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[Blessed Savior, ever nearer]

Meter: 8.7.8.7 D Appears in 3 hymnals Composer and/or Arranger: James McGranahan Tune Key: A Flat Major Incipit: 32151 77612 3712

Author: Merton Smith Meter: 8.7.8.7 D Appears in 5 hymnals Lyrics: 1 Blessèd Savior, ever nearer I am drawing to Thy feet; Thou hast borne my every sorrow, I am made in Thee complete; For Thy love my soul is yearning, More and more its power impart; I have heard Thy tender pleading, Come and dwell within my heart. 2 Blessèd Savior, I would never, Never more Thy love reject; At Thy feet I learn the lesson How Thine image to reflect; There I go when all forsake me, When by foes I am oppressed; Then I hear Thy loved voice saying, Come to Me, I’ll give you rest. 3 Blessèd Savior, draw me nearer, Ever nearer to Thy heart, When I’m weary, heavy laden, And I feel the tempter’s dart; Oft I stumble, oft I falter, Oft I’m tossed on angry seas; But I know that Thou wilt guide me, Through the storm, to endless peace. 4 Blessèd Savior, let me linger Ever near Thy precious feet, Till I hear that welcome summons, Come, thy loved ones now to greet; Oh, the joy that there awaits me, While I hope and watch and pray! For the morning light is dawning, Of the fair and endless day. Used With Tune: JUBA Text Sources: Gospel Hymns No. 6, by Ira D. Sankey, James McGranahan and George C. Stebbins (New York: Biglow & Main Company, 1891)

Instances

Published text-tune combinations (hymns) from specific hymnals

Blessed Savior, Ever Nearer

Author: Merton Smith Hymnal: The Cyber Hymnal #10336 Meter: 8.7.8.7 D Lyrics: 1 Blessèd Savior, ever nearer I am drawing to Thy feet; Thou hast borne my every sorrow, I am made in Thee complete; For Thy love my soul is yearning, More and more its power impart; I have heard Thy tender pleading, Come and dwell within my heart. 2 Blessèd Savior, I would never, Never more Thy love reject; At Thy feet I learn the lesson How Thine image to reflect; There I go when all forsake me, When by foes I am oppressed; Then I hear Thy loved voice saying, Come to Me, I’ll give you rest. 3 Blessèd Savior, draw me nearer, Ever nearer to Thy heart, When I’m weary, heavy laden, And I feel the tempter’s dart; Oft I stumble, oft I falter, Oft I’m tossed on angry seas; But I know that Thou wilt guide me, Through the storm, to endless peace. 4 Blessèd Savior, let me linger Ever near Thy precious feet, Till I hear that welcome summons, Come, thy loved ones now to greet; Oh, the joy that there awaits me, While I hope and watch and pray! For the morning light is dawning, Of the fair and endless day. Languages: English Tune Title: JUBA

Blessed Saviour, Ever Nearer

Author: El Nathan; Merton Smith Hymnal: Gospel Hymns No. 6 #62 (1891) Languages: English Tune Title: [Blessed Savior, ever nearer]

Blessed Saviour, Ever Nearer

Author: El Nathan Hymnal: Gospel Hymns Nos. 1 to 6 #475 (1894) Languages: English Tune Title: [Blessed Saviour, ever nearer]

People

Authors, composers, editors, etc.

James McGranahan

1840 - 1907 Composer of "JUBA" in The Cyber Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

El Nathan

1840 - 1901 Arranger of "Blessed Saviour, Ever Nearer" in Gospel Hymns No. 6 Pseudonymn used by D. W. Whittle. See also Whittle, D. W. (Daniel Webster), 1840-1901