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MOORE

Meter: 4.4.4.5 Appears in 6 hymnals Tune Sources: Traditional round Tune Key: F Major or modal Incipit: 12713 42355 55425 Used With Text: Morning Has Come

Appears in 4 hymnals Lyrics: Sing and rejoice, sing and rejoice, let all things living now sing and rejoice! Alleluia, alleluia, peace and goodwill to all, peace and goodwill. Topics: God Beyond All Name and Form Praise to God; God; Praise; Rounds and Canons; Service Music: Gathering Used With Tune: SING AND REJOICE Text Sources: Traditional, alt.

Día ya es

Author: Gaylord E. Smith, (estadounidense, n. 1939 Appears in 1 hymnal Topics: Doxologías y Cánones; Doxologies and Canons; Gratitud; Gratitude; Música Litúrgica; Liturgical Music; La Naturaleza; Nature; Unidad y Diversidad; Unity and Diversity Used With Tune: MOORE Text Sources: canon tradicional

Morning Has Come

Meter: 4.4.4.5 Appears in 1 hymnal Lyrics: Morning has come. Night is away. Rise with the sun and welcome the day. Topics: Service Music Responses, Rounds, and Chants; Morning Used With Tune: MOORE Text Sources: Traditional round

Instances

Published text-tune combinations (hymns) from specific hymnals

Sing and Rejoice

Hymnal: Chalice Hymnal #42 (1995) Lyrics: Sing and rejoice, sing and rejoice, let all things living now sing and rejoice! Alleluia, alleluia, peace and goodwill to all, peace and goodwill. Topics: God Beyond All Name and Form Praise to God; God; Praise; Rounds and Canons; Service Music: Gathering Languages: English Tune Title: SING AND REJOICE

Sing and Rejoice

Hymnal: Sing and Rejoice! #109 (1979) Topics: Praise, Thanksgiving; Rounds and Canons Languages: English Tune Title: [Sing and rejoice]

Sing and rejoice, sing and rejoice

Hymnal: Hymns of Truth & Light #42 (1998) Languages: English Tune Title: SING AND REJOICE

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People

Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Composer of "SING AND REJOICE" in Chalice Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry