Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful.

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

Search Results

Text Identifier:"^the_roseate_hues_of_early_dawn$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

The roseate hues of early dawn

Author: Cecil F. Alexander Appears in 140 hymnals Used With Tune: WATERBROOKS

Tunes

tune icon
Tune authorities
Audio

ELLACOMBE

Meter: 7.6.7.6 D Appears in 642 hymnals Composer and/or Arranger: Will­iam H. Monk Tune Sources: Ge­sang­buch der Herz­ogl. Wirt­em­berg­isch­en Ka­thol­isch­en Hof­ka­pel­le (Würt­tem­berg, Ger­ma­ny: 1784); adapt­ed & har­mo­nized in the 1868 ap­pen­dix to Hymns An­cient and Mo­dern, num­ber 366 Tune Key: B Flat Major Incipit: 51765 13455 67122 Used With Text: The Roseate Hues of Early Dawn
Page scansAudio

HERZOG

Meter: 8.6.8.6 D Appears in 130 hymnals Tune Key: D Major Incipit: 55431 76665 35435 Used With Text: The roseate hues of early dawn
Page scans

ROSEATE HUES

Meter: 8.6.8.6 D Appears in 19 hymnals Composer and/or Arranger: J. Barnby Incipit: 55433 32114 44323 Used With Text: The roseate hues of early dawn

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

The Roseate Hues of Early Dawn

Hymnal: Singing on the Way #153 (1882) Languages: English Tune Title: [The roseate hues of early dawn]
Page scan

The roseate hues of early dawn

Hymnal: Hymn Tunes #25 (1897) Languages: English Tune Title: [The roseate hues of early dawn]
TextPage scan

The roseate hues of early dawn

Author: Mrs C. F. Alexander Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #409 (1894) Meter: 8.6.8.6 D Lyrics: 1 The roseate hues of early dawn, The brightness of the day, The crimson of the sunset sky, How fast they fade away! Oh, for the pearly gates of heaven! Oh, for the golden floor! Oh, for the Sun of righteousness That setteth nevermore! 2 The highest hopes we cherish here, How fast they tire and faint! How many a spot defiles the robe That wraps an earthly saint! Oh, for a heart that never sins! Oh, for a soul washed white! Oh, for a voice to praise our King, Nor weary day or night! 3 Here faith is ours, and heavenly hope, And grace to lead us higher; But there are perfectness and peace, Beyond our great desire. Oh, by Thy love and anguish, Lord, And by Thy life laid down, Grant that we fall not from Thy grace, Nor cast away our crown! Amen. Topics: Aspiration Languages: English Tune Title: [The roseate hues of early dawn]

People

person icon
Authors, composers, editors, etc.

Samuel A. Ward

1848 - 1903 Person Name: Samuel Augustus Ward Composer of "MATERNA" in The Hymnal and Order of Service

John Stainer

1840 - 1901 Person Name: Sir John Stainer Composer of "THE ROSEATE HUES" in The Y.M.C.A. Hymnal

William Henry Monk

1823 - 1889 Person Name: Will­iam H. Monk Adapter & Harmonizer of "ELLACOMBE" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.