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Tune Identifier:"^i_know_not_the_hour_when_my_mcgranahan$"

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[I know not the hour when the Lord will come]

Appears in 21 hymnals Composer and/or Arranger: James McGranahan; B. B. McKinney Incipit: 55453 21176 55543 Used With Text: That Will Be Glory for Me

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Das wird unendlich mich frue'n

Appears in 7 hymnals First Line: Ich weiß nicht, wann Christus, mein König, erscheint Refrain First Line: O das wird unendlich mich freu'n! Used With Tune: [Ich weiß nicht, wann Christus, mein König, erscheint]
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That Will Be Heaven for Me

Author: P. P. Bliss Appears in 28 hymnals First Line: I know not the hour when my Lord will come Used With Tune: [I know not the hour when my Lord will come]
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Je Ne Sais Pas Le Jour

Author: P. P. Bliss; H. Boutelleau, 1846-1915 Appears in 2 hymnals First Line: Je ne sais pas le jour où je verrai mon Roi Lyrics: 1 Je ne sais pas le jour où je verrai mon Roi, Mais je sais qu’Il me veut dans sa sainte demeure; La lumière vaincra les ombres à cette heure; Ce sera la gloire pour moi. Ce sera la gloire pour moi, Ce sera la gloire pour moi, La lumière vaincra les ombres à cette heure: Ce sera la gloire pour moi. 2 Je ne sais quels seront lles chants des bienheureux, Les acclamations des louanges angéliques, Mais je sais que, joignant ma voix Aux saints cantiques, Bientôt j’adorerai comme eux. Bientôt j’adorerai comme eux, Bientôt j’adorerai comme eux. Mais je sais que, joignant ma voix Aux saints cantiques, Bientôt j’adorerai comme eux. 3 Je ne sais quel sera le palais éternel, Mais je sais que ma place y est déjà connue. Un regard de Jésus sera ma bienvenue. Pour moi, pour moi s’ouvre le ciel. Pour moi, pour moi s’ouvre le ciel, Pour moi, pour moi s’ouvre le ciel. Un regard de Jésus sera ma bienvenue. Pour moi, pour moi s’ouvre le ciel. Used With Tune: [Je ne sais pas le jour où je verrai mon Roi]

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I Know Not the Hour

Author: Philip Paul Bliss Hymnal: The Cyber Hymnal #2860 First Line: I know not the hour when my Lord will come Lyrics: 1. I know not the hour when my Lord will come To take me away to His own dear home; But I know that His presence will lighten the gloom, And that will be glory for me. And that will be glory for me, Oh, that will be glory for me! But I know that His presence will lighten the gloom, And that will be glory for me. 2. I know not the song that the angels sing, I know not the sound of the harps’ glad ring; But I know there’ll be mention of Jesus our King, And that will be music for me. And that will be music for me, Oh, that will be music for me! But I know there’ll be mention of Jesus our King, And that will be music for me. 3. I know not the form of my mansion fair, I know not the name that I then shall bear; But I know that my Savior will welcome me there, And that will be Heaven for me. And that will be Heaven for me, Oh, that will be Heaven for me. But I know that my Savior will welcome me there, And that will be Heaven for me. Languages: English Tune Title: [I know not the hour when my Lord will come]
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That will be heaven for me

Author: P. P. Bliss Hymnal: Conference Hymnal #9 (1917) First Line: I know not the hour when my Lord will come Refrain First Line: And that will be glory for me Languages: English Tune Title: [I know not the hour when my Lord will come]
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That will be heaven for me

Author: P. P. Bliss Hymnal: Gospel Hymns and Sacred Songs #13 (1875) First Line: I know not the hour when my Lord will come Refrain First Line: And that will be glory for me Scripture: 1 John 3:2 Languages: English Tune Title: [I know not the hour when my Lord will come]

People

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Henri Boutelleau

1846 - 1915 Person Name: H. Boutelleau, 1846-1915 Translator of "Je Ne Sais Pas Le Jour" in The Cyber Hymnal

Ernst Gebhardt

1832 - 1899 Person Name: E. Gebhardt, geb. 1832 Author of "O das wird unendlich mich freu'n!" in Gesangbuch der Bischöflichen Methodisten-Kirche

James McGranahan

1840 - 1907 Composer of "[I know not the hour when my Lord will come]" in The Cyber Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry
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