eclectic, combining traditions of Russian culture with Italian and German influences. He retired in 1867 due to deafness. He died near Kovno, Lithuania. John Perry

William Lesley Mason

b. 1861 Arranger of "RUSSIAN HYMN" in The Cyber Hymnal

Anson D. F. Randolph

1820 - 1896 Person Name: Anson Davis Fitz Randolph, 1820-1896 Author of "Christ the Theme Of Song In All Ages" in The Cyber Hymnal Randolph, Anson Davis Fete, was born at Woodbridge, New Jersey, Oct. 18, 1820, and subsequently became a publisher and bookseller in New York. His Hopefully Waiting and other Verses were published in 1861. His hymn "Weary, Lord, of struggling here" (Desiring to Depart), was written in 1849, and first printed in the New York Independent. It was repeated in his Hopefully Waiting, &c, 1867, and is in a few collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)
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