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Search Results

Tune Identifier:"^minto_kocher$"

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Tunes

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Tune authorities

MINTO (Kocher)

Meter: 7.6.7.6 Appears in 3 hymnals Composer and/or Arranger: Conrad Kocher Tune Key: B Flat Major Incipit: 51231 54317 6565

Texts

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Text authorities

Willkommen, Held im Streite

Appears in 30 hymnals Used With Tune: [Willkommen, Held im Streite]
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Behold, how good and pleasant

Meter: 7.6.7.6 Appears in 8 hymnals Scripture: Psalm 133 Used With Tune: MINTO
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What though thy sons be sleeping

Appears in 2 hymnals Used With Tune: MINTO

Instances

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Published text-tune combinations (hymns) from specific hymnals
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What though thy sons be sleeping

Hymnal: The Scottish Hymnal #85a (1892) Languages: English Tune Title: MINTO
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Behold, how good and pleasant

Hymnal: The Presbyterian Book of Praise #P106 (1897) Meter: 7.6.7.6 Scripture: Psalm 133 Languages: English Tune Title: MINTO

Willkommen, Held im Streite

Hymnal: Neue Zionsharfe #121 (1903) Languages: German Tune Title: [Willkommen, Held im Streite]

People

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Authors, composers, editors, etc.

Conrad Kocher

1786 - 1872 Composer of "MINTO (Kocher)" Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838). Bert Polman
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