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Search Results

Text Identifier:"^we_are_living_we_are_dwelling_in_a_grand$"

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Texts

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We Are Living, We Are Dwelling

Author: Arthur Cleveland Coxe Appears in 203 hymnals Topics: Conflict Used With Tune: AUSTRIA

Tunes

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EBENEZER

Meter: 8.7.8.7 D Appears in 294 hymnals Composer and/or Arranger: Thomas J. Williams Tune Key: f minor Incipit: 11232 12234 3215 Used With Text: We Are Living, We Are Dwelling
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HYMN TO JOY

Appears in 525 hymnals Composer and/or Arranger: L. van Beethoven Incipit: 33455 43211 23322 Used With Text: We Are Living, We Are Dwelling
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THE AUSTRIAN HYMN

Appears in 762 hymnals Composer and/or Arranger: Franz Joseph Haydn Incipit: 12324 32716 54323 Used With Text: We are living, we are dwelling

Instances

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Published text-tune combinations (hymns) from specific hymnals

We Are Living, We Are Dwelling

Author: A. Cleveland Coxe, 1818-1896; alt. Hymnal: Christian Worship #494 (1941) First Line: We are living, we are dwelling In a grand and awful time Topics: Social Aspiration and Service Languages: English Tune Title: BLAENHAFREN

We are living, we are dwelling In a grand and awful time

Author: A. Cleveland Coxe; Arthur Cleveland Coxe Hymnal: Hymns, Religious and Patriotic #d62 (1861) Languages: English
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We are living, we are dwelling in a grand and awful time

Hymnal: Fresh Leaves for the use of Sabbath Schools #67 (1868) Languages: English

People

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Authors, composers, editors, etc.

John Stainer

1840 - 1901 Person Name: John Stainer, 1840-1901 Composer of "CROSS OF JESUS" in The Hymnal

Anonymous

Person Name: Anon. Author of "We are living, we are dwelling " in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Composer of "FALFIELD" in The Hymnal of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
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