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Search Results

Text Identifier:"^that_of_god_within_us_all$"

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Texts

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Text authorities

That of God within Us All

Author: William L. Wallace Meter: 7.7.7.7 D Appears in 2 hymnals Used With Tune: HOLLINGSIDE

Tunes

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Tune authorities
Audio

HOLLINGSIDE

Meter: 7.7.7.7 D Appears in 299 hymnals Composer and/or Arranger: John B. Dykes, 1823-1876 Tune Key: D Major Incipit: 35655 43176 53123 Used With Text: That of God within Us All

INTERIOR CASTLE

Meter: 7.7.7.7 D Appears in 1 hymnal Composer and/or Arranger: William L. Wallace Tune Key: C Major Incipit: 32112 43465 32123 Used With Text: That of God within Us All

Instances

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Published text-tune combinations (hymns) from specific hymnals

That of God within Us All

Author: William L. Wallace Hymnal: Singing the Sacred #34 (2014) Meter: 7.7.7.7 D Languages: English Tune Title: INTERIOR CASTLE

That of God within Us All

Author: William L. Wallace Hymnal: Singing the Sacred #35 (2014) Meter: 7.7.7.7 D Languages: English Tune Title: HOLLINGSIDE

People

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Authors, composers, editors, etc.

William L. Wallace

1933 - 2024 Author of "That of God within Us All" in Singing the Sacred

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Composer of "HOLLINGSIDE" in Singing the Sacred As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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