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Text Identifier:"^the_year_is_gone_beyond_recall$"

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The year is gone beyond recall

Author: Rev. F. Pott Meter: 8.6.8.6 Appears in 42 hymnals Topics: New Year Used With Tune: TALLIS Text Sources: Le Mans Breviary (1748)

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TALLIS' ORDINAL

Meter: 8.6.8.6 Appears in 233 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: D Major Incipit: 13455 66551 76651 Used With Text: The Year Is Gone, Beyond Recall
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BEATITUDO

Appears in 479 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: A Flat Major Incipit: 12353 14367 13222 Used With Text: The Year Is Gone Beyond Recall
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ELLACOMBE

Appears in 642 hymnals Tune Sources: Conrad Kocher, in "Zionsharfe," 1854 Incipit: 51765 13455 67122 Used With Text: The year is gone, beyond recall

Instances

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The Year Is Gone, Beyond Recall

Author: Francis Pott, 1832-1909 Hymnal: The Cyber Hymnal #7778 Meter: 8.6.8.6 Lyrics: 1. The year is gone, beyond recall, With all its hopes and fears, With all its bright and gladdening smiles, With all its mourners’ tears. 2. Thy thankful people praise Thee, Lord, For countless gifts received; And pray for grace to keep the faith Which saints of old believed. 3. To Thee we come, O gracious Lord, The newborn year to bless; Defend our land from pestilence, Give peace and plenteousness. 4. Forgive this nation’s many sins, The growth of vice restrain; And help us all with sin to strive, And crowns of life to gain. 5. From evil deeds that stain the past We now desire to flee; And pray that future years may all Be spent, good Lord, for Thee. 6. O Father, let Thy watchful eye Still look on us in love, That we may praise Thee, year by year, With angel hosts above. 7. All glory to the Father be, All glory to the Son, All glory, Holy Ghost, to Thee, While endless ages run. Languages: English Tune Title: TALLIS' ORDINAL

The Year Is Gone Beyond Recall

Author: Francis Pott, 1832-1909 Hymnal: The Christian Hymnary. Bks. 1-4 #605 (1972) First Line: The year is gone, beyond recall Topics: Book One: Hymns, Songs, Chorales; Seasons, Days, Services New Year Scripture: Psalm 65:11 Languages: English Tune Title: BEATITUDO

The Year Is Gone Beyond Recall

Author: F. Pott Hymnal: The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America #382 (1940) Tune Title: TALLIS

People

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Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: Thos. Tallis Composer of "TALLIS" in The Book of Common Praise Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

William Croft

1678 - 1727 Person Name: Dr. Croft Composer of "ST. MATTHEW" in Church Hymnal William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

William B. Bradbury

1816 - 1868 Person Name: William Batchelder Bradbury Composer of "CADDO" in Sacred Hymns and Tunes William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry
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