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Thou, whose almighty word
Author: John Marriott Appears in 449 hymnals Topics: Mission of the Church Evangelism and Missions Used With Tune: SERUG
Thou, whose almighty word
Come, Thou almighty King
Meter: 6.6.4.6.6.6.4 Appears in 1,812 hymnals Topics: God The Holy Trinity; Doxologies Used With Tune: SERUG Text Sources: Whitefield's Leaflet 1757
Come, Thou almighty King
Shepherd of tender youth
Author: Clement of Alexandria; Henry M. Dexter Appears in 281 hymnals Used With Tune: SERUG
Shepherd of tender youth
En tu presencia, oh, Dios
Author: John Oxenham, 1852-1941; V. Cavallero; F.J. Pagura Hymnal: Toda La Iglesia Canta #86 (1989) Languages: Spanish Tune Title: SERUG
En tu presencia, oh, Dios
En Tu Presencia, oh Dios, Gozamos
Author: John Oxenham, 1852-1941; V. Cavallero; F. J. Pagura Hymnal: Cántico Nuevo #363 (1962) First Line: En tu presencia, oh Dios Languages: Spanish Tune Title: SERUG
En Tu Presencia, oh Dios, Gozamos
Come, Thou almighty King
Hymnal: The Hymnary of the United Church of Canada #5 (1930) Meter: 6.6.4.6.6.6.4 Topics: God The Holy Trinity; Doxologies Tune Title: SERUG
Come, Thou almighty King
Anonymous
Person Name: Anon. Author of "Come Now, Almighty King" in Voices United In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Clement of Alexandria
170 - 215 Author of "Shepherd of tender youth" in The Hymnal Clemens, Titus Flavins (Clemens Alexandrinus), St. Clement of Alexandria, was born possibly at Athens (although on this point there is no certain information) about A.D. 170. His full name, Titus Flavins Clemens, is given by Eusebius (H. E., vi. 13) and Photius (Cod. Ill), but of his parentage there is no record. Studious, and anxious to satisfy his mind on the highest subjects, he is said to have been a Stoic and Eclectic, and a seeker after truth amongst Greek, Assyrian, Egyptian, and Jewish teachers. He himself enumerates six teachers of eminence under whom he studied the "true tradition of the blessed doctrine of the holy apostles." At Alexandria he came under the teaching of Pantsenus, and embraced Christianity, Pantsenus being at the time the master of the Catechetical School in that city. On the retirement of Pantsenus from the school for missionary work, Clement became its head, cir. 190, and retained the position to 203. His pupils were numerous, and some of them of note, including Origen, and Alexander, afterwards Bishop of Jerusalem. Driven from Alexandria by the persecution under Severus (202-203), he wandered forth, it is not known whither. The last notice wo have of him in history is in a letter of congratulation by his old pupil, Alexander, then Bp. of Cappadocia, to the Church of Antioch, on the appointment of Asclepiades to the bishopric of that city. This letter, dated 211, seems to have been conveyed to Antioch by Clement. Beyond this nothing is known, either concern¬ing his subsequent life or death, although the latter is sometimes dated A.D. 220.
The works of Clement are ten in all. Of these, the only work with which we have to do is The Tutor, in three books. The first book describes the Tutor, who is the Word Himself, the children whom He trains (Christian men and women), and his method of instruction. The second book contains general instructions as to daily life in eating, drinking, furniture, sleep, &c.; and the third, after an inquiry into the nature of true beauty, goes onto condemn extravagance in dress, &c, both in men and women. Appended to this work, in the printed editions, are two poems; the first, "A Hymn of the Saviour), and the second, an address "To the Tutor". The first, beginning is attributed to Clement in those manuscripts in which it is found; but it is supposed by some to be of an earlier date: the second is generally regarded as by a later hand .
The “Hymn of the Saviour," the earliest known Christian hymn, has been translated into English:
The earliest translation is "Shepherd of tender youth.” This is by Dr. H. M. Dexter (q. v.). It was written in 1846, first published in The Congregationalist [of which Dexter was editor], Dec. 21, 1849, and is in extensive use in the United States. In Great Britain it is also given in several collections, including the New Congregational Hymn Book, 1859; Baptist Psalms & Hymns, 1858; the R. T. Society's Collection, &c.
There are also translations not in common use, viz.: (1) "Bridle of colts untamed," by Dr. W. L. Alexander, in the Ante-Nicene Christian Library, vol. iv. p. 343; (2) "Bridle of colts untaught," by Dr. H. Bonar, in The Sunday at Home, 1878, p. 11. (3) Another translation is by the Rev. A. W. Chatfield, in his Songs and Hymns of the Earliest Greek Christian Poets, 1876. Mr. Chatfield, following the Anth. Graeca Car. Christ., 1871, p. 37, begins with the eleventh line: "O Thou, the King of Saints, all-conquering Word." His translation extends to 40 lines.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
Clement of Alexandria
John S. Dwight
1813 - 1893 Author of "God bless our native land" in The Harvard University Hymn Book John Sullivan Dwight, born, in Boston, May 13, 1813, was a virtuoso in music, and an enthusiastic student of the art and science of tonal harmony. He joined a Harvard musical club known as "The Pierian Sodality" while a student at the University, and after his graduation became a prolific writer on musical subjects. Six years of his life were passed in the "Brook Farm Community." He was best known by his serial magazine, Dwight's Journal of Music, which was continued from 1852 to 1881. His death occurred in 1893.
The Story of the Hymns and Tunes, Brown & Butterworth, 1906.
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Dwight, John Sullivan, son of Timothy Dwight (p. 316, ii.), was born at Boston, U.S.A., May 13, 1812, and educated at Harvard, and at the Cambridge Theological College. He laboured in the ministry for six years, and then devoted himself to literary work. For nearly 30 years he was editor of a Journal of Music. His connection with hymnody is very slight. (See "God bless our native land," p. 1566, i.)
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
John S. Dwight
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
