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Text Identifier:"^we_come_o_lord_before_thy_throne$"

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We come, O Lord, before Thy throne

Author: Phoebe H. Brown Appears in 57 hymnals Lyrics: 1 We come, O Lord, before Thy throne, And, with united plea, We meet and pray for those who roam Far off upon the sea. 2 Oh, may the Holy spirit bow The sailor's heart to Thee, Till tears of deep repentance flow Like rain-drops on the sea. 3 Then may a Saviour's dying love Pour peace into his breast, And waft him to the port above, Of everlasting rest. Amen. Topics: Mariners Used With Tune: SILOAM

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ST. PETERSBURG

Appears in 731 hymnals Composer and/or Arranger: A. R. Reinagle (1799-1877) Incipit: 51765 54332 14323 Used With Text: We come, O Lord, before Thy throne
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SILOAM

Appears in 241 hymnals Composer and/or Arranger: Isaac B. Woodbury Incipit: 34536 53132 23532 Used With Text: We come, O Lord, before Thy throne
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GLASGOW

Appears in 18 hymnals Composer and/or Arranger: G. F. Root Tune Key: B Flat Major Incipit: 12321 65355 67123 Used With Text: Prayer for Seamen

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We come, O Lord, before Thy throne

Hymnal: Book of Worship (Rev. ed.) #553 (1870) Meter: 8.6.8.6 Lyrics: 1 We come, O Lord, before Thy throne, And, with united plea, We meet and pray for those who roam Far off upon the sea. 2 Oh, may the Holy spirit bow The sailor's heart to Thee, Till tears of deep repentance flow Like rain-drops on the sea. 3 Then may a Saviour's dying love Pour peace into his breast, And waft him to the port above, Of everlasting rest. Languages: English
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We come, O Lord, before Thy throne

Author: Phoebe H. Brown Hymnal: Book of Worship with Hymns and Tunes #606 (1899) Lyrics: 1 We come, O Lord, before Thy throne, And, with united plea, We meet and pray for those who roam Far off upon the sea. 2 Oh, may the Holy spirit bow The sailor's heart to Thee, Till tears of deep repentance flow Like rain-drops on the sea. 3 Then may a Saviour's dying love Pour peace into his breast, And waft him to the port above, Of everlasting rest. Amen. Topics: Mariners Languages: English Tune Title: SILOAM
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We come, O Lord, before thy throne

Author: Phoebe H. Brown Hymnal: The Psalms and Hymns, with the Doctrinal Standards and Liturgy of the Reformed Protestant Dutch Church in North America #H669 (1860)

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I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Composer of "SILOAM" in Book of Worship with Hymns and Tunes Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Alexander Robert Reinagle

1799 - 1877 Person Name: A. R. Reinagle (1799-1877) Composer of "ST. PETERSBURG" in Hymns of the Ages Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

P. H. Brown

1783 - 1861 Person Name: Phoebe H. Brown Author of "We come, O Lord, before Thy throne" in Book of Worship with Hymns and Tunes Brown, Phoebe, née Hinsdale. A member of the Congregational body, born at Canaan, Columbia County, New York, May 1, 1783, she was left an orphan when two years old. At nine she fell into the hands of a relative who kept a county gaol. These, says her son, "were years of intense and cruel suffering. The tale of her early life which she has left her children is a narrative of such deprivations, cruel treatment, and toil, as it breaks my heart to read." Escaping from this bondage at 18, she was sought by kind people, and sent for three months to a common school at Claverack, N.Y., where she learned to write, and made profession of faith in Christ. In 1805 she was married to Timothy H. Brown, a painter, and subsequently lived at East Windsor and Ellington, Connecticut, Monison, Mass., and at Marshall, Henry County, Illinois. She died at the last-named place, Oct 10, 1861. Most of her hymns were written at Monison, Mass. Through a life of poverty and trial she was "a most devoted mother, wife, and Christian." Her son, the Rev. S. R. Brown, D.D. became the first American Missionary to Japan, and two of her grandchildren are now in the same mission. In addition to her hymns, two or more volumes of prose by her have been published. Her Autobiography and Poems were being prepared for publication, when the editor died, and they are yet to appear. Despite all her disadvantages, Mrs. Brown's talents and work are superior to those of any other early female hymnist of America. It is hoped that her manuscript may some day be competently examined, and selected portions from them be published. Four of her hymns appeared in Nettleton's Village Hymns, 1824, with the signature "B." 1. As once the Saviour took His seat. Penitence. 2. Go, messenger of love, and bear. Missions. 3. I love to steal awhile away. Retirement. 4. Welcome, ye hopeful heirs of heaven. Young Converts. Of these No. 2 is a Missionary hymn, written in 1817, but first published in the Village Hymns, 1824; No. 3 was written in 1818, and few hymns have a more pathetic history. It is this:— Mrs. Brown was living at Ellington with "four little children, in a small unfinished house, a sick sister in the only finished room, and not a place above or below where I could retire for devotion." Not far off stood the finest house in the neighbourhood, with a large garden. To-wards this the poor woman used to bend her steps at dusk, loving, as she writes, “to smell the fragrance of fruits and flowers, though I could not see them," and commune with Nature and God. This she did, never dreaming that she was intruding, her habits watched, or her motives misconstrued, till one day the lady of the mansion turned rudely upon her with "Mrs. Brown, why do you come up at evening so near our house, and then go back without coming in? If you want anything, why don't you come in and ask for it?" Mrs. B. adds, "There was something in her manner more than her words, that grieved me. I went home, and that evening was left alone. After my children were all in bed, except my baby, I sat down in the kitchen with my child in my arms, when the grief of my heart burst forth in a flood of tears. I took pen and paper, and gave vent to my oppressed heart." The Poem then written is headed "An Apology for my Twilight Rambles, addressed to a Lady, Aug. 1818.” The original has nine stanzas, the second beginning “I love to steal awhile away.” Years after, when Nettleton was seeking original matter for his Village Hymns (1824), this piece was abridged and altered into the present familiar form, either by Mrs. Brown herself, her pastor (Mr. Hyde), or Nettleton. Its popularity was great from the first. In 1853 it was included in the Leeds Hymn Book, and thus became known to English collections. It is found in Lyra Sacra Americana, p. 29. In 1819 Mrs. Brown wrote two hymns which were strangely overlooked by Nettleton, and did not appear till 1831 in Hastings's Spiritual Songs. These are:— 5. How sweet the melting lay. Morning. 6. 0 Lord, Thy work revive. For a Revival. Both are found in Lyra Sacra Americana, pp. 28-30. No. 6 was altered by the author for Nason's Congregational Hymn Book, 1857. This, according to Nason, is her authorized text. It is widely used in America, and is also found in a few English collections, including Reed's Hymn Book and the New Congregational Hymn Book, and sometimes is attributed in error to Hastings. 7. Great God, we would to Thee make known. This appeared in the Mother's Hymn Book, 1834. 8. We come, 0 Lord, before Thy throne. For Sailors. 9. Grant the abundance of the sea. For Sailors. Two hymns for sailors, which appeared in Linsley and Davis's Select Hymns, 1836. 10. Assembled at [round] Thine altar, Lord. Holy Communion. This also appeared in the Select Hymns, 1836, and was altered for Nason's Congregational Hymn Book, 1857. It is a good hymn, and deserves wider adoption. 11. Jesus, this mid-day hour. Noon. "Written by special request for the Fulton Street [Noon] Prayer Meeting," about 1857. In addition to the foregoing there are four hymns by her in Parish Hymns (Phila.), 1843, to which they were contributed; and there may be many others in various collections which are uncredited. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)
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